Agrega una trama en tu idiomaFeatures Rev Run as he brings audiences on a hip-hop reimagining of The Nutcracker ballet set in NYC.Features Rev Run as he brings audiences on a hip-hop reimagining of The Nutcracker ballet set in NYC.Features Rev Run as he brings audiences on a hip-hop reimagining of The Nutcracker ballet set in NYC.
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Opiniones destacadas
It's a hip hop reimagining of the Nutcracker. A number of Tchaikosvky's music remixed in a hip hop way. The video is a troupe of hip hop dancers doing their thang. And they do it well.
The story is driven by stylized text on the screen and the MC.
The experience is about 40 minutes long and works for the preteen and younger crowd and anyone who likes this type of dance. None of the moves are all that advanced, the choreography is well done and production is very Disney.
There are some minor "intense" scenes as the Rat King makes his "attack". But it's a dance fight, yo!
3.4/10 seems a bit harsh to me, which is where the rating currently stands.
The story is driven by stylized text on the screen and the MC.
The experience is about 40 minutes long and works for the preteen and younger crowd and anyone who likes this type of dance. None of the moves are all that advanced, the choreography is well done and production is very Disney.
There are some minor "intense" scenes as the Rat King makes his "attack". But it's a dance fight, yo!
3.4/10 seems a bit harsh to me, which is where the rating currently stands.
Very family friendly! I really appreciated the hip hop revision in this remake. The modern interpretation was not over the top and they clearly put so much effort into the choreography. Kudos to all of the dancers!! The extrinsic violin was amazing. Comfort Fedoke Is fantastic and makes a wonderful toy maker. I loved seeing the ballet taken to a new height and energy level. My only complaint was the rapping style of Joseph Simmons aka Run. His old school vocals should be left in the 80's which was clearly not the decade being portrayed in this movie. Hip Hop Nutcracker is a refreshing mash-up of old & new on a 130 old classic ballet. It's a must see!
An excellent cast of dancers overshadowed by excessive editing and camerawork.
I thought we'd learned how to film dancers by now. But I suppose it's still not common knowledge among all directors.
Great way to kill a dancer's performance is with too many quick cuts, especially on all the major hits, and worse, cut to showing them from the shoulders up. So we literally have zero clues what their feet are doing. Dancers use their whole bodies, head to toe. Why? Just why?
And then the overbearing (at times unimpressive) effects and editing. I was stunned by the unnecessary effects applied to the Jabbawockeez performance. I mean if there was ever a group that has proven all you need to do is hit record and hush, it's the Jabbawockeez. Instead, the editor forced on us filters, and reversed speeds, and as mentioned before, too many cuts on most of the important musical moments in their performance.
Cutting away from the performances to show people watching the performance is also a great way to kill a performance. You had too many amazing dancers on this project to make us look at anything else besides them.
The camera did too much! The movement we wanted to see was with the dancers, not how many ways the camera can pan and zoom and what not. Some of that, I imagine was the editor, but some of that was intended camerawork and it was unnecessary. It truly ruined what should have been really impactful moments in the dancers' performances.
ALL of these dancers have amassed a significant presence on social media, filming themselves, partnering with filmmakers who have mastered filming them. I don't know why these people weren't consulted for this project.
And this is no dig, it's just honesty about the art of acting. If a dancer is not also an actor, trained in the craft, it shows. There was too much "acting" imposed on a cast of dancers. It made for dead air, awkwardness, and it wasn't needed to fuel the story. Should have kept it simple and just told the story with dance. That would have been enough. You know, like the Nutcracker.
All in all it was certainly a feel good project and I enjoyed the heart and joy of it. Def loved seeing all my favorite dancers, but just wish I could have seen their FULL performances, uninterrupted and uninhibited.
I would love to see this become a holiday tradition with improvements and better care shown to capturing the art of dance.
I thought we'd learned how to film dancers by now. But I suppose it's still not common knowledge among all directors.
Great way to kill a dancer's performance is with too many quick cuts, especially on all the major hits, and worse, cut to showing them from the shoulders up. So we literally have zero clues what their feet are doing. Dancers use their whole bodies, head to toe. Why? Just why?
And then the overbearing (at times unimpressive) effects and editing. I was stunned by the unnecessary effects applied to the Jabbawockeez performance. I mean if there was ever a group that has proven all you need to do is hit record and hush, it's the Jabbawockeez. Instead, the editor forced on us filters, and reversed speeds, and as mentioned before, too many cuts on most of the important musical moments in their performance.
Cutting away from the performances to show people watching the performance is also a great way to kill a performance. You had too many amazing dancers on this project to make us look at anything else besides them.
The camera did too much! The movement we wanted to see was with the dancers, not how many ways the camera can pan and zoom and what not. Some of that, I imagine was the editor, but some of that was intended camerawork and it was unnecessary. It truly ruined what should have been really impactful moments in the dancers' performances.
ALL of these dancers have amassed a significant presence on social media, filming themselves, partnering with filmmakers who have mastered filming them. I don't know why these people weren't consulted for this project.
And this is no dig, it's just honesty about the art of acting. If a dancer is not also an actor, trained in the craft, it shows. There was too much "acting" imposed on a cast of dancers. It made for dead air, awkwardness, and it wasn't needed to fuel the story. Should have kept it simple and just told the story with dance. That would have been enough. You know, like the Nutcracker.
All in all it was certainly a feel good project and I enjoyed the heart and joy of it. Def loved seeing all my favorite dancers, but just wish I could have seen their FULL performances, uninterrupted and uninhibited.
I would love to see this become a holiday tradition with improvements and better care shown to capturing the art of dance.
10vmlvn
Amazing dance and choreography. Very creative blending all genres of dance into one . The chemistry between Cache Melvin and. Fickshun Stegall poured though our screens so very cute , we loved the two of them on screen together .All of the artists top notch 10/10. Our family is looking forward to making this a must see an every Christmas holiday watch . Disney + we thank you for your willingness to give us a new fresh take on what's considered an only traditional take on a story . We loved the creativity of how Run narrated the storyline and added to the hip hop spin . Again it was a spin on the traditional version not a.replacement. My family absolutely LOVED IT .
This is one of the most phenomenal productions of.. anything I have ever seen! I am a classically trained musician and huge fan of the classic Nutcracker score. This modern twist on the story was so masterfully done. From the mixed style of music, to the choreography, to the makeup, to the clever way of communicating important story elements to the audience: it was truly a modern ballet done to perfection.
Cache Melvin as Maria-Clara and Dushaunt Fik-shun Stegall as the Nutcracker were such a darling pair on screen. Great chemistry and incredible talent! Cameo from Mikhail Baryshnikov was such a treat. Joseph Simmons from Run-DMC narrate-rapping story elements was so tasty. Stephen Boss was such a perfect addition to the cast. I can't believe he ended his life after this was released. What a sad loss to the world.
I hope to see more productions like this going forward. So, So many delicious things to enjoy on this visually, aurally and emotionally.
Cache Melvin as Maria-Clara and Dushaunt Fik-shun Stegall as the Nutcracker were such a darling pair on screen. Great chemistry and incredible talent! Cameo from Mikhail Baryshnikov was such a treat. Joseph Simmons from Run-DMC narrate-rapping story elements was so tasty. Stephen Boss was such a perfect addition to the cast. I can't believe he ended his life after this was released. What a sad loss to the world.
I hope to see more productions like this going forward. So, So many delicious things to enjoy on this visually, aurally and emotionally.
¿Sabías que…?
- TriviaStephen Boss's final acting role before his death by self-inflicted gunshot wound in December 2022.
- ConexionesFeatured in AniMat's Crazy Cartoon Cast: The D23 Expo 2022 Special (2022)
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- Tiempo de ejecución44 minutos
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By what name was The Hip Hop Nutcracker (2022) officially released in Canada in English?
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