CALIFICACIÓN DE IMDb
7.4/10
18 k
TU CALIFICACIÓN
La hija de un aristócrata se enamora de un arqueólogo que esta de visita, pero él guarda un secreto que podría separarlos.La hija de un aristócrata se enamora de un arqueólogo que esta de visita, pero él guarda un secreto que podría separarlos.La hija de un aristócrata se enamora de un arqueólogo que esta de visita, pero él guarda un secreto que podría separarlos.
- Dirección
- Guionistas
- Elenco
- Premios
- 5 premios ganados y 27 nominaciones en total
Swachata Sanjiban Guha
- Devyani
- (as Swachata Guha Mallik)
Opiniones destacadas
This is my first review in IMDb.
I went to this movie without any expectation and because of my wife. I was completely blown away by the class of this movie. Direction, music, cinematography and acting by all the actors were top class.
I was not a fan of Ranvir Kapoor and Sonakshi Sinha. However after watching this movie, I've changed my mind. I believe this is their best performance.
Arif Zakaria, Pakhi's father and Adil Hussain impresses in supporting role.
Do not miss this movie. I'll rate this 8.5 out of 10.
I went to this movie without any expectation and because of my wife. I was completely blown away by the class of this movie. Direction, music, cinematography and acting by all the actors were top class.
I was not a fan of Ranvir Kapoor and Sonakshi Sinha. However after watching this movie, I've changed my mind. I believe this is their best performance.
Arif Zakaria, Pakhi's father and Adil Hussain impresses in supporting role.
Do not miss this movie. I'll rate this 8.5 out of 10.
"What is a film all about?" asks Aniket Mazumdar in Rituparna Ghosh's Abohoman . Apratim (his son) replies "Depends. Moments maybe!". It seems that Vikramaditya Motwane has done mastery in creating those moments. He first was an assistant of Sanjay Leela Bhansali for Devdas then did something as a choreographer and also played a part of screenwriter for DevD . Then came his first film Udaan in 2010 for which he had already written the story in 2003 but couldn't make a movie out of it as there were no producers to back him up. According to him that struggle was a blessing in disguise as he got his film released on a large scale which he had not even imagined. Udaan made me spellbound and won many accolades and after its success Vikramaditya with his Lootera proved that it was no fluke. He is a genius in creating moments which defines a movie. Lootera is a movie which shows cinematic brilliance on screen and apparently it brings a smile on your face as it is full of magical moments. It is really hard to describe those in words that is why I am not reciting any of those. Who said that the Romance genre has died in Bollywood. The first half of the movie is freshly written but the second half which was shot in Kashmir is adapted from O'Henry's short story The Last Leaf. Set in 1953-Manikpur it is a story of an ageing zamindaar who is struggling with the new law, which the government forbids everyone to do zamindaari. He loves her daughter Paakhi (Sonakshi Sinha) more than his life. And then comes Varun Srivastava (Ranveer Singh) with his friend as an archaeologist to find some remains of a dead civilization under Paakhi's father's land. It is then the joyride begins with so much detailing which is handled by Vikramaditya very efficiently. Each and every sequence of the movie is like a moving painting and is well shot that it feels so stunning and vivid, be it the Kashmir or the Manikpur part. Packed with powerful performances of Ranveer Singh and Sonakshi Sinha the movie ends up being a treat to watch with its supporting cast also doing a great job. It may well be the career defining performance of both the protagonists. Ranveer and Sonakshi puts their heart in the movie and proves a fact that, Yes they also can act. Lootera also demonstrate a fact that wonders can happen when two geniuses are involved in the same project. The second one being Amit Trivedi. This guy just cannot disappoint you. He is getting better and better with each movie. If the movie is a moving painting then Amit Trivedi's music and background score are canvases of it with Shikaayatein and Manmarziyaan being so infectious. The movie works in every department and it is a very rare movie nowadays where the second half doesn't disappoint you. Yes there are some weak points in the second half but they are a few in numbers or negligible as compared to the good parts. Many of you may want to cry or some of you may get disappointed after watching the climax but it brought a smile on my face as Varun smiled after falling off the tree in the last part of the movie. I just felt love in the air. Love between Paakhi and Varun. The magical climax couldn't have made an impact as it did without the Zinda Hoon Main song. I am going with 4 stars for Lootera. Watch it for two geniuses and two future stars of Bollywood.It certainly is the best movie of the year and much much better than the trash that the industry has produced in the name of a love story.
P.S:-Do yourself a favour by not missing Lootera on the big screen. 4/5
P.S:-Do yourself a favour by not missing Lootera on the big screen. 4/5
Neither "Pakhi"(Sonakshi) nor "Varun"(Ranveer) are the main character of this film. Now if you think that i am joking then you should watch it. For me the main character of this movie is SILENCE and it is something awkward for a Hindi movie nowadays but that's true. The whole movie is show through silence , eyes , facial expression , visuals, surroundings and last but most important background score. This movie is not going to create the kind of magic that "Udaan" did but its a different genre movie and very real. Now if you love to see a story not by dialogues but through expression then this is something you must watch and for other people just find two n half hour a real silence of their life.
First of all to begin with i would say that this is romance in its purest of form and Mr. Motwane did it again after his masterpiece Udaan .... form , execution , structure , text , dialogues , score and music works perfectly......... Chemistry between Ranveer and Sonakshi works on various levels and the poetic yet realistic treatment of subject and enigmatic approach towards matter gave the two perfectly written characters... First half is an amazing look into Indian history along with doomed romance which would have given birth to beautiful things but wasn't destined to prosper...... second half is the look into the consequences of the choices and is way too dark and realistic in comparison to the fairy-tale approach of first half........
Might be too 'different' for mainstream audiences , but this movie have one thing that most of the movies now a days from Bollywood lacks , Class....
if you want to witness sheer romance and meditate silence and feel the warmth and cinema is the medium that does this the best for you..... then Lootera is the thing for you.....
Anurag You Are Great!
Balaji thanks for backing up this classic timeless piece of work
And for Mr. Vikramaditya Motwane i would say.... keep Em coming man.....you are the future!
Might be too 'different' for mainstream audiences , but this movie have one thing that most of the movies now a days from Bollywood lacks , Class....
if you want to witness sheer romance and meditate silence and feel the warmth and cinema is the medium that does this the best for you..... then Lootera is the thing for you.....
Anurag You Are Great!
Balaji thanks for backing up this classic timeless piece of work
And for Mr. Vikramaditya Motwane i would say.... keep Em coming man.....you are the future!
Love, in its purest and uninhibited form, has attracted many film-makers since time immemorial but somehow the thin line between sensitivity and melodrama gets blurred. "Lootera" is one such attempt which brings out the raw passion in its purest form without being too melodramatic that will go down as a classic in history of Indian cinema.
Story wise Lootera is an uncomplicated linear story of a con-man falling for a lady who is the daughter of a big zaminder in Bengal. The movie is about love, betrayal, redemption and falling in love all over again. It is the execution which makes all the difference. Motwane with his craftsmanship transcends this story into a visual imagery which strikes tune with the chord of audience's emotions. Even the social milieu of 1950s Bengal has been projected with dexterity when Zamnidari system was almost dying out & government devising laws to abolish the whole Zamindari rule. The inner turmoil of losing one's autocratic set-up & the luxuries all of a sudden indeed comes as a jolt & that has been depicted precisely. Even zamindar Roychowdhury at one point of time confesses to Varun about how he grew habituated with zamindari system & how difficult it is for him to shed it now. While Barun Chanda (who made his debut with Master Satyajit Ray's Seemabaddha) gave a commendable performance as the failing zamindar & a father of a lovely daughter; Sonakshi Sinha steals the show as vulnerable yet emotionally strong Pakhi who falls for a young archaeologist & then their lives turns upside down. Her expressive eyes conveyed the mature emotions in earthy fashion which helps to connect with the character that is in dilemma in accepting his lover after being betrayed once. It is often believed that good director brings out the best from all actors. I sincerely want to differ with this & wish to believe this lady is indeed talented with the hope of seeing Sonakshi Sinha doing more films like Lootera. Never expect the Dabbang & Rowdy girl to give such a restrained and mature performance. While Pakhi is a delight to watch, Ranveer's portrayal of Varun (real name is unknown till the end) grows on you slowly. The soft spoken guy with his boyish charm is an easy bet to win any woman's heart & Ranveer did a stupendous job in projecting the same. Like Sonakshi, his character also has layers of emotions which he delivers through his facial expressions and voice modulation albeit in a controlled manner. Vikrant Massey as Varun's friend Devdas Mukherjee & Adil Hussain as Inspector Singh complimented the acting of the lead pairs thus elevating the proceedings. Arif Zakaria, Divya Dutta & Dibyendu Bhattacharya shines in small roles.
... "Silence" plays a crucial role in this epic love story. In real life we often use silence to convey thousands of emotions. It's true that sometimes silence speaks more than words & that what makes Lootera stand out from other films of this genre.
The real heroes of the film are Vikramaditya Motwane & his technical team. After delivering the classic Udaan, Motwane hits the bull's eye with "Lootera". Unlike the dark proceedings of his debut film he chooses one of the most basic emotions called "Love" & merges some thrilling elements to create a brilliant film. O. Henry's short story "The Last Leaf" has been seamlessly merged in the second half which uplifts the sensitive depth of the climax. Shetty's cinematography compliments Motwane's vision thus creating an awesome painting in celluloid. Purulia looked astonishing & the intrigued photography is probably one of the best in recent times. Credit goes to Deepika Kalra for editing the frames effectively. Rarely one witnesses such effective use of Block Shots in any mainstream cinema recently. The detailing in production design & lights needs special mention. Art direction is top notch. There is one particular scene where Varun is suffering from indecision of going ahead with his con job and at the same time expressing his love for Pakhi. As Pakhi enters his room there is a dim light everywhere except Varun's eye which shies away in darkness as if he is not able to confront himself.
There are many such master strokes in the film which needs more elaborate discussion. The film starts with an old story of a king whose life is stored inside a pet bird. The symbolism has been aptly used as Pakhi imbibes the story & start searching for that "pet bird" until she finds it in a Leaf. The leaf symbolizes the gradual decaying of Pakhi's health and the same time Varun's unconditional love for Pakhi that completes his life. Motwane & Iyer's screenplay did justice to Henry's short story while genius Kashyap's minimal usage of dialogs evokes the perfect ambiance for a classic setting.
Amit Trivedi & Amitabh Bhattacharya combo is always superb and then sealed their credibility with Lootera. One of best music of recent times, the setting actually helped in taking the story forward with the lyrics sometime playing the part of a narrator or giving an insight of protagonist's mind. The picturization of the song "zinda hoon yaar" had blown me away completely.
If cinema is one of the greatest medium to tell a story then Motwane knows it better than many of the directors at present whose ideas are contrived. A visual painting, an ode to Love, Lootera is a must must watch for those who are seeking good cinema within mainstream domain. The film obviously wont set BO by fire (neither any of the classics ever did) but will go down in the history as a timeless classic.
Udaan & Lootera–Motwane, Sir take a bow!!Other directors should learn to use colors in films like Motwane does that never looks like Plastic. Encore!! Encore!!
P.S-AnuragKashyap always supports great films.This time along-with him,thanks to EktaKapoor for believing in Motwane's vision & helping him to paint his canvas so beautifully.
Story wise Lootera is an uncomplicated linear story of a con-man falling for a lady who is the daughter of a big zaminder in Bengal. The movie is about love, betrayal, redemption and falling in love all over again. It is the execution which makes all the difference. Motwane with his craftsmanship transcends this story into a visual imagery which strikes tune with the chord of audience's emotions. Even the social milieu of 1950s Bengal has been projected with dexterity when Zamnidari system was almost dying out & government devising laws to abolish the whole Zamindari rule. The inner turmoil of losing one's autocratic set-up & the luxuries all of a sudden indeed comes as a jolt & that has been depicted precisely. Even zamindar Roychowdhury at one point of time confesses to Varun about how he grew habituated with zamindari system & how difficult it is for him to shed it now. While Barun Chanda (who made his debut with Master Satyajit Ray's Seemabaddha) gave a commendable performance as the failing zamindar & a father of a lovely daughter; Sonakshi Sinha steals the show as vulnerable yet emotionally strong Pakhi who falls for a young archaeologist & then their lives turns upside down. Her expressive eyes conveyed the mature emotions in earthy fashion which helps to connect with the character that is in dilemma in accepting his lover after being betrayed once. It is often believed that good director brings out the best from all actors. I sincerely want to differ with this & wish to believe this lady is indeed talented with the hope of seeing Sonakshi Sinha doing more films like Lootera. Never expect the Dabbang & Rowdy girl to give such a restrained and mature performance. While Pakhi is a delight to watch, Ranveer's portrayal of Varun (real name is unknown till the end) grows on you slowly. The soft spoken guy with his boyish charm is an easy bet to win any woman's heart & Ranveer did a stupendous job in projecting the same. Like Sonakshi, his character also has layers of emotions which he delivers through his facial expressions and voice modulation albeit in a controlled manner. Vikrant Massey as Varun's friend Devdas Mukherjee & Adil Hussain as Inspector Singh complimented the acting of the lead pairs thus elevating the proceedings. Arif Zakaria, Divya Dutta & Dibyendu Bhattacharya shines in small roles.
... "Silence" plays a crucial role in this epic love story. In real life we often use silence to convey thousands of emotions. It's true that sometimes silence speaks more than words & that what makes Lootera stand out from other films of this genre.
The real heroes of the film are Vikramaditya Motwane & his technical team. After delivering the classic Udaan, Motwane hits the bull's eye with "Lootera". Unlike the dark proceedings of his debut film he chooses one of the most basic emotions called "Love" & merges some thrilling elements to create a brilliant film. O. Henry's short story "The Last Leaf" has been seamlessly merged in the second half which uplifts the sensitive depth of the climax. Shetty's cinematography compliments Motwane's vision thus creating an awesome painting in celluloid. Purulia looked astonishing & the intrigued photography is probably one of the best in recent times. Credit goes to Deepika Kalra for editing the frames effectively. Rarely one witnesses such effective use of Block Shots in any mainstream cinema recently. The detailing in production design & lights needs special mention. Art direction is top notch. There is one particular scene where Varun is suffering from indecision of going ahead with his con job and at the same time expressing his love for Pakhi. As Pakhi enters his room there is a dim light everywhere except Varun's eye which shies away in darkness as if he is not able to confront himself.
There are many such master strokes in the film which needs more elaborate discussion. The film starts with an old story of a king whose life is stored inside a pet bird. The symbolism has been aptly used as Pakhi imbibes the story & start searching for that "pet bird" until she finds it in a Leaf. The leaf symbolizes the gradual decaying of Pakhi's health and the same time Varun's unconditional love for Pakhi that completes his life. Motwane & Iyer's screenplay did justice to Henry's short story while genius Kashyap's minimal usage of dialogs evokes the perfect ambiance for a classic setting.
Amit Trivedi & Amitabh Bhattacharya combo is always superb and then sealed their credibility with Lootera. One of best music of recent times, the setting actually helped in taking the story forward with the lyrics sometime playing the part of a narrator or giving an insight of protagonist's mind. The picturization of the song "zinda hoon yaar" had blown me away completely.
If cinema is one of the greatest medium to tell a story then Motwane knows it better than many of the directors at present whose ideas are contrived. A visual painting, an ode to Love, Lootera is a must must watch for those who are seeking good cinema within mainstream domain. The film obviously wont set BO by fire (neither any of the classics ever did) but will go down in the history as a timeless classic.
Udaan & Lootera–Motwane, Sir take a bow!!Other directors should learn to use colors in films like Motwane does that never looks like Plastic. Encore!! Encore!!
P.S-AnuragKashyap always supports great films.This time along-with him,thanks to EktaKapoor for believing in Motwane's vision & helping him to paint his canvas so beautifully.
¿Sabías que…?
- Citas
Varun Srivastav: In my life, everyone used me... Only you loved me...
- ConexionesReferenced in The Kapil Sharma Show: Ranveer and Vaani in Kapil's Show (2016)
- Bandas sonorasSawaar Loon
Vocals by Monali Thakur
Music composed by Amit Trivedi
Song lyrics written by Amitabh Bhattacharya
(P) 2013 Super Cassettes Industries Ltd.
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 581,813
- Fin de semana de estreno en EE. UU. y Canadá
- USD 314,958
- 7 jul 2013
- Total a nivel mundial
- USD 789,671
- Tiempo de ejecución2 horas 16 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Lootera (2013) officially released in Canada in English?
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