Varados después de un trágico accidente aéreo, dos desconocidos deben forjar una conexión para sobrevivir a los elementos extremos de una remota montaña cubierta de nieve. Cuando se dan cuen... Leer todoVarados después de un trágico accidente aéreo, dos desconocidos deben forjar una conexión para sobrevivir a los elementos extremos de una remota montaña cubierta de nieve. Cuando se dan cuenta de que la ayuda no llega, se embarcan en un viaje peligroso a través del desierto.Varados después de un trágico accidente aéreo, dos desconocidos deben forjar una conexión para sobrevivir a los elementos extremos de una remota montaña cubierta de nieve. Cuando se dan cuenta de que la ayuda no llega, se embarcan en un viaje peligroso a través del desierto.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 1 nominación en total
- London Nurse
- (sin créditos)
- Patsy Cline Impersonator
- (sin créditos)
- François - London Hospital Visitor
- (sin créditos)
- Dirección
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- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
If Nicholas Sparks could do lost in the snow, then he could have written this rather trite and predictable romance. Why wouldn't they fall in love with no one else around and such attractive people to boot? That they both are vulnerable becomes obvious; that they will fall in love is a given of the genre and maybe of survival itself when there's no one else around.
Lest I forget, a lovable dog also is a tie to bind. To be fair, director Hany Abu-Assad and his writers J.Mills Goodloe and Chris Weitz keep the real romance from happening through at least half the film. During that blessed time we can enjoy the spectacle and the survival techniques. Always with the thought of what we would do in those circumstances.
More outrageous than the clichéd circumstance is the fact that she needs medical help consistently where he just needs it toward the end. Why then does the old trope of the damsel in distress come to mind? Why not,in a film shameless with tear jerking.
He just lost his wife, and she doesn't seem overly joyed about her impending wedding and her husband, Mark (Dermot Mulroney). So you know what's going to happen right to the end.
I am happy to see Canada so beautifully captured on the screen. As for me, I felt captured in a melodramatic survival story from which I needed rescue.
The story begins with Idris Elba as a doctor rushing to Baltimore for surgery and Kate Winslet off to get married to her fiancé and they agree to work together to get to their destinations. However, their plane crashes into the middle of the mountains and leaves them stranded with only a golden retriever and their wits to find shelter and keep one another from falling apart.
Kate and Idris both give committed performances even through the harsh weather conditions displayed. The cinematographer sets up some pretty beautiful shots of the mountains and the scale and distance the actors are from any form of civilization so that was something I appreciated in a post "every month a CGI fest blockbuster" world. Sadly the compliments end here.
What kills the film is it's SO UTTERLY PREDICTABLE. If you have seen any romantic film ever, you know what will happen. The dialogue is void of any psychological questions of dealing with a stranger alone for weeks despite the film feels like it's only 6 days tops. Not as viewer did I feel they went through harsh conditions as Kate's hair the entire time looked freshly curled.
The Mountain Between Us on the trailer felt what could have been a solid survival film, but instead got a corny and sometimes boring romantic drama. Outside of one genuine jump scare that truly surprised me, the film just feels lost in trying to be a romantic movie and survival movie at the same time with very little chemistry to weave them together.
LIKES:
The acting: Like the mountains they are stuck in, the lead actors in this movie are giants themselves, displaying their talents to high levels. Idris Elba once more blows my mind out how well he executes his roles. He sells the suffering surgeon well, playing the internalization well and the survivalist even more. Kate Winslet as ever brings her character to life, taking the fiery spirit she has within, and unleashing it in a manner that is wild, yet honed as the movie progresses. The two certainly have the portrayal of suffering down pat (they can really shiver) but on many levels they play well off each other, especially in the beginning.
The Dog: While not the main human actor, the dog is by far the character I cared about the most. This animal, while of course like many of his canine brethren, was cute to me and impressive in the work it had to do. Trekking through the show, climbing mountains, and a variety of other things the dog certainly caught my eye for much of the screen. In addition, because I'm a big animal fan, the dog was the character that kept me engaged in the film. Every scene transition, or new challenge I couldn't help, but think "What happened to the dog." That component is perhaps the biggest hooking element in the movie to keep you into the film. What is its fate? Can't tell you, you'll have to watch.
The Scenery: While it is no substitute for the real thing, The Mountain Between Us is a great example of stunning camera work. My breath was taken away by all the panoramic shots of the wilderness from the ever expanding sky in the peaks, to the silent wonder of the forest littering the valleys below. It brings out the deadly force that mother nature holds and stunned me by the majesty of the visual prowess cameras can pick up. So while it is again not the same thing as hiking these majestic peaks, it is the next best thing.
DISLIKES:
Diluted Suspense: If you are like me, the trailers might have you believe this was going to be the most suspenseful movie of the year. Unfortunately, I was fooled again. This film has some moments that got my anxiety building, but a majority of it is an almost peaceful trek through the snow. While they are certainly cold, our character's journey through the frozen wastelands lacked many elements to build up the intensity. Perhaps the lack of a cinematic score, or the fact that obstacles seemed cleared too easily thanks to convenience, this movies frozen fury was almost a little too fragile for me. Or maybe it was the other focus of the movie that downgraded the suspense for me
The Love Theme: Yes, just like the symbolic title suggests, the main wedge is the character's backstories preventing them from moving to the obvious sign of starting a romance. Much of the film tries to get the two to address their rather quick development of passion for one another in some rather lackluster ways. I wasn't sold on the romance for the most part, and the actors themselves didn't seem quite charmed by each other outside of one rather pointless scene. The friendship factor at the beginning was much stronger, and would have been the route I had taken in developing the story. Again, I don't necessarily hate love, but I would like it better portrayed for my investment.
Disproportion: Timing the movie, as good geeks do, it took only 8 minutes to get up on the mountain. While I appreciate the fast pace, it gave little time to get to know the characters or at least give them a decent introduction to the madness about to be had. This opening was rather shallow and quite disappointing in the grand scheme of the movie. Yet it's not quite as bad as the dragged out ending of this film. While not as long as Return of The King, and all its false exits, The Mountain Between Us sort fizzles out in the end. This tangent was not necessary, a quick closure to try and tidy up some loose ends of a weaker component of the film. Worst off, the chemistry started to falter, making this an awkward mess with a rather cheesy, albeit poetic, ending. Not sure why these last 25 minutes needed to exist, but it could have been better spent in the beginning and end of the movie.
The VERDICT:
The Mountain Between Us is a beautiful spectacle of what the world can provide in terms of a stage, certainly blowing my mind on the visuals. Alongside this majestic scenery comes some quality acting and a hooking factor in the form of the dog. Yet these tools alone couldn't save this movie from being semi-dull. With the tension dropped to a PG level for symbolism and awkward love, alongside disproportioned parts, I can't say this movie delivered all I wanted. The visuals might be the main theater worthy component, but this reviewer suggests holding out for RedBox to catch it.
My Scores:
Action/Adventure/Drama: 6.5 Movie Overall: 5.5
¿Sabías que…?
- TriviaPrior to filming, Kate Winslet had discussed her role with close friend Leonardo DiCaprio. Leo, who had finished filming Revenant. El renacido (2015) in equally-gruelling conditions, warned her of how bitterly cold the temperature would be and how difficult filming would become. Once filming had commenced, Kate would send texts to Leo of her covered in snow and hanging off the mountain, with the caption: "this one's for you, honey!"
- ErroresThe camera that Alex uses is a Leica M4-P made from 1980 to 1986 and is a 35mm film camera. At the beginning of the movie the camera has image review, a feature not found on film cameras and it also has auto focus capabilities something not found on a Leica M4-P. By the end of the movie the camera is back to a normal Leica M4-P with a roll of film and a developing scene.
- Bandas sonorasSonata for Violin and Keyboard in B Minor, BWV 1014: I. Adagio
Written by Johann Sebastian Bach
Arranged by Ramin Djawadi
Selecciones populares
- How long is The Mountain Between Us?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Mountain Between Us
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 35,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 30,348,555
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,551,336
- 8 oct 2017
- Total a nivel mundial
- USD 62,832,209
- Tiempo de ejecución1 hora 52 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1