Hambre

Hunger is a compelling and thought-provoking film that explores the world of cooking and the class divide that exists in society. The movie follows the story of Auy, a young cook who manages her father's old noodle house. Auy is given the opportunity to work with Chef Paul, the owner of a very popular catering business that caters to the elite.

The film's portrayal of the culinary world is captivating, and the cinematography is excellent. The photography of the cooking process is especially impressive, and it truly brings the audience into the kitchen. The film does an excellent job of showing the stark difference between the food that the poor and the rich eat.

As the story progresses, Auy realizes that she cannot condone Chef Paul's policies and unlawful acts. She decides to quit and forms her own cooking team with the help of an entrepreneur. Her restaurant, Flame, quickly becomes a phenomenon in social media, and she is able to compete with Chef Paul when they are both invited to cook for a socialite personality.

However, the film's ending falls short of expectations. It feels somewhat rushed, and the resolution is not as satisfying as it could have been. The film could have benefited from a different ending that tied up loose ends and provided a more satisfying conclusion.

Overall, Hunger is a movie worth watching for foodies and those interested in exploring social issues through the culinary world. Despite the lackluster ending, the film's excellent cinematography and compelling story make it a must-see.

Thai thriller film produced in 2023. This is the second food master movie this year after The Menu. Working in a small family restaurant of their own, the girl cook applies to work for the country's most famous chef, hoping to become a great chef. After the application, he passes the screening, but over time he sees that the job is not at all as he hoped, and that he does not take part in human emotions such as pity, emotionality and compassion on the way to the top.

The movie is about 2 and a half hours, but it is watched with interest. It does not bore the audience, on the contrary, it makes the audience feel the tension it aims at. The story of the chief cook is really nice. There is also the main idea that the artistic meals made here are not meant to satisfy hunger. At the last summit, the size of the price to be paid to be permanent is explained.

There is no sex or nudity in the movie.

What a weird movie, a very confusing movie that tries way too hard to be impressionable.

The main character is extremely one-dimensional. She pretty much has the same exact facial expression for the entire movie. It's the same deadpan stare that many Asian dramas suffer from.

The story's message is quite simple but the execution is like a hot soda can that exploded inside your car, it's all over the place.

The show is evil, demonic at some points. But for what? It's so extra and beyond that it's comical... Except that it's trying to be serious.

So the result is a bunch of drawn out scenes that do not offer any pleasurable closures. The ending scene is bizarre and the twist comes out of left field.

Give it a try if you desperately need something to try but you won't really be missing out on much if you decide to skip it.

This film is a commentary on socioeconomic class-divide through food, but not your typical "wow, that's fancy looking food" kinda movie from the food-drama sub-genre.

Plot Aoy (Remember the actor from Bad Genius?), who runs a family noodle shop, wants to be 'special', wants more from life. But how far is she willing to go to become a famous chef? Can she handle everything that will come the fame?

Take Social commentary can sometimes feel too preachy, either the rich or poor side can be made to seem very villainous, but I thought it was fairly balanced here. While there is nothing mind-blowing here, the satire and drama were balanced. Good acting by everybody and also well shot. It's a slow-burn of sorts but the film has a message, that....is thought-provoking, to say the least.

This is a film of two halves - unfortunately, these two halves belong in different movies.

The first half has the tone and feel of scabrous satire, clearly wanting to deliver social commentary. Here we are skirting really, really close to the same territory explored by The Menu. The second half discards this and, instead, mimics the dynamic and arc of Wall Street - only with restauranteurs. Which is a shame: the first half was visually arresting and had the potential to be both provocative and interesting. The second half less so.

This is another one of those movies which cause me to scratch my head: what did this want to be? What does the film maker imagine this film to be about?

If you're interested in writing, film-making or whatnot, there is such a thing as the elevator pitch. You're in a lift with some hotshot producer. You've got until those elevator doors ping to pitch your movie. This film, alas, fails that simple test.