The Seeding

I immediately see the influence of the classic Japanese New Wave film "Women In The Dunes" from 1964, by Hiroshi Teshigahara, based on a book by the Existentialist Novelist Kobo Abe. Teshigahara would go on to adapt a number of Abe's books to film. It is available for free viewing at Archive.org. Some of the scenes are a scene for scene copy (or homage).

The cinematography in "The Seeding" is outstanding, with great wide angle shots, and pans of landscapes. The first scene shows the man's car parking on a desert road cul-de-sac. The overhead shot resembles a sperm cell, with the road being the tail. A symbolic reference to the title and things to come. Ken Russell did a similar shot in the 1969 film "Women in Love", in which a (probably drunk) Oliver Reed dies while walking in snow.

With my expectations elevated for a fantastic sublime film, I was disappointed by the unimaginative screenplay and the real let down of a sloppy and apathetic conclusion.

I would recommend the movie for the filmmaking alone, but it is frustrating to think it could have been better with a rewrite.

The acting is well done, though I would have had the women have a stranger demeanor, considering she has not seen the outside world.

The plot leaves too many questions, and many simple questions are not even brought up by the Man. The writer didn't convey a plausible lead character. In the end, the project is essentially scrapped. The difficult issues are not brought into the screenplay which is disappointing.

As a "Horror" film it has some of the gore, but the film doesn't entirely embrace the genre. In the end the film simply misses the target. This due to the fact that the filmmakers were not sure of what they were aiming for in the first place.

I haven't see the trailer,so I didn't know what to expect. After the first 18 minutes you know exactly what is going to happen. Unfortunately I saw the whole movie expecting the plot twist. It didn't came. My vote would be higher if this was a part of a trilogy. It could be a second movie with a happy or unexpected end,and a third movie (with the original/indian language ) how everything starts. Acting was good,direction medium. I mean give us a shot from above the desert so we can feel how isolated they are. Most annoying was the script,I almost knew what will happen minute after minute. Even the title gives to much.

For those who are big fans of unusual or artsy horror/thrillers, I found that I had predicted the outcome after around 15 minutes- which was overall a shame. Whilst well created, with some beautiful scenes and building tension- it all just seemed pointless considering the plot "twist" was poorly hidden.

If you like stories that are a little bit "weird" than it might be up your ally as you may be surprised, but for those of you out there who are avid fans, I personally found the film forgettable.

There were also some story line aspects that weren't really followed up on/discussed- this feels like the main attempt to "hide" the outcome but in my opinion, makes the outcome more obvious.

I almost didn't watch this, based on several reviews here. After watching, I could understand how the bleak story could divide viewers. Though depressing, I found myself immersed in the situation.

I love the desert, so the setting immediately sucked me in. Though mostly limited to a house in a hole, it made for a fairly dramatic set piece. I'll need to search out how this was achieved.

I was also drawn to the character of Alina. I was wondering why she was so quiet and calm, while the main guy was freaking out. She seemed both disconnected and alluring.

Technically, it was very competent. Good cinematography, wonderfully eerie music. Overall, the movie did a great job of making me believe that this place could exist.

Wyndham Stone (Scott Haze) gets lost in remote wilderness. He is rescued by a woman (Kate Lyn Sheil) living at the bottom of a canyon. He gets hurt trying to climb the canyon wall. Then he is harassed and trapped by a group of young people.

This reminds me very much of 70's Ozploitation. Quite frankly, I thought they may be Aussies trying not to do their accent. That has to be the motif that filmmaker Barnaby Clay was shooting for. It succeeds at that. The movie is off-putting in all that right ways. It has a tiny location. It is simplistic, crude, and basic. Don't look for more or complexity.