Lost in Translation

This episode exemplifies the complete mixed bag of season 2. Bottom line there's way too much exploration of feelings and character history versus...exploration of Strange New Worlds. I think we all want character development but the writers need to ease up! And no whispering of lines please. This season also suffers from tonal problems. The episodes were all over the map of light, serious, whimsical, musical etc Lighter episodes and whimsy are great, but they lose impact when there's too much. They have to be earned out of the serious stories. This is a fantastic, likable cast but the writers are beginning to undermine them. The reason this show exists is because fans responded to a fantastic, likable performance by Anson Mount as Captain Pike. The writers have lost sight of that too as his character has been sidelined much of the season and the writing for him one dimensional. Please return to exploration, dial back the emotion, all the back stories, and rapid character development, and remember this an adventure show with a great cast of characters that we want to get to know authentically, not through overwrought artificial writing.

The creators of this series did a fine job the first season of repairing the damage of Discovery and the boring first season of Picard. It was fun, it had solid plots and a good cast. This season is a big letdown so far and this episode is a disaster of inane conversations and bad acting.

The actor playing Uhura is one of the biggest problems. Unlike Nichelle Nichols, who exuded a noble maturity and dignified presence, this actor disappoints with a little girl's voice and lots and lots of hand wringing. Her crying, her breakdowns, her internal battles are more soap opera than what we're used to from ST actors. But she is just a small part of the problems with this talky episode.

You'd think that the people behind Strange New Worlds would have learned from the far superior ST tribute show, Seth MacFarlane's The Orville, that is far more in the spirit of Gene Rodenberry's vision than anything we find in this episode. But no. For some head-scratching reason, the writers just don't get it.

It seems Goldsman and Kurtzman are more interested in a quick buck than delivering on the promise of quality and imagination that Gene Roddenberry is famous for. The magic is no longer there.

I love SNW but ugh this was a brutal episode. Not sure what was going on here.

Plays out like a bad 2000s horror movie. Bad audio effects, iffy acting by Uhura, terrible plot holes making the whole thing implausible and cringeworthy. Hard to watch after the rest of the stellar season's 5 previous episodes.

Reminds me way too much of Star Trek Discovery. It even brings Kirk into the fold in a very skeptical way, over emphasizing him while he shows not enough Shatner-ness.

The whole thing feels like some other much less talented team wrote this episode. Maybe they had to pull bad on expenses after the last few.

This is one of the best episodes of the series, second only to "A Quality of Mercy" from season one. It features the first meetings of Kirk and Uhura as well as Kirk and Spock. Uhura and another Starfleet officer are hearing strange noises and seeing strange things that may or may not be real. The Strange New Worlds characters are just supporting characters as this episode focuses mainly on our favorites from TOS. While the main characters are TOS, the story is very much straight out of TNG. In fact, this is a perfect example of a TNG-style story played out by TOS characters. I'm liking this Kirk more and more.

This rather minor episode puts Uhura at center stage: not only is she the only crew member to be aware of an alien species making first contact but ultimately she is the only one who can save the day.

It's one of those cheapie segments, so important in keeping a season under budget, with very little action. Instead, we have several fan-pleasing (in a nearly condescending/pandering fashion) peeks at the iconic figures of Star Trek history interacting, notably Uhura with Kirk assisting rather than commanding, as well as Spock meeting Kirk for apparently the first time. For me, such cuteness doesn't register because new actors are playing the roles. For Roddenberry's legacy, the main theme expressed here is putting the welfare of an alien culture, even one we know nothing about, ahead of greed (in this case, Starfleet's "gas station" for deuterium mining) is rather obvious.