Coskun es un joven que vende películas pirateadas. Mientras persigue a su amor Ayla, también intenta seguir su pasión por el cine.Coskun es un joven que vende películas pirateadas. Mientras persigue a su amor Ayla, también intenta seguir su pasión por el cine.Coskun es un joven que vende películas pirateadas. Mientras persigue a su amor Ayla, también intenta seguir su pasión por el cine.
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Since the movie has now started streaming in Netflix, we decided on watching it as we enjoy the talk show, Hasan Can Kaya is doing, we thought the comedy sense of the movie would be good, oh boy, was I wrong. The actings are really off to be a good romantic comedy, I know this is his first movie and he's even taking part on the producing.
But that's really awful, I mean I didn't enjoy even a little bit of the movie I think, the best part was unsurprisingly the intimate scenes lol
Yet again, I found the story to be quite blank as well, there have been better romantical comedies in Turkey, and I know that they can do better.
Wouldn't really recommend watching it unless you have really extra time on your life.
But that's really awful, I mean I didn't enjoy even a little bit of the movie I think, the best part was unsurprisingly the intimate scenes lol
Yet again, I found the story to be quite blank as well, there have been better romantical comedies in Turkey, and I know that they can do better.
Wouldn't really recommend watching it unless you have really extra time on your life.
No romantic, no comedy... Expecting a delightful blend of humor and romance. Unfortunately, what I experienced was a cringe-inducing catastrophe that left me questioning if the filmmakers even knew the definition of either romance or comedy.
The attempts at humor fall flat, relying heavily on tired clichés and juvenile jokes that elicit more eye rolls than laughs. Whether it's a series of slapstick mishaps or crass one-liners, the humor in the film feels desperate and uninspired. Even the most forgiving audience members will struggle to crack a smile, let alone find anything remotely funny in this cinematic disaster.
The attempts at humor fall flat, relying heavily on tired clichés and juvenile jokes that elicit more eye rolls than laughs. Whether it's a series of slapstick mishaps or crass one-liners, the humor in the film feels desperate and uninspired. Even the most forgiving audience members will struggle to crack a smile, let alone find anything remotely funny in this cinematic disaster.
His clever jokes also made us laugh in the movie "Lots of Love". His characters were deeply moving; Especially Tevhide Sebnem Sonmez touched my heart a lot. The fact that he watched all the movies so that his children's efforts would not go to waste brought tears to my eyes. While I was laughing at the foreign movie line he memorized, my cheeks were getting wet at the same time. The transformations in Ugur Yucel's character and the lines were also very meaningful and pleasant. Baris Yildiz's lines in the film were the collective voice of system criticism. Screenwriter Hasan Can Kaya achieved his goal of making people smile while bringing tears to their eyes. In this context, he may smile mischievously. It felt good to go to the movies after so many years. Respect for your effort.
This film, unfortunately, falls significantly short of expectations, compelling me to share my thoughts, something I seldom feel inclined to do. I urge you, as a well-intentioned piece of advice, to prioritize your time effectively and steer clear of this cinematic disaster.
Rarely have I encountered a movie that so thoroughly failed to deliver on any level of entertainment, storytelling, or artistic value, marking it as the most disappointing viewing experience I've ever endured.
It's not just that the film lacks substance or engagement; it represents a profound misallocation of one's valuable time. The industry offers a myriad of enriching, captivating, and worthwhile cinematic experiences-this, regrettably, is not one of them.
By sharing this critique, my hope is to spare others the disenchantment that comes with expecting a fulfilling movie experience, only to be met with profound disillusionment.
Rarely have I encountered a movie that so thoroughly failed to deliver on any level of entertainment, storytelling, or artistic value, marking it as the most disappointing viewing experience I've ever endured.
It's not just that the film lacks substance or engagement; it represents a profound misallocation of one's valuable time. The industry offers a myriad of enriching, captivating, and worthwhile cinematic experiences-this, regrettably, is not one of them.
By sharing this critique, my hope is to spare others the disenchantment that comes with expecting a fulfilling movie experience, only to be met with profound disillusionment.
If Hasan Can had not made this movie, he could have continued to dismiss the criticisms about him as "not a comedian" as "male jealousy". After this movie, even he shouldn't claim to be a comedian. Aside from the jokes in the movie that sound like a middle school play, there is neither an interesting story nor a consistent character. Hasan Can's acting is so bad that they cast anyone they saw in the neighborhood to avoid this being noticed. Hasan Can is a good entertainer but not a comedian. If you removed the audience, their stories and the applause effects of the program he presented, no one would watch more than 3 episodes. So maybe he wouldn't embarrass himself by having the courage to make a movie.
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Taquilla
- Total a nivel mundial
- USD 1,399,494
- Tiempo de ejecución1 hora 40 minutos
- Color
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