Frendo, un payaso que encarna la gloria desvanecida de un pueblo, regresa como una fuerza siniestra en una localidad del Medio Oeste en decadencia, sembrando terror.Frendo, un payaso que encarna la gloria desvanecida de un pueblo, regresa como una fuerza siniestra en una localidad del Medio Oeste en decadencia, sembrando terror.Frendo, un payaso que encarna la gloria desvanecida de un pueblo, regresa como una fuerza siniestra en una localidad del Medio Oeste en decadencia, sembrando terror.
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Opiniones destacadas
I'm a big fan of the book and was hoping that the movie would stick to it. It's a fun movie, I enjoyed the comedic elements but if you are a fan of the book and think it will represent the book 100% you might not like this. The movie felt rushed in some parts with not much character development. If they make a sequel please stick to the book more.
If you love your slashers bloody, self-aware, and just a little bit unhinged, 'Clown in a Cornfield' is an absolute must-watch. It delivers that nostalgic, small-town horror vibe straight out of an '80s nightmare, but with a modern edge that keeps things fresh and fun. Frendo the clown is instantly iconic - equal parts terrifying and absurd - and the kills? Gory, creative, and satisfyingly brutal.
What really surprised me, though, was how funny this film is. It doesn't take itself too seriously, leaning into the ridiculousness of its premise in a way that totally works. The script is sharp, the characters are likable enough to root for (or scream at), and there's a surprising amount of heart buried beneath the bloodshed.
By the time the credits rolled, I was already googling the books. If they're anything like the movie, I'm in for a wild ride. Easily my favorite slasher of 2025 so far.
What really surprised me, though, was how funny this film is. It doesn't take itself too seriously, leaning into the ridiculousness of its premise in a way that totally works. The script is sharp, the characters are likable enough to root for (or scream at), and there's a surprising amount of heart buried beneath the bloodshed.
By the time the credits rolled, I was already googling the books. If they're anything like the movie, I'm in for a wild ride. Easily my favorite slasher of 2025 so far.
Sometimes, you just want a good, straightforward slasher, and that's exactly what Clown in a Cornfield delivers. It's gory, tense, and doesn't mess around. The setup is classic: Quinn moves to a small town, only to discover that it's hiding a deadly secret. Enter the killer clown, and suddenly the cornfields aren't just a creepy backdrop-they're a trap.
The film knows what it is and doesn't pretend otherwise. It's violent, fun, and self-aware, with some creative kills and just enough backstory to make you care about who lives and who doesn't. Sure, it leans into some slasher clichés, and there were a few "Why would you do that?!" moments, but honestly, that's half the fun of watching a movie like this.
It's not breaking new ground, but it doesn't need to. It's the kind of movie you watch for the tension, the chase scenes, and the brutal confrontations. If you're a fan of classic slashers with a bit of modern flair, you'll have a blast.
The film knows what it is and doesn't pretend otherwise. It's violent, fun, and self-aware, with some creative kills and just enough backstory to make you care about who lives and who doesn't. Sure, it leans into some slasher clichés, and there were a few "Why would you do that?!" moments, but honestly, that's half the fun of watching a movie like this.
It's not breaking new ground, but it doesn't need to. It's the kind of movie you watch for the tension, the chase scenes, and the brutal confrontations. If you're a fan of classic slashers with a bit of modern flair, you'll have a blast.
A name like "Clown in a Cornfield" promises the kind of pulp-like over-the-top violence and self-awareness that made director Eli Craig's Tucker and Dale vs. Evil so much fun. What we got is something tame and forgettable. Something that isn't nearly as smart as it thinks it is. It tries to be a combination of Children of the Corn, IT, Scream, and others but comes away as less than the sum of its parts.
The story plays like a lesser version of Eli Roth's Thanksgiving. Group of kids being picked off by a masked killer for some perceived crime. But the characters aren't nearly as well defined as Roth's were. There's little suspense built up as the Clown just keeps popping up. Plenty of gore, but no particularly memorable kill. Frendo is pretty tame as a slasher killer, doing nothing to stand out. Not helped by the fact that the Terrifier series has so completely cornered the market on creepy clown villains.
There's some playfulness with the main group playing pranks on each other for YouTube, TikTok, etc. But this largely becomes an excuse to dismiss characters not being around after they have been killed.
The acting is okay at best. Will Sasso seems to be hamming it up. Kevin Durand is doing his usual good job. But the kids are unremarkable.
Then there's the ending. The kind of lousy finale all too common with the latter Scream films, with the mask coming off and the villain monologuing about their motives giving the heroes time to escape. Worse, the dialogue is far too on-the-nose like was taken from a Tumblr rant.
It promises lots of fun but ultimately is forgettable once the credits start rolling.
The story plays like a lesser version of Eli Roth's Thanksgiving. Group of kids being picked off by a masked killer for some perceived crime. But the characters aren't nearly as well defined as Roth's were. There's little suspense built up as the Clown just keeps popping up. Plenty of gore, but no particularly memorable kill. Frendo is pretty tame as a slasher killer, doing nothing to stand out. Not helped by the fact that the Terrifier series has so completely cornered the market on creepy clown villains.
There's some playfulness with the main group playing pranks on each other for YouTube, TikTok, etc. But this largely becomes an excuse to dismiss characters not being around after they have been killed.
The acting is okay at best. Will Sasso seems to be hamming it up. Kevin Durand is doing his usual good job. But the kids are unremarkable.
Then there's the ending. The kind of lousy finale all too common with the latter Scream films, with the mask coming off and the villain monologuing about their motives giving the heroes time to escape. Worse, the dialogue is far too on-the-nose like was taken from a Tumblr rant.
It promises lots of fun but ultimately is forgettable once the credits start rolling.
I just watched the movie today and honestly had a blast. It did keep me entertained I will tell you that, but it was sort of all very cliche so you knew what was coming. Some of the lines were just straight up cringey. There was a pretty funny plot twist for a character which I enjoyed a lot. The entire idea of it was great. It was more of a comedy than an actual horror. So I think it is basically good for the genres that it does generally fit which is dark comedy and a teen slasher. I would not add horror to it. Could have been way scarier honestly. The scariest part was the dad jumping out of nowhere into the frame lol.
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¿Sabías que…?
- TriviaMajor score for IFC on their biggest opening weekened recorded with a 3.6 million gross
- ErroresNone of the vehicles have Missouri license plates; they are Manitoba plates, where filming took place.
- ConexionesReferenced in Dead Meat Podcast: Upcoming Horror Sneak Peeks (2025)
- Bandas sonorasWhat Do I Owe
Written by Michael John Barnicle and Mark De Rosa
Performed by Dummy
Courtesy of Pravda Records
By arrangement with Groove Garden
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Detalles
Taquilla
- Presupuesto
- USD 1,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 7,251,799
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,648,991
- 11 may 2025
- Total a nivel mundial
- USD 12,363,129
- Tiempo de ejecución
- 1h 36min(96 min)
- Color
- Relación de aspecto
- 2.39 : 1
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