Cecilia, una mujer devota, recibe una cálida bienvenida a la perfecta campiña italiana, donde le ofrecen un nuevo puesto en un ilustre convento. Pero Cecilia se da cuenta de que su nuevo hog... Leer todoCecilia, una mujer devota, recibe una cálida bienvenida a la perfecta campiña italiana, donde le ofrecen un nuevo puesto en un ilustre convento. Pero Cecilia se da cuenta de que su nuevo hogar esconde oscuros y horripilantes secretos.Cecilia, una mujer devota, recibe una cálida bienvenida a la perfecta campiña italiana, donde le ofrecen un nuevo puesto en un ilustre convento. Pero Cecilia se da cuenta de que su nuevo hogar esconde oscuros y horripilantes secretos.
- Dirección
- Guionista
- Elenco
- Premios
- 6 nominaciones en total
- Sister Francesca
- (as Betti Pedrazzi)
- Customs Official
- (as Niccolo' Senni)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I went into this one completely unaware of what the film was about. My brother-in-law briefly filled me in, but with having no visual expectations I was as virgin to this film has Mary, Mother of Jesus.
The main reason for checking it out is because Sydney Sweeney has been posting TikTok videos from people who have gone and seen the film and have come out "traumatized". There's certain aspects where I can understand why some are coming out of being "mind blown", but I also feel a lot of them aren't into horror films and are seeing just cause she's in it.
Truthfully, I enjoyed the film a lot more than I expected. About 80/85% of the film was good, but the last 15/20% is where it falters and loses all its build-up. Those last twenty minutes were laughable at best and disappointing. The story works, but is definitely fiction in context. Once everything unravels I began to really feel the ninety minutes that this film is.
What makes this movie work at times is the whole nun aspect. Horror nuns are creepy and unsettling for me. The jump scares work half the time. If I was feeling better than I am then the scares wouldn't have got me as much as they did, but recognizing that I can say they aren't anything special especially if you watch horror films often.
This is my first film with Sydney Sweeney and she wasn't bad. She brings good innocence to her character and a boldness, while not unexpected, is wrecked by the execution of the end. I am now curious on some of her previous roles to gauge what kind of actress she has. There's range going from romcom to horror, but doesn't mean you're good.
Overall, a more enjoyable film than I expected, but not out of this world horrific. It shows more graphic scenes than I expected, but I'm not complaining. The ending ruins the rest of the films build-up especially with the lack of graphic visuals. If it's a movie of interest to you then wait for a cheap night or its release to a streaming service.
That's all for now. Thank you for taking the time to read my review. Until next time.... Enjoy the show!
At first I had trouble buying Sydney Sweeney as a nun. I just couldn't make it work in my head. What I realised as the film went on however, was that her charisma and natural likeability was what was carrying the film. The absolute fundamental key to any horror movie working is that we have to care about the fate of the character/s. And because of her I did.
I liked this film a lot more than I thought I was going after about 15 minutes of the runtime. It's certainly a film that gets better as it goes along. It also does well to not outstay its welcome and keep the runtime to a brisk 89 minutes. I couldn't say this is must-see horror, but I could say it's worthy of giving a chance. 6/10.
This was the case with Immaculate, a film I would have eagerly seen in theaters early this year (2024), especially given its more than positive reviews.
The film attempts to blend science and religion, which is an intriguing concept, but it doesn't fully explore this idea with greater depth. To put it bluntly, Immaculate seems to fall short on several fronts. It adheres closely to tropes established by classics like Rosemary's Baby, preventing it from feeling fresh or original. And while it pays homage to religious horror it doesn't offer anything necessarily different or new to the genre.
While the convent setting has potential, and the Italian countryside feels tranquil, however, the rest of the film ultimately falls stagnant. It does benefit from a decent budget, featuring some nice special effects and solid camerawork, but it's the scope of the story where it truly lacks.
This was my first experience watching Sydney Sweeney, who was likable but not particularly awe-inspiring. Her appearance more than overshadows her performance, focusing on her distinct feminine figure which might have kept my interest more than the plot.
There's a hint of mystery, and some intrigue from the religious foundations helps hold the core of the narrative together. By the ending however, the film fails to leave a lasting impression, with no standout scenes or striking performances.
A month later, after watching the extras, I found I had forgotten most of the story except for a brief, thirty-second ending, which underscores my disappointment of not bringing anything memorable to the table.
The idea itself was promising, and the execution wasn't entirely terrible. Sydney Sweeney was or perhaps is "the" highlight, but the film's depth, lore, and psychological elements do feel inevitably short, leaving it unable to leave a lasting mark.
5/10.
The movie went in a different direction than I initially expected it to go which was a nice surprise. On the other hand it is really predictable and you immediately know where the threat lurks. There are some cheap jump scares in this but also some rather suspenseful moments that kept the tension high. The movie also looks pretty decent and overall entertains. But just like this review mainly focuses on Sydney Sweeney herself, the movie does too. Like I said she is the main selling point and the most memorable thing in an otherwise rather generic film that would be forgotten about easily. [5,7/10]
This movie lacked both depth and any sort of character development. The movie would've been better if captions were provided, yet we had to rely on translations from another character.
On numerous occasions, what appeared to be a major development of the movie was either not explained or followed up. Just left there and the director moved on.
I was very disappointed by the movie and felt that they could have done a much better job of developing a storyline. Instead they phoned this one in...
Don't go see it in theatre, wait until it's out to steam if you want to see it. It's certainly not worth the price of admission.
¿Sabías que…?
- TriviaSydney Sweeney auditioned for this film in 2014 when she was 17 but the project never materialized. Years later, she took on the role of a producer and reached out to the writer, acquired and revised the script, hired a director, found financiers, and sold the film to Neon.
- ErroresThe term "Immaculate" has nothing to do a virginal pregnancy, often considered in eg the birth of Jesus to the virgin, Mary. Immaculate has to do with "being born without sin" as in the reference to the Immaculate Mary, the Mother of Jesus, being herself born without sin.
- Citas
Sister Cecilia: Wait, so you don't even believe in God?
Sister Gwen: Of course I do. Life is so cruel. Only a man can be responsible.
- Bandas sonorasRequiem Nostra Sigmora Addolorata
Written by Will Bates
Performed by Maiah Manser
Published by Music by FOYS Publishing
Courtesy of Fall On Your Sword
Selecciones populares
- How long is Immaculate?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Immaculate
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 9,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 15,671,307
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,338,921
- 24 mar 2024
- Total a nivel mundial
- USD 35,340,015
- Tiempo de ejecución1 hora 29 minutos
- Color
- Relación de aspecto
- 2.00 : 1