J.S.K - Janaki V v/s State of Kerala
- 2025
- 2h 34min
Agrega una trama en tu idiomaFilm tells the story of Janaki who becomes the victim of an inhuman activity, her unexpected encounter with Adv. David Abel Donovan and how she fights for her justice challenging the court a... Leer todoFilm tells the story of Janaki who becomes the victim of an inhuman activity, her unexpected encounter with Adv. David Abel Donovan and how she fights for her justice challenging the court and the judiciary system of India.Film tells the story of Janaki who becomes the victim of an inhuman activity, her unexpected encounter with Adv. David Abel Donovan and how she fights for her justice challenging the court and the judiciary system of India.
Baiju Santhosh
- S I Kanakaraj
- (as Baiju)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The movie sets out to be a gripping courtroom drama with a strong central story - a woman's unexpected tragedy and her relentless fight for justice against a failing system. The premise holds great potential, and the cast delivers commendable performances. No actor feels out of place, and at times the natural dialogue adds to the realism.
However, the film's promise quickly fades due to poor storytelling and weak execution. The early thrilling tone is overshadowed by overly dramatic and sometimes unnecessary dialogues, which break the flow and dilute tension. Direction remains average throughout, failing to hold the narrative together. The cinematography is particularly disappointing; in a genre that thrives on intensity and sharp visuals, the bland camera work makes the courtroom scenes dull instead of gripping.
The climax, instead of delivering a punch, takes an awkward turn with an unnecessary fight sequence that feels both forced and tiring. Worse, it shifts the focus away from the film's core agenda. The abrupt ending leaves the audience unsatisfied, making the journey feel incomplete.
Overall, while the core idea is strong, the film's execution undermines its potential. If you are a die-hard fan of courtroom dramas, it may be worth a one-time watch. For others, this is a film better skipped.
However, the film's promise quickly fades due to poor storytelling and weak execution. The early thrilling tone is overshadowed by overly dramatic and sometimes unnecessary dialogues, which break the flow and dilute tension. Direction remains average throughout, failing to hold the narrative together. The cinematography is particularly disappointing; in a genre that thrives on intensity and sharp visuals, the bland camera work makes the courtroom scenes dull instead of gripping.
The climax, instead of delivering a punch, takes an awkward turn with an unnecessary fight sequence that feels both forced and tiring. Worse, it shifts the focus away from the film's core agenda. The abrupt ending leaves the audience unsatisfied, making the journey feel incomplete.
Overall, while the core idea is strong, the film's execution undermines its potential. If you are a die-hard fan of courtroom dramas, it may be worth a one-time watch. For others, this is a film better skipped.
Excellent movie with wonderful story telling and a great feel to it. It's fast paced and surprises you on the way.
Anupama is excellent in her central role. She plays the character well. Suresh Gopi as always is on point. Everyone adds very well to the proceedings.
The right scene at the very end is stunning in its execution as is a chase scene. Credit to the action director for awesome stuff.
This is not a new tale, but the treatment is fresh. The courtroom scenes are not as good as it is usually in Malayalam movies.
Surely worth a watch for all the right reasons.
Anupama is excellent in her central role. She plays the character well. Suresh Gopi as always is on point. Everyone adds very well to the proceedings.
The right scene at the very end is stunning in its execution as is a chase scene. Credit to the action director for awesome stuff.
This is not a new tale, but the treatment is fresh. The courtroom scenes are not as good as it is usually in Malayalam movies.
Surely worth a watch for all the right reasons.
After a long break, BJP MP and Union Minister Suresh Gopi has acted as a lawyer in the film JSK. The movie was originally titled Janaki vs State of Kerala. Later, due to the interests of certain members in the censor board, it was changed to Janaki. V vs State of Kerala. I couldn't understand what difference that change made. But after watching the film, it becomes clear why a ruling party's censor board member worked against it.
There are several dialogues in the film that damage the government's image-references like "Manja Kutty", "Irattachankan", and the news scrolls mentioning "Robin Bus" etc. All these highlight, in the eyes of the public, nothing but the government's failures.
The story revolves around Janaki, a girl who suffers sexual assault, goes to court seeking justice, and eventually wins by relying on the Constitution and its articles. I felt that some of the characters did not fully do justice to their roles. Anupama, who played Janaki, delivered an average performance. But Shruti Ramachandran, who appeared in the final part as the pregnant lawyer Nivedita, was quite disappointing. Her courtroom arguments and counterarguments looked as if she was simply reading them from somewhere. Similarly, Divya Pillai's acting also felt mechanical. Both of them need significant improvement.
Interestingly, no one in the film has a full-fledged role. The one with the maximum screen presence is Askar Ali. Many newcomers were part of JSK-some in their first, second, or third films-and it is undeniable that they all remained loyal to the movie.
Suresh Gopi did not heavy scenes in this film, and most of his screen time is in the first half. Yet, whatever part he had, he executed it gracefully.
Direction maintained a quality that was above average. Editing, cinematography, music, and background score were all fairly good. However, there are several areas that need improvement-especially the background score, which should have been better. The final action scenes were poorly executed, though the art direction of those sequences was excellent. The climax was completely unexpected. I never thought there would be another case and another accused (Ranjith Menon, Venkitt) before even knowing who the villain was.
The director managed to connect many small scenes very well. He also demonstrated a good understanding of laws, constitutional articles, and courtroom procedures, which was evident throughout the film.
There are several dialogues in the film that damage the government's image-references like "Manja Kutty", "Irattachankan", and the news scrolls mentioning "Robin Bus" etc. All these highlight, in the eyes of the public, nothing but the government's failures.
The story revolves around Janaki, a girl who suffers sexual assault, goes to court seeking justice, and eventually wins by relying on the Constitution and its articles. I felt that some of the characters did not fully do justice to their roles. Anupama, who played Janaki, delivered an average performance. But Shruti Ramachandran, who appeared in the final part as the pregnant lawyer Nivedita, was quite disappointing. Her courtroom arguments and counterarguments looked as if she was simply reading them from somewhere. Similarly, Divya Pillai's acting also felt mechanical. Both of them need significant improvement.
Interestingly, no one in the film has a full-fledged role. The one with the maximum screen presence is Askar Ali. Many newcomers were part of JSK-some in their first, second, or third films-and it is undeniable that they all remained loyal to the movie.
Suresh Gopi did not heavy scenes in this film, and most of his screen time is in the first half. Yet, whatever part he had, he executed it gracefully.
Direction maintained a quality that was above average. Editing, cinematography, music, and background score were all fairly good. However, there are several areas that need improvement-especially the background score, which should have been better. The final action scenes were poorly executed, though the art direction of those sequences was excellent. The climax was completely unexpected. I never thought there would be another case and another accused (Ranjith Menon, Venkitt) before even knowing who the villain was.
The director managed to connect many small scenes very well. He also demonstrated a good understanding of laws, constitutional articles, and courtroom procedures, which was evident throughout the film.
I watched JSK, a film headlined by none other than the legendary Suresh Gopi. The story and direction are credited to Pravin Narayanan, but unfortunately, the film struggles to deliver on both fronts.
Story and Screenplay
The storyline is weak, and the screenplay is disjointed. The film is cluttered with too many subplots and an overwhelming number of characters, making it difficult to follow the narrative. At times, it's hard to tell which plot thread is being discussed or where the story is headed. To make matters worse, the film includes several unnecessary songs and dance sequences that add no value to the plot-just filler to stretch the runtime to a bloated 2.5 hours.
Performances by the lead characters:
* Anupama Parameswaran, who plays the titular character, was given a grand buildup before the release. But shockingly, she barely appears on screen for more than a few seconds at a time and has virtually no dialogue. Her most notable contribution is a few screams of frustration-perhaps reflecting her own dismay at being cast in such a marginal role.
* Suresh Gopi, as expected, dominates the film. He starts off as a lawyer arguing against the rape victim, gets the case dismissed, then has a change of heart and decides to fight for her. He brings in his sister to argue in the High Court and eventually joins in with a lengthy closing argument. True to form, the film delivers the expected monologues and action sequences, including a moment where Gopi single-handedly subdues a villain the Kerala Police couldn't handle. Classic.
* Madhav Suresh, Suresh Gopi's younger son, makes an appearance but doesn't get a single line of dialogue. He does, however, get a fight scene. His performance lacks expression-perhaps a sign of inexperience.
My Verdict
JSK attempts to tackle a sensitive subject-a rape case and its legal battle while raising the question about her rights including to abort - but fails to do so with coherence or emotional depth. The film leans heavily on Suresh Gopi's star power, but even that can't save it from its structural flaws and poor execution.
The rape victim is an adult, educated, moneyed, unmarried and orphaned, with literally no one to stop her from doing what wants. And yet she decides to wait for 7 months (of the gestation period), before going to court for the right to abort! Has the Director/Writer forgotten that we live in India - and this story also happens here - where every woman has the right to get an abortion - unlike the grand USA where women, including rape victims cannot get an abortion!
**Rating: 3/10**
A disappointing watch, even for die-hard Suresh Gopi fans.
Story and Screenplay
The storyline is weak, and the screenplay is disjointed. The film is cluttered with too many subplots and an overwhelming number of characters, making it difficult to follow the narrative. At times, it's hard to tell which plot thread is being discussed or where the story is headed. To make matters worse, the film includes several unnecessary songs and dance sequences that add no value to the plot-just filler to stretch the runtime to a bloated 2.5 hours.
Performances by the lead characters:
* Anupama Parameswaran, who plays the titular character, was given a grand buildup before the release. But shockingly, she barely appears on screen for more than a few seconds at a time and has virtually no dialogue. Her most notable contribution is a few screams of frustration-perhaps reflecting her own dismay at being cast in such a marginal role.
* Suresh Gopi, as expected, dominates the film. He starts off as a lawyer arguing against the rape victim, gets the case dismissed, then has a change of heart and decides to fight for her. He brings in his sister to argue in the High Court and eventually joins in with a lengthy closing argument. True to form, the film delivers the expected monologues and action sequences, including a moment where Gopi single-handedly subdues a villain the Kerala Police couldn't handle. Classic.
* Madhav Suresh, Suresh Gopi's younger son, makes an appearance but doesn't get a single line of dialogue. He does, however, get a fight scene. His performance lacks expression-perhaps a sign of inexperience.
My Verdict
JSK attempts to tackle a sensitive subject-a rape case and its legal battle while raising the question about her rights including to abort - but fails to do so with coherence or emotional depth. The film leans heavily on Suresh Gopi's star power, but even that can't save it from its structural flaws and poor execution.
The rape victim is an adult, educated, moneyed, unmarried and orphaned, with literally no one to stop her from doing what wants. And yet she decides to wait for 7 months (of the gestation period), before going to court for the right to abort! Has the Director/Writer forgotten that we live in India - and this story also happens here - where every woman has the right to get an abortion - unlike the grand USA where women, including rape victims cannot get an abortion!
**Rating: 3/10**
A disappointing watch, even for die-hard Suresh Gopi fans.
Bad screenplay followed by the overacting of SG. Bgm also lacked to feel the audience about the intensity of the scenes. As compared to other courtroom drama it's a below average one. Madhav suresh acting in the serious situation looked like he is acting in a old age drama. I don't understand why some people compare it to lalettans neru!!!!!
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Detalles
Taquilla
- Total a nivel mundial
- USD 179,205
- Tiempo de ejecución
- 2h 34min(154 min)
- Color
- Relación de aspecto
- 1:2.39
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