J.S.K - Janaki V v/s State of Kerala
- 2025
- 2h 34min
Agrega una trama en tu idiomaFilm tells the story of Janaki who becomes the victim of an inhuman activity, her unexpected encounter with Adv. David Abel Donovan and how she fights for her justice challenging the court a... Leer todoFilm tells the story of Janaki who becomes the victim of an inhuman activity, her unexpected encounter with Adv. David Abel Donovan and how she fights for her justice challenging the court and the judiciary system of India.Film tells the story of Janaki who becomes the victim of an inhuman activity, her unexpected encounter with Adv. David Abel Donovan and how she fights for her justice challenging the court and the judiciary system of India.
Baiju Santhosh
- S I Kanakaraj
- (as Baiju)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Janaki V vs State of Kerala - A decent courtroom procedural drama misses out on hooking the audience
Rating - 3/5
A courtroom drama portraying the investigation procedurals but missed on hooking the audience on right notes.
The crux of the story is about Janaki and her fight for justice against the State over the untoward event in her life and will Judiciary and the system stands by the plaintiff unfolds through the story.
Pravin Narayanan has penned a sensitive story portraying the life of physical abuse victims and the emotional and mental agony they face from the society through their empathetic eyes. The screenplay slips in few places where the audience misses the spark in the story giving a conclusion of a cliche survivor story. The story inspired from multiple incidents has been synchronized and portrayed on screen but fails to make a lasting impact altogether rushing through investigation and onset proceedings.
Good performance by Suresh Gopi through his power punch dialogue modulation and delivery. Anupama has given a stunning performance in the movie conveying the right emotions demanded by the character. Askar Ali, Yedhukrishnan,Vaishnavi & Divya Pillai made impressive performances. Madhav was giving a stone looked face struggling to say the dialogues felt preachy in few sequences.
Good music by Girish blending with the storyline added with Ghibran's background scores.
A watchable drama with decent performances ruling out the minor flaws.
A courtroom drama portraying the investigation procedurals but missed on hooking the audience on right notes.
The crux of the story is about Janaki and her fight for justice against the State over the untoward event in her life and will Judiciary and the system stands by the plaintiff unfolds through the story.
Pravin Narayanan has penned a sensitive story portraying the life of physical abuse victims and the emotional and mental agony they face from the society through their empathetic eyes. The screenplay slips in few places where the audience misses the spark in the story giving a conclusion of a cliche survivor story. The story inspired from multiple incidents has been synchronized and portrayed on screen but fails to make a lasting impact altogether rushing through investigation and onset proceedings.
Good performance by Suresh Gopi through his power punch dialogue modulation and delivery. Anupama has given a stunning performance in the movie conveying the right emotions demanded by the character. Askar Ali, Yedhukrishnan,Vaishnavi & Divya Pillai made impressive performances. Madhav was giving a stone looked face struggling to say the dialogues felt preachy in few sequences.
Good music by Girish blending with the storyline added with Ghibran's background scores.
A watchable drama with decent performances ruling out the minor flaws.
Such a good movie. This film is welcome as it clearly highlights the right of all living beings in our country to live as they please and the protection of women and those who abuse them. Good story.. And an example of how even a common man can get justice if our Indian Constitution is used properly. Family watch movie.
The movie sets out to be a gripping courtroom drama with a strong central story - a woman's unexpected tragedy and her relentless fight for justice against a failing system. The premise holds great potential, and the cast delivers commendable performances. No actor feels out of place, and at times the natural dialogue adds to the realism.
However, the film's promise quickly fades due to poor storytelling and weak execution. The early thrilling tone is overshadowed by overly dramatic and sometimes unnecessary dialogues, which break the flow and dilute tension. Direction remains average throughout, failing to hold the narrative together. The cinematography is particularly disappointing; in a genre that thrives on intensity and sharp visuals, the bland camera work makes the courtroom scenes dull instead of gripping.
The climax, instead of delivering a punch, takes an awkward turn with an unnecessary fight sequence that feels both forced and tiring. Worse, it shifts the focus away from the film's core agenda. The abrupt ending leaves the audience unsatisfied, making the journey feel incomplete.
Overall, while the core idea is strong, the film's execution undermines its potential. If you are a die-hard fan of courtroom dramas, it may be worth a one-time watch. For others, this is a film better skipped.
However, the film's promise quickly fades due to poor storytelling and weak execution. The early thrilling tone is overshadowed by overly dramatic and sometimes unnecessary dialogues, which break the flow and dilute tension. Direction remains average throughout, failing to hold the narrative together. The cinematography is particularly disappointing; in a genre that thrives on intensity and sharp visuals, the bland camera work makes the courtroom scenes dull instead of gripping.
The climax, instead of delivering a punch, takes an awkward turn with an unnecessary fight sequence that feels both forced and tiring. Worse, it shifts the focus away from the film's core agenda. The abrupt ending leaves the audience unsatisfied, making the journey feel incomplete.
Overall, while the core idea is strong, the film's execution undermines its potential. If you are a die-hard fan of courtroom dramas, it may be worth a one-time watch. For others, this is a film better skipped.
After a long break, BJP MP and Union Minister Suresh Gopi has acted as a lawyer in the film JSK. The movie was originally titled Janaki vs State of Kerala. Later, due to the interests of certain members in the censor board, it was changed to Janaki. V vs State of Kerala. I couldn't understand what difference that change made. But after watching the film, it becomes clear why a ruling party's censor board member worked against it.
There are several dialogues in the film that damage the government's image-references like "Manja Kutty", "Irattachankan", and the news scrolls mentioning "Robin Bus" etc. All these highlight, in the eyes of the public, nothing but the government's failures.
The story revolves around Janaki, a girl who suffers sexual assault, goes to court seeking justice, and eventually wins by relying on the Constitution and its articles. I felt that some of the characters did not fully do justice to their roles. Anupama, who played Janaki, delivered an average performance. But Shruti Ramachandran, who appeared in the final part as the pregnant lawyer Nivedita, was quite disappointing. Her courtroom arguments and counterarguments looked as if she was simply reading them from somewhere. Similarly, Divya Pillai's acting also felt mechanical. Both of them need significant improvement.
Interestingly, no one in the film has a full-fledged role. The one with the maximum screen presence is Askar Ali. Many newcomers were part of JSK-some in their first, second, or third films-and it is undeniable that they all remained loyal to the movie.
Suresh Gopi did not heavy scenes in this film, and most of his screen time is in the first half. Yet, whatever part he had, he executed it gracefully.
Direction maintained a quality that was above average. Editing, cinematography, music, and background score were all fairly good. However, there are several areas that need improvement-especially the background score, which should have been better. The final action scenes were poorly executed, though the art direction of those sequences was excellent. The climax was completely unexpected. I never thought there would be another case and another accused (Ranjith Menon, Venkitt) before even knowing who the villain was.
The director managed to connect many small scenes very well. He also demonstrated a good understanding of laws, constitutional articles, and courtroom procedures, which was evident throughout the film.
There are several dialogues in the film that damage the government's image-references like "Manja Kutty", "Irattachankan", and the news scrolls mentioning "Robin Bus" etc. All these highlight, in the eyes of the public, nothing but the government's failures.
The story revolves around Janaki, a girl who suffers sexual assault, goes to court seeking justice, and eventually wins by relying on the Constitution and its articles. I felt that some of the characters did not fully do justice to their roles. Anupama, who played Janaki, delivered an average performance. But Shruti Ramachandran, who appeared in the final part as the pregnant lawyer Nivedita, was quite disappointing. Her courtroom arguments and counterarguments looked as if she was simply reading them from somewhere. Similarly, Divya Pillai's acting also felt mechanical. Both of them need significant improvement.
Interestingly, no one in the film has a full-fledged role. The one with the maximum screen presence is Askar Ali. Many newcomers were part of JSK-some in their first, second, or third films-and it is undeniable that they all remained loyal to the movie.
Suresh Gopi did not heavy scenes in this film, and most of his screen time is in the first half. Yet, whatever part he had, he executed it gracefully.
Direction maintained a quality that was above average. Editing, cinematography, music, and background score were all fairly good. However, there are several areas that need improvement-especially the background score, which should have been better. The final action scenes were poorly executed, though the art direction of those sequences was excellent. The climax was completely unexpected. I never thought there would be another case and another accused (Ranjith Menon, Venkitt) before even knowing who the villain was.
The director managed to connect many small scenes very well. He also demonstrated a good understanding of laws, constitutional articles, and courtroom procedures, which was evident throughout the film.
The movie talks about the atrocity that happened towards Janaki & how with the help of the judiciary she fights for her justice is all about shown in the film.
Performance wise SG & Anupama had given justice to their roles. In the 1st half we could see the fire brand performance of SG which raised the expectations to watch for 2nd half. Another lead role was of Shruti Ramachandran which came late in the 2nd half but she also gave a notable performance in her screen presence.
Director Pravin Narayanan who also penned the story had done a good research in legalities aspect which made the courtroom sequence interesting but speaking of the content, it's been too old to discuss.
The path at which the 1st half which made it interesting & raised the urge to watch for the 2nd half, but when comes to the 2nd half it was a nose div. It was a mixture of investigation and drama & at one point it became bored as it feels repetitive.
Performance space of SG was not much in 2nd half which further lowered the interest. Climax fight sequence was well choreographed but the excess of drama had overshadowed.
Ghibran's score had given some escalating moments. Cinematography was not captivating.
Another major drawback was of casting of Madhav Suresh. The worst performance in this movie. If given an electric shock, still there would be no expression coming from his face.
Well as a whole JSK is not a movie where we would be forced to leave in mid way but it also doesn't quench the thirst we were looking for a SG Film.
Performance wise SG & Anupama had given justice to their roles. In the 1st half we could see the fire brand performance of SG which raised the expectations to watch for 2nd half. Another lead role was of Shruti Ramachandran which came late in the 2nd half but she also gave a notable performance in her screen presence.
Director Pravin Narayanan who also penned the story had done a good research in legalities aspect which made the courtroom sequence interesting but speaking of the content, it's been too old to discuss.
The path at which the 1st half which made it interesting & raised the urge to watch for the 2nd half, but when comes to the 2nd half it was a nose div. It was a mixture of investigation and drama & at one point it became bored as it feels repetitive.
Performance space of SG was not much in 2nd half which further lowered the interest. Climax fight sequence was well choreographed but the excess of drama had overshadowed.
Ghibran's score had given some escalating moments. Cinematography was not captivating.
Another major drawback was of casting of Madhav Suresh. The worst performance in this movie. If given an electric shock, still there would be no expression coming from his face.
Well as a whole JSK is not a movie where we would be forced to leave in mid way but it also doesn't quench the thirst we were looking for a SG Film.
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Detalles
Taquilla
- Total a nivel mundial
- USD 179,205
- Tiempo de ejecución
- 2h 34min(154 min)
- Color
- Relación de aspecto
- 1:2.39
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