Yurusarezaru mono

The story is esspentially the same as Eastwood's Unforgiven, without the political correctness.

It's a bit slower but that doesnt make it bad. I truly think the handful of clowns wo gave this low ratings don't know how to read subtitles and are longing for an Ironman 4.

This is a beautiful movie. Well shot.

And the sword play is great

Let me start by saying that I am aware of the parallels and similarities between many modern Eastwood westerns and Kurosawa samurai films. I am also a huge fan of Ken Watanabe.

This film falls short because of the directing. Many of the things that made the 1992 cowboy film so great are missing here. Without spoiling it, I think fans of the original will be very disappointed, especially with the ending.

The cinematography is amazing. Ken Watanabe does the best he can. I thought this would have been easy to remake but I was very disappointed.

When I heard that Japanese were making a period samurai movie based on the modern-day Eastwood western classic UNFORGIVEN, I was in two minds. I love samurai flicks (and also leading actor Ken Watanabe), but the Eastwood film was already pretty much perfect for a lot of fans. How could the Japanese hope to better it?

The answer is that they haven't. This new UNFORGIVEN is the inferior film in every respect, with a boring villain and a lack of talented actors and characterisation that made the original such a great movie. The Japanese UNFORGIVEN feels slow and stately and is certainly well shot throughout, but aside from the exciting climax, it has no real voice or look of its own.

For the most part, this is a shot-for-shot remake and I have no interest in shot-for-shot remakes. Thematic remakes are fine; remakes that take key material and give their own slant, like Carpenter's THE THING or Aja's THE HILLS HAVE EYES, great. But all the while I was watching this film, I was wishing I was watching the superb original instead. Watanabe does his best and while it's nice to see the Japanese remaking an American film for a change (as so many times it's been the other way around), UNFORGIVEN is a bit pointless.

I really wanted to like this Japanese version of the brilliant "Unforgiven" more, but it simply did not measure up to the original.

The Good: Using rural Hokkaido as the backdrop was a smart decision, though I wish there was more focus on the Ainu. They are the island's indigenous people conquered by the Japanese, and their culture suffered greatly. I think this would have made the story much more interesting, especially since the young rebel is half-Ainu.

The Bad: The movie follows the plot of the original almost to the T, and thus suffers for it. There was no need for it, and simply copying the theme of the Amercian version while telling a new story about the Japanese frontier would have made for a much stronger film. There is such a scarcity of good movies about the Ainu that it is a wasted opportunity.

This movie is an homage to the spaghetti westerns that made Clint Eastwood. They took eastern samurai stories and made them westerns. This does the opposite. It takes an original western script and turns it into an eastern samurai story. Is it perfect? No but it's beautiful. It's worth your time. Watanabe is superb and the cinematography rivals that of the original. In an attempt to match the slow development of the original it may fall short in what ends up being a slow burn. But if you love Clint. Or you love Ken. Or you love westerns. Or you love (easterns) samurai stories. This will sit well with you.