Joan

I am writing this after series 1. The story is left open.

This had been hyped in advance for many weeks so I just had to bingewatch it.

Perhaps the hype was greater than thd show but, for those of us of a certs in age, there was plenty of nostalgia to see. The clothes, the music, the styles and the vehicles brought back there era so well.

I am not sure why The Wicked Game by Chris Izaak from 1989 was featured in a early 80s drama but it's not my biggest gripe.

Despite all the dressing up the show, the story is very modern being full of feminism, me too and all men are either weak or evil while it's OK for a woman to do illegal things as long as it is in a honourable cause.

Sophie Turner throws herself into the story well and there are some great songs but did we really need Bucks Fizz twice?

They could have included ELO and Ticket To The Moon which starts with the lines "Remember the good old 1980s when things were so uncomplicated? ... I wish I could go back there and everything could be the same"

A sad story of a Kent girl with a rough life, who gets into diamond theft and other assorted shenanigans. It's not bad as stories like this go and passes the time, BUT whoever selected the contemporary background music for this needs to be replaced as woefully inept. It starts supposedly in 1985 and has Brass in Pocket playing from 1979. It switches to four months earlier but has two songs from four years earlier, in 1981 (Bucks Fizz, Making Your Mind Up on the radio and and Soft Cell, Tainted Love in a bar). We also hear Hungry Like the Wolf from 1982, and whilst all of that is at least from the recent past to the time when this is set, it is very strange that we don't hear anything from 1984/85. Finally, this is all blown up when we then seem to time travel to 1989 as Wicked Game by Chris Isaak plays on the jukebox. I have never in all my years seen and heard such a cocked-up selection of supposedly contemporary background music in a professional TV or movie production. It is so bad, it detracts from the show in itself.

The poor reviews here are to me amusing, it's a good series the acting is great, the characters are well developed but hold on here the story is great, no one complained about Atomic Blonde it's the soundtrack aswell that's brilliant, epitomises the music at that time it's realistically set in how London was at that time, the it's a pity that people can't pull back and just enjoy something like this, pull your heads in and just enjoy it , the comments I'm reading gets me thinking have to watched the same series, don't see those comments about snatch or kill bill glorifying violence, I'm laughing.

My wife and I have just finished watching the full series and I have to say that we were gripped from the very start.

Whoever cast Sophie as Joan certainly knew their job and knew it well. As a matter of fact, the whole cast were brilliant and I don't think they could have picked anyone better.

After watching Sophie in the Game of thrones, I was surprised she did so well for her first major casting. But after this performance, I can honestly say that I would go as far as saying that she truly has to be one of the best actresses in the UK at the moment.

Also, I have to give credit to the actor that played Boisie (His name slips me sorry). Again, he gave a superb performance and his and Sophie's on screen chemistry was nothing short of awesome.

All in all, I loved it and it makes me want a season two. Fingers crossed.

It's 1985. Single mother Joan O'Connell (Sophie Turner) escapes after her petty criminal boyfriend gets in trouble with violent gangsters. She is forced to place her daughter with the authorities while she tries to start again in London. She steals gems from her workplace. She joins crooked antiques dealer Boise Hannington (Frank Dillane) on her way to becoming a real life Godmother.

I think this is a limited series. It could continue, but I don't know about any future plans. As it stands, it's six episodes of about forty five minutes each. That's four and a half hours in total. Some of it feels slow. The crimes are not actually that thrilling. Her desperation for her daughter is the most emotionally compelling. This needs some condensing in order to quicken certain parts.