CALIFICACIÓN DE IMDb
6.1/10
1.5 k
TU CALIFICACIÓN
Nat "Sweetwater" Clifton, miembro del Salón de la Fama, hace historia como el primer afroamericano que firma un contrato con la NBA, cambiando para siempre la forma de jugar al baloncesto.Nat "Sweetwater" Clifton, miembro del Salón de la Fama, hace historia como el primer afroamericano que firma un contrato con la NBA, cambiando para siempre la forma de jugar al baloncesto.Nat "Sweetwater" Clifton, miembro del Salón de la Fama, hace historia como el primer afroamericano que firma un contrato con la NBA, cambiando para siempre la forma de jugar al baloncesto.
- Dirección
- Guionista
- Elenco
- Premios
- 22 premios ganados y 3 nominaciones en total
Herbert 'Flight Time' Lang
- Babe
- (as Herbert Lang)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Sweetwater was a very interesting film as it had moments of depth and heart. Then about 60% of the film there was a lot of cheesy moments that pretty much derail the film. The story is a real life one but still in a the lense of a movie is really hollow and predictable. The only thing I did not see coming was how the film ended because I had never followed the real life story before about Sweetwater. When you watch this movie you would be asking yourself why wasn't this movie just released on lifetime instead of through Hulu. Still there were moments that I really enjoyed even though there is a major problem with the casting here. Sweetwater gets a middle of the road 5 stars out of 10.
"Sweetwater" is based on the true events of Nat "Sweetwater" Clifton, basically the first African American player to join the NBA. It is written and directed by Martin Guigui. This movie has a lot of potential for a great story, unfortunately, the film plants the seeds for a compelling narrative that it never fully harvests.
This movie has some serious pacing problems. It is about Nat Clifton joining the NBA, but we don't see an NBA game played until the 90-minute mark of a 118-minute movie. Every scene feels like it is milking it for every second of emotional impact that it could possibly have. The music swells, the camera swings, as if something of great cultural importance is being said. This happens so often it makes the audience numb to the experience. Each scene seems to last twice as long as it needs. It comes across very melodramatic at times, which can almost be unintentionally funny.
Talented actors like Jim Cavizel and Richard Dreyfuss likely were able to film all their scenes in one day. Cary Elwes does a fine job as always. Despite the fact that he is doing a cartoon voice, at least Elwes is good at doing voices.
The examples of racism throughout the movie feel over the top. As SNL would say it, the characters are "Cartoonish Super Racist". It makes it feel like a problem that is disconnected from the harsh reality that it is. People can't relate to these characters, seeing themselves in their decisions and saying to themselves, "I should avoid making those same mistakes."
The basketball action isn't shot in a very exciting manner. Sometimes basketball shots are out of frame, there a lot of cuts that make it hard to follow what's going on.
There are a lot of scenes that go nowhere. This is a movie that could have greatly benefited from a montage. Something to give the story some flow and energy.
With all those complaints out of the way, at the movie's core is a sweet and inspirational story. All the actors put in good performances, the music is nice and it's an interesting part of NBA history. It takes a good shot, but the basket does not go in.
This movie has some serious pacing problems. It is about Nat Clifton joining the NBA, but we don't see an NBA game played until the 90-minute mark of a 118-minute movie. Every scene feels like it is milking it for every second of emotional impact that it could possibly have. The music swells, the camera swings, as if something of great cultural importance is being said. This happens so often it makes the audience numb to the experience. Each scene seems to last twice as long as it needs. It comes across very melodramatic at times, which can almost be unintentionally funny.
Talented actors like Jim Cavizel and Richard Dreyfuss likely were able to film all their scenes in one day. Cary Elwes does a fine job as always. Despite the fact that he is doing a cartoon voice, at least Elwes is good at doing voices.
The examples of racism throughout the movie feel over the top. As SNL would say it, the characters are "Cartoonish Super Racist". It makes it feel like a problem that is disconnected from the harsh reality that it is. People can't relate to these characters, seeing themselves in their decisions and saying to themselves, "I should avoid making those same mistakes."
The basketball action isn't shot in a very exciting manner. Sometimes basketball shots are out of frame, there a lot of cuts that make it hard to follow what's going on.
There are a lot of scenes that go nowhere. This is a movie that could have greatly benefited from a montage. Something to give the story some flow and energy.
With all those complaints out of the way, at the movie's core is a sweet and inspirational story. All the actors put in good performances, the music is nice and it's an interesting part of NBA history. It takes a good shot, but the basket does not go in.
I attended a premier for this movie in Arizona for the White Mountain Film Festival without any idea of what the film was about.
I not only find the movie engaging, but heartwarming as well. Looking at reviews by the "expert critics" I can understand why Hollywood has lost its way. This movie is rooted in truth, not social justice and all of the actors involved (and those who excluded themselves as to not confuse the story) have done a phenomenal job.
This is a movie I will show my children, as a way to understand where we have been and where we should be going. It's not about color, it's about passion and how we should all strive to work together to make things better, and more enjoyable in life.
I not only find the movie engaging, but heartwarming as well. Looking at reviews by the "expert critics" I can understand why Hollywood has lost its way. This movie is rooted in truth, not social justice and all of the actors involved (and those who excluded themselves as to not confuse the story) have done a phenomenal job.
This is a movie I will show my children, as a way to understand where we have been and where we should be going. It's not about color, it's about passion and how we should all strive to work together to make things better, and more enjoyable in life.
Beautiful story and it deserves to have more of a light shown on it. I think it was a rather good biopic, but obv did not have the same feel as something made purely for entertainment. I thought the characters were lovable and real, but also feel that more of the story could have been fleshed out to truly get to know the characters and the complexity of what they went through. It gives the feel of being a movie that was specifically made to be appropriate for all ages, which I can appreciate as well, and perhaps lends to the overview nature of the plot.
Overall, enjoyable and I'd recommend watching it with people so that you can share in the life of such an incredible man and the impact that he made through his life.
Overall, enjoyable and I'd recommend watching it with people so that you can share in the life of such an incredible man and the impact that he made through his life.
A sports writer climbs into a Chicago taxi cab gushing about Michael Jordan. Little does he know that the driver is groundbreaking negro basketball player Nat "Sweetwater" Clifton (Everett Osborne). In 1949, Nat and his Harlem Globetrotters teammates beat the all-white NBA champs, The Minneapolis Lakers. They are led by team owner and coach Abe Saperstein (Kevin Pollak). New York Knickerbockers coach Joe Lapchick (Jeremy Piven) is desperate to get Nat on his team and break the color barrier. He convinces his boss Ned Irish (Cary Elwes).
This needs a singular villain character. Sure, the villain is general racism which comes up everywhere and from all directions. The movie needs one character to encapsulate all that evil. It has elements of a good biopic, but it doesn't have the bite. It introduces the style of play argument a little too late. For me, it came out of nowhere although I guess there is that discussion in the taxi cab. It needs that childhood memory a lot sooner. It's a great story that needs to be told. Abe is a complicated personality in the story of basketball and I'm glad that the movie didn't make him too one-sided. It is still a simplistic portrayal. All in all, I love the true history aspect. The movie is pretty ok. It's an underdog sports biopic.
This needs a singular villain character. Sure, the villain is general racism which comes up everywhere and from all directions. The movie needs one character to encapsulate all that evil. It has elements of a good biopic, but it doesn't have the bite. It introduces the style of play argument a little too late. For me, it came out of nowhere although I guess there is that discussion in the taxi cab. It needs that childhood memory a lot sooner. It's a great story that needs to be told. Abe is a complicated personality in the story of basketball and I'm glad that the movie didn't make him too one-sided. It is still a simplistic portrayal. All in all, I love the true history aspect. The movie is pretty ok. It's an underdog sports biopic.
¿Sabías que…?
- TriviaAfter decades of failed attempts, thanks to efforts by the Naismith Hall of Fame and writer-Director Martin Guigui, in 2014 Sweetwater Clifton was finally inducted into the Basketball Hall of Fame. At the press conference, Sweetwater's daughter Jataun Robinson accepted on her deceased Father's behalf and said "It's truly an honor, and it's about time."
- Citas
Mrs. Lapchick: Look at me. You are Joe Lapchick. You don't have to break through a wall. You just go get Sweetwater, and you climb over that wall with him.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Свитуотер
- Locaciones de filmación
- Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, Estados Unidos(Stage 14 -Madison Square Garden- plus various exteriors and interiors in the backlot)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 8,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 541,633
- Fin de semana de estreno en EE. UU. y Canadá
- USD 351,010
- 16 abr 2023
- Total a nivel mundial
- USD 541,633
- Tiempo de ejecución1 hora 58 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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