Los crímenes de Åre

There are times when you come across a show that feels like a hidden gem-a real gold mine. Unfortunately, The Åre Murders isn't one of them.

While the series boasts a fine cast, strong direction, and breathtaking cinematography that enhances the overall experience, it somehow lacks the warmth of your typical Netflix and chill session. And I don't blame the visuals-the real issue lies with the story itself, which never feels truly resolute.

Viveca Sten is undoubtedly a fantastic crime thriller writer, with nearly 20 books to her credit and an international bestseller reputation. However, The Åre Murders leaves gaps that can't easily be ignored. At times, it feels like just another stretched-out episode of CSI-a simple story where characters are grieving, and that's about it. Nothing more, nothing less.

I am going to with a decent 6/10 for this one, you can skip this if you want to.

Not that the series truly deserves a "7" but it has elements of good Scandi Noir quality just in a diluted version. First of all, the detectives / officers are not bright, a little unlikable and bland. Second of all, the storyline plots are better than the acting, but never get the attention they deserve. The plots are a little hastily wrapped up and the good acting of the supporting cast don't save the episodes.

Series like that need to have more than 10-12 episodes for the viewers to get accustomed to the flow, to the more number of crimes and a grasp in quality.

2010s Nordic crime series were much better aside the one and only stellar 2007 'Forbrydelsen'.

• Screenplay/storyline/plots: 6.5
• Production value/impact: 7
• Development: 7.5
• Realism: 7
• Entertainment: 6.5
• Acting: 7.5
• Filming/photography/cinematography: 7.5
• VFX: 7.5
• Music/score/sound: 7
• Depth: 6.5
• Logic: 5.5
• Flow: 6
• Police procedural/suspense mystery/thriller/crime/drama: 6.5
• Ending: 6.

Don't miss these Netflix thriller episodes from Sweden. Three different murder stories well packed and fast paced guessing all the time who the real murder could be. It was not simple to solve but it was interesting to discover with the detectives the traces. It was never boring. Wonderful landscapes offered a special atmosphere for solving these mysteries. The main police woman and the police man delivered a respectable performance and the director had a good hand to create very suspenseful and breathtaking series.

If you like Scandinavian thrillers check out the Valhalla Murders. For all these reasons it deserves 7/10.

I agree with the other reviewers, the problem with the series is the script. The location is beautiful and it's nice to have a series not set in Stockholm or Malmo or.... In general I have no problem with the cast. Episodes 1-3 are one story, 4 & 5 a second story.

Hanna is a stereotype of a green detective who goes off on her own and doesn't take orders from her senior partner. She has maturing to do and admits that she should have waited and not gone alone. One would think after her recent Stockholm experience, that she'd look before she leaps.

I'm a big fan of the "Beck" series set in Stockholm, that series has a really good cast and superior scripts. This is not a Beck, but it's better than some other Swedish police procedurals..

I'm also a fan of "Sandhamn Murders" also from Viveca Sten mystery novels. Different cast, writers and different production companies. I'd like to see more Swedish crime dramas from Netflix.

Abusive husband busting through a hotel door with an axe to assault his wife and child? Sounds familiar. But it's just a throwaway scene in this rather odd procedural/Scandinoirish series. It's supposed to be a 5-episode season but it's more like two seasons of 3 and 2 episodes respectively, as they pertain to the investigations of unrelated cases. Brevity is the soul of wit or something, and kudos to the show for being efficient and economical. I admit I'm the first to gripe when shows pad the runtime with extraneous twists and goofy red-herrings. Here, however, the show goes to the inverse extreme since the investigations are so truncated and straightforward that their resolutions are banal; plus the characters don't get quite enough development to make an impression.