Coup!

A sort of new "One Flew Over the Cuckoo's Nest". The eternal theme of the confrontation between the Dionysian and Apollonian principles, in which there is no clear good and evil, sides of light and darkness. Here, however, in the Dionysian principle there is less truth than in "The Cuckoo's Nest", and here it is more like a devil who can get to his victims only through their weaknesses and vices. This amazing ambivalence in every moment of the film, like in Merezhkovsky's novels, where good and evil are so mixed up with each other that you begin to understand they are just sides of the same coin. And this depth is right up to the very last frame, literally.

The film takes advantage of a century-old event to deal with a subject that could not be more relevant today.

This film shows in a casual and clever way the class society and at the same time presents an alternative, which only emerges through a social crisis.

It is structured like a thriller and manages to maintain a constant tension, but includes various aspects of living together as a society, without falling into a black and white thinking.

Instead of showing that the rich can't help exploiting their power and giving them some kind of legitimacy, as in films like "Triangle of Sadness", the film finds a much more clever solution without being cautionary.

Weird, dark, and fun is how I'd describe this one. It shows a microcosm of society using a family and their servants holed up during the Spanish Flu. It's satirization of performative activists and limousine liberals feels on point. Peter Sarsgaard makes interesting choices in all of his films, and he does it again playing a charming scumbag of a cook. Billy Magnussen, while not given the same juicy role, does a great job as well playing a writer / aspiring politician, who feels very familiar in the Covid-era where we all had to suffer through the "Imagine" celebs. Overall, it's a fun watch, not a broad comedy, but I did find myself laughing a number of times.

A friend told me I must see this one, so I rented on a whim, went in with zero expectations. And what a treat this movie was. Somewhere between comedy and thriller, Coup's tone is one I'd call anarchic. You see that tone in the script, the music, and in all the performances (Skarsgard is really strong here). Don't want to spoil anything. So suffice to say, the story had me rooting for one character only to pull the rug out in a way I never saw coming. Thank you Lilly for recommending this to me. And returning the favor, I'm recommending Coup! To anyone reading this. Especially if you're into films like The Menu, you'll love Coup!

Jaunty class-war drama "Coup" has a decent premise & good performances, but its main characters are all so dislikable that it fails to hold attention. As the 1918 Spanish Flu bites, well-to-do journo Billy Magnussen secretly flees with wife Sarah Gadon & kids to his island country estate, pretending to still be in NY as he lambasts the govt to fuel his own political ambitions... til mysterious new chef Peter Sarsgaard stokes ill-feeling among his staff & family, as the 'plague' starts to grip the island, and the poop hits Magnussen's fan. Co-writers / co-directors Austin Stark & debutant Joseph Schuman offer an interesting analogy... but it just isn't interesting nor engaging enough.