Una mujer trata de exonerar a su hermano, condenado por asesinato, demostrando que el crimen lo cometió un ser sobrenatural.Una mujer trata de exonerar a su hermano, condenado por asesinato, demostrando que el crimen lo cometió un ser sobrenatural.Una mujer trata de exonerar a su hermano, condenado por asesinato, demostrando que el crimen lo cometió un ser sobrenatural.
- Dirección
- Escritura
- Estrellas
- Premios
- 3 premios ganados y 17 nominaciones en total
Garrett Ryan
- Young Tim
- (as Garrett Ryan Ewald)
Brett Murray
- Officer 1
- (as Brett Luciana Murray)
Odina Odette
- Skype Worker
- (as Elisa Victoria)
- Dirección
- Escritura
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
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Opiniones destacadas
Well made film, and an intriguing story
One of the strong points of Oculus is that what happened to them as children isn't clearly stated right at the beginning. Their childhood is revealed slowly along the film, with series of flashbacks. Flashbacks are a very effective choice. This is what makes the story more intriguing, and the viewer wants to know everything. Not revealing everything about the mirror in their first conversation creates also an aura of mystery around the mirror, and it's much more realistic than Kaylie and Tim having a conversation where they state every little detail. It's better to show than to tell.
The horror in Oculus plays with your mind. When the characters do something, only to realise they didn't do it... When they think something is real, but it isn't... It's better, scarier and much more effective than any ghost the mirror might cast.
The flashbacks also create an effective way to play with the characters' (and the audience's) minds. The mirror doesn't need to make the flashbacks, they are in their head already. The film very skilfully mixes past and present. It definitely is effective, but it might get slightly confusing. It's hard to tell sometimes what in the flashbacks during the last third of Oculus really happened, and what was changed by the present.
Oculus is also very well shot. Some of the angles used are mesmerizing, capturing the enchantment of a character or an object - or capturing how a character is enchanted by the object. The cinematography shows important details and makes the movie look simply beautiful when needed, and horribly gruesome when needed.
Oculus is worth a watch, but if you are experienced in the horror genre, you might find it predictable and typical. is a good enough horror film. It isn't boring, even if the beginning is slow. But towards the end more and more things happen and more and more is revealed. That keeps the viewers on their seats.
The horror in Oculus plays with your mind. When the characters do something, only to realise they didn't do it... When they think something is real, but it isn't... It's better, scarier and much more effective than any ghost the mirror might cast.
The flashbacks also create an effective way to play with the characters' (and the audience's) minds. The mirror doesn't need to make the flashbacks, they are in their head already. The film very skilfully mixes past and present. It definitely is effective, but it might get slightly confusing. It's hard to tell sometimes what in the flashbacks during the last third of Oculus really happened, and what was changed by the present.
Oculus is also very well shot. Some of the angles used are mesmerizing, capturing the enchantment of a character or an object - or capturing how a character is enchanted by the object. The cinematography shows important details and makes the movie look simply beautiful when needed, and horribly gruesome when needed.
Oculus is worth a watch, but if you are experienced in the horror genre, you might find it predictable and typical. is a good enough horror film. It isn't boring, even if the beginning is slow. But towards the end more and more things happen and more and more is revealed. That keeps the viewers on their seats.
Please see this film!
This is a classic ghost story.
I won't spoil anything, but for a haunted mirror movie, I found it VERY effective.
There are only really 6 people in the film. The parents, and the children at 2 different ages. The film is not really linear, and it took me a while to get the flow of the constant changing from today and yesterday. Once I got it, I found it very clever.
What impressed me the most, however, is that there is hardly any blood, no nudity, no profanity, no sex, no gore and it scared the crap out of me!
No, it doesn't reinvent the genre (can you even really do that with the haunted mirror genre?), but it is a well crafted, well acted movie that really kept my interest all the way through.
The young girl was especially effective.
The film starts off slow and methodical and really hits its stride about the half way mark.
We need more films like this. Smart, clever "little" films - a few characters, a few props and lots of chills and thrills.
Please see this!
8/10
I won't spoil anything, but for a haunted mirror movie, I found it VERY effective.
There are only really 6 people in the film. The parents, and the children at 2 different ages. The film is not really linear, and it took me a while to get the flow of the constant changing from today and yesterday. Once I got it, I found it very clever.
What impressed me the most, however, is that there is hardly any blood, no nudity, no profanity, no sex, no gore and it scared the crap out of me!
No, it doesn't reinvent the genre (can you even really do that with the haunted mirror genre?), but it is a well crafted, well acted movie that really kept my interest all the way through.
The young girl was especially effective.
The film starts off slow and methodical and really hits its stride about the half way mark.
We need more films like this. Smart, clever "little" films - a few characters, a few props and lots of chills and thrills.
Please see this!
8/10
Twisted Story with Excellent Performances
Even though it wasn't as scary or gory, as I wanted it to be. It still managed to creep me out and get on my nerves, with it's very creative and elaborate story and excellent performances from all it's cast. I really enjoyed the chemistry between the two younger actors played by Annalise Basso & Garrett Ryan, and the relationship they had as characters, which added a lot of heart and sentiment to the whole story. Moreover, this movie was more a drama with some horror, because it didn't played with the whole scare and gore factors, but instead it was more about the the story behind the mirror and the effect it had with the people that surrounded it. It would be a good idea to make this a franchise because of how extensive its universe could be, as well as how many different stories and characters it could incorporate and continue to haunt, even though it's ending was melodramatic to me, it felt conclusive and eerily heartbreaking. Overall, it was a very good little drama-horror film that goes more farther than you could imagine and think.
Instant Horror Classic!
This was really not that bad for a horror movie. The whole mirror monster sort of thing has been done before but what made this movie refreshing to me was the complete mind trip that was going on throughout the movie. I spent more than like 3/4ths of the movie utterly confused yet it made sense by the end. It was all over the place but slowly, I was able to piece things together. I personally thought it had the right amount of horror that it was actually able to make me jump at some parts without being too cringe worthy like most horror films are. Also, I was impressed with what was done despite the simplicity of the film. Tons of thrills, tons of fun. Needless to say, I thoroughly enjoyed watching this.
Effective trip into psychological horror
21 year old Tim Russell is released from a mental institution.That same week his older sister is able to get a few days alone with the Lesser mirror. Kaylie, the sister, decides to take the mirror back to their old house, where unspeakable horrors unfolded during their childhood shortly after they moved to the back-then-new-house, and their father bought the infamous mirror. Kaylie is convinced the mirror is haunted: the mirror being some sort of evil supernatural being. Tim, on the other hand, has grown completely skeptic about the supernatural aspect of the mirror, believing his sister only holds on to that notion simply to have a way to cope with the horrific events of their childhood. Needless to say, the mirror does seem haunted, and as the night progresses for the adult siblings, the door to those memories open up, revealing more and more those events which both are trying to move on from; albeit in very different ways. These two timelines (their childhood and their present-day adult selves) unfold in a parallel manner, with the ending of the film culminating the two timelines' climaxes together.
One of the things the film gets right is the acting. Both Karen Gillian and Brenton Thwaites do a very decent job in portraying the adult version of the siblings. Their children counterparts also do an impressive work in portraying two small, terrified brother and sister with no one to turn to for help, slowly accepting the fact that they are both alone against the mirror.
The second good thing about it is the staging of the story. Although the concept is nothing new or original, the execution of such concept is both new and original. This injects a healthy dose of re-freshens and also a decent amount of unexpectedness to the film. Both helping in making this horror film one in which the audiences are actually engaged and interested in what will happen next, and at the same time they can have fun in the direction the story advances to.
A neutral element in it is the way they decided to unfold both story-lines (past and present). Like mentioned above, both of them move forward hand-in-hand, with various parallels presenting themselves in the way of flashbacks from both siblings. While this works wonderfully in the first half of the film, the second half of it loses a good chunk of the excitement which this sort of narrative added to the first half. That is not to say however, that it hurts it, but by the ending it just feels it needed to continue this way to explain what had happened, rather than using it to strengthen the present events.
More personally speaking, the ending felt rather frustrating and just almost unimaginative. While the final events fit into the pattern of what the mirror does, it feels like it should have had a more surprising ending due to the excellent build-up the film provides in the first two-thirds. The moment when the final twist happens, it is shocking, with everything falling into place seconds later, only to add more shock to what happens. However, moments later the feeling of shock is quickly replaced by one of been-there-done-that, leaving the audience feeling that there should have been more to it, rather than it being so simple and straight-forward.
If you are expecting an explanation for what the mirror really is, what entity it holds, or how it came to be, you will be disappointed. If you are rather more interested in the how (instead of the why's or what's of the mirror) you will feel more satisfied. The focus of the film is in tricking its characters, and along with them the audience as well. The story is very effective in messing with one's psyche, making one actually wonder what is actually happening to the characters, and what is fake and just a product of the mirror.
Overall, adjust your expectations into knowing that this film is good, but it does not redefine the genre in the slightest. It does feel refreshing, but other than in its execution, there is nothing new to see here. The movie is fun and unexpected (something very few recent horror movies can say), so with everything else, it is definitely an enjoyable ride as a whole.
One of the things the film gets right is the acting. Both Karen Gillian and Brenton Thwaites do a very decent job in portraying the adult version of the siblings. Their children counterparts also do an impressive work in portraying two small, terrified brother and sister with no one to turn to for help, slowly accepting the fact that they are both alone against the mirror.
The second good thing about it is the staging of the story. Although the concept is nothing new or original, the execution of such concept is both new and original. This injects a healthy dose of re-freshens and also a decent amount of unexpectedness to the film. Both helping in making this horror film one in which the audiences are actually engaged and interested in what will happen next, and at the same time they can have fun in the direction the story advances to.
A neutral element in it is the way they decided to unfold both story-lines (past and present). Like mentioned above, both of them move forward hand-in-hand, with various parallels presenting themselves in the way of flashbacks from both siblings. While this works wonderfully in the first half of the film, the second half of it loses a good chunk of the excitement which this sort of narrative added to the first half. That is not to say however, that it hurts it, but by the ending it just feels it needed to continue this way to explain what had happened, rather than using it to strengthen the present events.
More personally speaking, the ending felt rather frustrating and just almost unimaginative. While the final events fit into the pattern of what the mirror does, it feels like it should have had a more surprising ending due to the excellent build-up the film provides in the first two-thirds. The moment when the final twist happens, it is shocking, with everything falling into place seconds later, only to add more shock to what happens. However, moments later the feeling of shock is quickly replaced by one of been-there-done-that, leaving the audience feeling that there should have been more to it, rather than it being so simple and straight-forward.
If you are expecting an explanation for what the mirror really is, what entity it holds, or how it came to be, you will be disappointed. If you are rather more interested in the how (instead of the why's or what's of the mirror) you will feel more satisfied. The focus of the film is in tricking its characters, and along with them the audience as well. The story is very effective in messing with one's psyche, making one actually wonder what is actually happening to the characters, and what is fake and just a product of the mirror.
Overall, adjust your expectations into knowing that this film is good, but it does not redefine the genre in the slightest. It does feel refreshing, but other than in its execution, there is nothing new to see here. The movie is fun and unexpected (something very few recent horror movies can say), so with everything else, it is definitely an enjoyable ride as a whole.
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Productions has been a major force in the horror genre since 2007's Paranormal Activity became a worldwide sensation. See how IMDb users rank all of Blumhouse's horror movies since 2007.
¿Sabías que…?
- TriviaHad director Mike Flanagan agreed to film "Oculus" in the "found footage" genre (like Actividad paranormal (2007)), a number of studios would have backed it as early as 2006. However, Flanagan refused.
- ErroresWhen Kaylie starts recording her video, she says the time is 4:15PM. Two minutes later when Michael calls her, she says "Could you try and call on the hour? It's about seven past."
- Citas
Alan Russell: I've met my demons and they are many. I've seen the devil, and he is me.
- ConexionesFeatured in The Nostalgia Critic: Top 11 New Halloween Classics (2014)
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Detalles
Taquilla
- Presupuesto
- USD 5,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 27,695,246
- Fin de semana de estreno en EE. UU. y Canadá
- USD 12,005,402
- 13 abr 2014
- Total a nivel mundial
- USD 44,459,951
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