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Paterno

  • Película de TV
  • 2018
  • TV-MA
  • 1h 45min
CALIFICACIÓN DE IMDb
6.5/10
8 k
TU CALIFICACIÓN
Al Pacino in Paterno (2018)
The film centers on Joe Paterno, who, after becoming the winningest coach in college football history, is embroiled in Penn State's Jerry Sandusky sexual abuse scandal, challenging his legacy and forcing him to face questions of institutional failure regarding the victims.
Reproducir trailer2:05
2 videos
45 fotos
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Agrega una trama en tu idiomaPenn State football coach Joe Paterno becomes embroiled in a sexual abuse scandal.Penn State football coach Joe Paterno becomes embroiled in a sexual abuse scandal.Penn State football coach Joe Paterno becomes embroiled in a sexual abuse scandal.

  • Dirección
    • Barry Levinson
  • Guionistas
    • Debora Cahn
    • John C. Richards
  • Elenco
    • Al Pacino
    • Kathy Baker
    • Ken Maharaj
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.5/10
    8 k
    TU CALIFICACIÓN
    • Dirección
      • Barry Levinson
    • Guionistas
      • Debora Cahn
      • John C. Richards
    • Elenco
      • Al Pacino
      • Kathy Baker
      • Ken Maharaj
    • 63Opiniones de los usuarios
    • 27Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Nominado a 2 premios Primetime Emmy
      • 1 premio ganado y 7 nominaciones en total

    Videos2

    Official Trailer
    Trailer 2:05
    Official Trailer
    Official Tease
    Trailer 0:39
    Official Tease
    Official Tease
    Trailer 0:39
    Official Tease

    Fotos45

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    Elenco principal99+

    Editar
    Al Pacino
    Al Pacino
    • Joe Paterno
    Kathy Baker
    Kathy Baker
    • Sue Paterno
    Ken Maharaj
    Ken Maharaj
    • MRI Tech
    • (as Kenneth Maharaj)
    Michael Mastro
    Michael Mastro
    • Guido D'Elia
    Joshua Morgan
    Joshua Morgan
    • Bobby - Media Wrangler
    Ross Degraw
    Ross Degraw
    • Sports Producer
    Mitchell L. Mack
    • Devon Smith
    • (as Mitchell Mack)
    Larry Mitchell
    Larry Mitchell
    • Jay Paterno
    Darren Goldstein
    Darren Goldstein
    • Mike McQueary
    Riley Keough
    Riley Keough
    • Sara Ganim
    Nicholas Sadler
    Nicholas Sadler
    • Todd - Press Photographer
    Sir Brodie
    Sir Brodie
    • Security Guard
    Greg Grunberg
    Greg Grunberg
    • Scott Paterno
    Annie Parisse
    Annie Parisse
    • Mary Kay Paterno
    Vito Vitiello
    • Sports Director
    Laura Verillo
    • Control Room Tech
    Harold Garcia
    • Control Room Tech
    Julian Gamble
    Julian Gamble
    • Galen Hall
    • Dirección
      • Barry Levinson
    • Guionistas
      • Debora Cahn
      • John C. Richards
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios63

    6.58K
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    Opiniones destacadas

    7brianjohnson-20043

    Not fun, but worth seeing. And worth discussig such incidents so they happen less in the future.

    People who hate this film or its implications that Paterno was complicit to the child abuse are wrong. He clearly was part of the narrative. He maybe never witnessed the abuse himself. But he never reported what happened when he heard about such incidents. I understand that plenty of people are sympathetic to Paterno even if they aren't Penn State or football fans. The film to me seems to clearly display Paterno as a figure who probably would have stayed obsessed with winning football games even if 99% of the people who care about him and football, didn't care about football. And he didn't do anything to deserve someone like Sandusky being hired. Paterno with luck could have never had such an incident and be revered today. And plenty of people revered today might have made the same mistakes as Paterno if they had to deal with Paterno's issues. That doesn't mean that Paterno and others had no responsibility to do the right thing and report Sandusky as soon as possible.

    It's remarkable how quickly Paterno's fall happens after his 409th win. I forgot that he went from the winningest couch that almost everyone loved, to fired in less than week. I give this a 7 because the story wasn't that interesting, even though there seemed to be good execution.

    I think what bothers people is that the real enemy of this film isn't so much Joe Paterno or Jerry Sandusky. Instead the main enemy is America's priority of putting football and other interests over our more basic human responsibility of protecting children and bringing likely sex abuse criminals to justice as quickly as possible.

    After Paterno is fired and he addressed his supporters in front of his yard, be almost forgets about the victims in his address. He just throws in a call to support the victims at the very end. The victims should have been brought up initially or not at all. The error in this response really displayed his faulty priorities again.

    The reactions of many of many reviewers is similar to the students protesting in the film following Peterno being fired. This story really highlights our power of denying the errors of people we grow to respect. OJ and Mafia defenders have similar blind spots. People say "Sure they made a mistake on this matter, but they weren't bad about everything. Who hasn't made a mistake?" As if the scope of the crime doesn't matter.

    It's remarkably easy for some people to shield acknowledging that someone like Joe Paterno, who might be mostly good 99% of the time, can be complicit to a seriously crime the other 1% of the time. And that 1% was a 1% mattered a lot. Another common response is, "Paterno wants to be known as a legendary football coach. Not a football coach who also had to deal with child sex abuse by one of his couches." Well the media rather than the university addressing this issue from the start let Sandusky fester and abuse dozens more of decades.

    I can't help but wonder how it ever felt ok for people to know someone was molesting children and not report them. If someone witnesses a murder, A) I don't think the witness would report the incident to their boss or couch. But B) if they did, they'd be sure law enforcement was in the loop too. Especially if the witness notices that the murderer walking around where he committed his crime years later. Child molesters are extremely likely to repeat their crimes. Much more so than almost any other type of criminal. This is something people should know and care about. It seems that a lot of people are unprepared to deal with such an incident and think it'd never happen to them or someone they know. This film gets a 7 largely for bringing this issue more-so into the spotlight.

    Based on the perceptions of other reviewers I get the feeling that people don't want other films based on true stories like Paterno, or Spotlight. They don't want to think about the faults of people who seemed mostly fine. My response: Put an end to such incidents happening, and more importantly festering, and there will be no extraordinarily awful true story to make a movie about down the line about our supposed heroes. Instead we can just have real heroes. The fact that, for now, such things still happen, only reinforces the need to make movies like Paterno.

    Until we go decades with nothing like this happening, I'll find it relevant to be aware of stories like Paterno. In the last year or two we learned of a similar case of child abuse with the US gymnastics team. Maybe someday we'll learn.
    7sdb-90560

    A spot-on portrayal of JoePa

    As I studied at PSU (The Pennsylvania State University) in 2009, I felt fortunate to have this opportunity to learn, albeit a surreal sadness at some dark happenings underneath the "Happy Valley" life, as it's known colloquially. This movie seemed to capture the essence of my memories - a work ethic and a quality of education comparable to those of the Ivy League, and esprit de corps which few will ever rival... I only met Joe-Pa one time, at a game. I felt so lucky to shake his hand, and knew I was in the presence of greatness, a man larger than life, a man with his name on the library I would spend so many hours sleeping in... haha That said, I only met Graham Spanier one time, by happenstance - I was searching for a seminar related to Asian Diaspora, but walked into the wrong lecture hall. I have never been greeted with more rudeness, or condescension in my life. I felt so small, and he gave me his card, advising me to refer any problems (regarding my attendance, etc.) to a number, which I just discarded.

    There were good and evil people who manifested this story. I felt no sadness for President Graham Spanier, as I thought very little of the man. I felt no empathy for the "security": Vice President Gary Schultz and Athletic Director Tim Curley. In my humble opinion, these men were negligent in their most basic of duties, and I don't feel the need to extrapolate. I must come to terms and accept that this will never happen again, but only if people become less like my hero: Joe-Pa, a man only guilty of being naive in a world which doesn't revolve around football. Naivete aside... The acting, on all accounts, and by all involved, is stupendous! I cannot believe the low ratings, but I feel it will never be appreciated by those who never met the men involved, or understand the deep love of sports, success, and all those who facilitate it and further great institutions. I hope people may see beyond the media hype, and see this as a story of victimization, which can no longer be an ignored secret. We can no longer tolerate a society which ignores social problems, such as child abuse. I hope this movie, done in excellence, as far as acting and directing, iserves as a cautionary tale and is not judged simply because it was not as exciting as a Marvel flick. This should go down as one of Pacino's unrecognized, great works, for those of us who revered Joe Paterno. Thank you for reading, and stay ever vigilant in today's society. (9/25/2018)
    6ronsmolin

    A Superficial Portrait

    Very disappointed in this sketchy HBO presentation. which glosses over many key characters and injects bits and pieces of real events and presumed behaviors to a viewing audience which can be easily confused by the scattershot script and direction. It seemed like a series of story boards out of order. The film needed much more character development, as well as more coherent storytelling.
    7fanaticusanonymous

    An Actor's Actor

    I'm not going to talk about the film as a film because, it seems to me, a pointless exercise. We all know the story. Painful, bitter, shattering. What we didn't know, what we couldn't even imagine is what was in Joe Paterno's heart in mind. Now we have a plausible, profoundly human version of it, in Al Pacino's eyes. I saw a decent man of his generation confronted by the new approach to decency. I saw in his eyes a sort of resignation, the kind of resignation suffered by the decent man who knows he's guilty. Al Pacino is still breaking ground, still at the vanguard of his own profession. Hurrah !
    TxMike

    'Everyone has an opinion buddy, what makes yours so important? Get outta here!'

    I watched this movie at home on DVD from my public library, my wife skipped it.

    I have been a football fan all my life and, while I never was a Penn State fan (go Purdue!) I knew of Joe Paterno and how respected he and the Penn State football program were. I also clearly remember when the events of 2011 broke wide open.

    This movie stars Al Pacino as Joe Paterno and, while he does fine I was constantly reminded of the actor by his raspy voice. Paterno had a calm smooth voice, even near the end.

    Still the movie is a good dramatization of the events of 2011 that led to Paterno's firing, just a couple of months before his death, when the details of former coach Sandusky's activities with young boys became fully known.

    It was argued, and it seems plausible, that as head of the football program Paterno should have known more and should have done more earlier in the Sandusky case, so he was fired in November 2011. Paterno is portrayed as a rather simple man who focused so much on the football and preparation for next games that he was either unaware of Sandusky's activities or just wanted them to go away without his strong involvement.

    A good movie of a sad chapter in college football programs.

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    Argumento

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    • Trivia
      Sara Ganim and members of The Patriot-News Staff won a number of national awards including the 2012 Pulitzer Prize for local reporting, making her the third youngest winner of a Pulitzer. The award cited "courageously revealing and adeptly covering the explosive Sandusky sex scandal involving former football coach Jerry Sandusky."
    • Citas

      [last lines]

      Sara Ganim: Uh, I'm sorry. You said... 1976?

    • Créditos curiosos
      The title appears after 10 minutes.
    • Conexiones
      Featured in The 70th Primetime Emmy Awards (2018)
    • Bandas sonoras
      Madama Butterfly, Act II: Un Bel Di Vedremo
      Written by Giacomo Puccini

      Performed by Maria Callas

      Courtesy of Warner Classics U.K. Ltd.

      By arrangement with Warner Music Group Film & TV Licensing

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 7 de abril de 2018 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Happy Valley
    • Locaciones de filmación
      • Riverdale, Bronx, Nueva York, Nueva York, Estados Unidos(State College, PA)
    • Productoras
      • Pressman Film
      • The Levinson / Fontana Company
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 45 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 16:9 HD

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