La vida misma

I guess there's just not much to say about this except that it's bloody brilliant. I feel like so many biographical documentaries might have wanted to talk about the person's entire life, and go through it all. Not this one, and because of it, it never feels bogged down by so much material. It flows through pretty easily and seamlessly, the editing isn't too fast-paced but instead lingers on Ebert's more philosophical viewpoints in his book. It's definitely incredibly sad and beautiful, probably the saddest documentary since Dear Zachary. This is destined to be a crowd-pleaser, as it should be. I strongly recommend it to anyone of any age.

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Roger Ebert meant so much to the entire film community and when it was announced that there would be a documentary about his life and struggle after cancer, nearly every cinema lover jumped at the opportunity. Ebert, as well as his wife Chaz, inspired millions with their love, story, and the simplicity of living life with films as the central focus. Life Itself by director Steve James is an intimate and respectful look into the life of a man who too many people didn't get the chance to know.

I should start with talking a bit of what film criticism is to me. The picture inspires you to look inward and search for the reasoning behind such a love. Bloggers, critics, journalists, there are many names for all of us that exist in newspapers, internet sites, and forums around the world. We all love cinema and believe we can, and bring something different to the table of criticism. When I decided that I wanted to write about the movies, I knew I didn't want to be the academic critic. I'm not someone who analyzes the deep themes and symbolism of the movies. Doesn't mean I don't see them, it's just something I didn't set out to write about. My approach was always simple. Be able to tell people if a movie is good or not. I write from the heart. That's why you will often find typos, misusing grammar, etc.. I have never pretended to be a genius. Trust me, in school and in life, I've been pretty average when it came to academics and overall expectations. Where those have been my "shortcomings," I've been blessed in other ways with family, friends, and a killer staff. Roger Ebert was the academic critic who didn't believe that he was the tip of the iceberg. He knew there were many more of us that would claim to change the game and his time, was borrowed time on this earth.

In Life Itself, Ebert is captured in some of his most vulnerable moments but ironically, at his strongest point in his life. We witness him battle the heartbreaking truth, that his time with us is limited and there isn't much time left. But before we venture off into our Ebert of the past few years, director Steve James tells us a fascinating and beautiful story of Ebert's life, starting off in the film criticism industry, and what he brought to so many people. We get first person accounts from some of the world's most prestigious filmmakers and actors like Martin Scorsese, and first person accounts from Ebert's early days from many of his closest colleagues. It offers so much insight into the legacy of a man who offered so much to the world.

Through outtakes from the Siskel & Ebert show, to intimate and rich portraits from his many adventures around the globe, through Life Itself, we become even closer to a man we hardly knew, and in essence, become closer to ourselves. It's one of the finest films of the year and one that should be considered as the first documentary ever to be nominated for Best Picture. If there's a film that breaks the barriers for all movie-lovers everywhere, Steve James' Life Itself is it.

Magnolia Pictures will release LIFE ITSELF on iTunes/OnDemand and in theaters this Friday, July 4, 2014.

(Full, more complete review on Influx Magazine.)

"When did you first want to become a film critic?" is the question I get asked the most, second only to the obligatory "what is your favorite movie?" I always respond to the first question with the same story; I was a four-year-old boy, "reading" the "Tempo" section of the "Chicago Tribune," and by reading, I mean looking at the pictures of the movies in there, cutting them out, and pasting them to a scrapbook I would make. When I finally developed the ability to read, I would "read" some of Roger Ebert's reviews in the "Chicago Sun-Times," and by read, I mean study and honestly look at his writing structure, often rereading sentences of his over and over that struck me as comedic or ones that hit home harder than I was ever used to being hit. To say Ebert was an influence on me and my writing is still a monumental oversimplification.

Even more of an oversimplification than what I'm about to say concerning Steve James' long-awaited documentary "Life Itself," based on the life and memoir of film critic Roger Ebert. I laughed, cried, talked back to the screen, voiced my own opinions, and indulged in some of the most gratifying and entertaining two hours of my life watching his documentary unfold. Frequently I wasn't subtle in showing my emotions, pervasively tearing up when I saw the way his loving wife Chaz Ebert would help and assist Roger in any way, shape, or form he needed, and sometimes just laughing or cheering at the hilarious and often vulgar banter him and his colleague Gene Siskel would exchange on the set of their show "Sneak Previews." While all this was happening, the whole time wishing, hoping, and grieving to be half the film critic he was, leaving a tenth of the impact he did on a culture and an industry.

The film chronicles the humble beginnings to the meteoric rise to fame Roger Ebert endured, coming from your average family in Illinois to becoming known and recognized at the University of Illinois at Urbana Champaign for his persistent editing and managing of the school's newspaper, "The Daily Illini." Eventually, Ebert became the youngest film critic to ever hold the professional position for the "Chicago Sun-Times," the liberal, blue collar, working class paper that directly competed with the wealthier and more conservative "Chicago Tribune" right across the street. Ebert worked to breed life and an identity in the field where, before his time, film reviews were written by whomever happened to go to the movies that weekend under the name "Mae Tinee" - look at that name very closely.

It wasn't long before Ebert became known in the newspaper circle, winning the Pulitzer Prize early in his career, developing a TV show with the "Chicago Tribune's" film critic Gene Siskel, in one of Television's most charismatic and checkered relationships in the medium's history, to his personal bouts with alcoholism, to becoming one with the industry's actors, directors, writers, and so forth. Numerous colleagues of Ebert speak out on his impact on an unrecognized industry, like film critic A.O. Scott of "The New York Times," who labels Siskel and Ebert's Television show as a work of "transgressiveness" for the medium, being that these two men were who they were, verbally fighting about each others opinions on film, not complimenting and making classy remarks like "I see your point" at the completion of each others sentences. They fought over opinions like you and your relatives do with political opinions and exchanges over the dinner table.

Ebert also made the casual man appreciate film for its aesthetics, its beauty, and its capabilities, commenting on the film medium as "a machine that generates empathy," in a speech more beautiful than anything I could be given a year to cook up. He gave quieter independent films an outlet on his show with Siskel, so that you and I would know them more than just "some arty movie playing downtown."

James is all encompassing with "Life Itself," tirelessly trying to capture everything that occurred in Ebert's life, and not only miraculously succeeding, but doing succeeding overwhelmingly, to the extent one would assume impossible in just two hours that were destined to race past, as they did. James develops on Ebert's long checkered bouts with cancer, multiple different surgeries, to even showing the last few months of his life, which were largely spent in hospitals with a tireless Chaz right by his side. A cruel but necessary juxtaposition of events comes when we see home video footage of Ebert walking with his step-grandson in Europe for lengthy periods of time contrasted with an ailing but determined Ebert struggling to walk on a treadmill at a rehabilitation facility, wheezing and becoming short of breath from just a few steps.

"Life Itself" is destined to be the most emotional, moving documentary I see all year, if not the most emotional, moving film I see all year. Its detailing of a life so grand, a person so complex, and a man so original and captured in the spirit of himself in a delightfully open way makes for a film that I struggle to summarize in a way that gives it proper credit. In that case, I close my review of my current favorite documentary of 2014 in a softly poetic way, rather than a didactic or smarmy way, republishing an ode to Roger Ebert I wrote on part of my eighth grade class in 2009.

Ode to Roger Ebert

Film Critic, Columnist, like a brother. Reviews movies like none other. Bias towards him, and the ones that came. But other reviews can never be the same. One star. Two stars. Three stars. Four. Others make reviewing seem like a chore. I like Ebert for evermore.

Directed by: Steve James.

I grew up with Roger Ebert's movie reviews. I first read one of his pieces in high school and have been hooked ever since. I would usually consult him before deciding to watch a particular movie, especially if the IMDb rating was not very high: his judgment would be the tie break that would convince me – or not – to invest those 2-3 hours in a movie. Afterwards, I would tuck into bed and slowly and solemnly read his opinion, often forcing my wife to listen on.

What was so special about his reviews? What set him apart from the plethora of reviewers that compete for our attention on "Rotten Tomatoes" or "Metacritic"? For me it was the way he drew parallels between movies and real life. He was not judging a movie on its purely artistic or aesthetic merit; he stayed clear of high-sounding phrases and abstruse concepts. He didn't need and didn't want to show off his cinematic culture or talk condescendingly to his reader. On the contrary, his was an honest, almost heart- to-heart talk, in which he told us how he empathized with the characters, how he was drawn in by the plot, what details about the direction, the cinematography, the acting, the soundtrack had struck a particular chord with him.

But most importantly, he had this uncanny ability to put the movie in the context of "Life itself", to use the title of his book and of the recent documentary about his life. He extracted meaning from virtually every movie; a movie reviewed by Ebert wasn't just a movie, it became a vehicle for exploring our deepest emotions, aspirations, frustrations; a way of redefining our common humanity. After reading an Ebert review, I usually felt a strong connection with the man, because he had opened up to me, he wasn't lecturing me or forcing his interpretation on me.

In fact, he seemed to always want to underline, explicitly or implicitly, that the review was all about how the movie had resonated with HIM. He never pretended that movies weren't what they are: an entirely subjective experience. There are as many reviews as there are persons and, paradoxically, the more personal the review, the more interesting it gets. This is why I liked his reviews even when I didn't agree with them, even if I didn't feel the same emotions he experienced during the picture. After reading a review that I didn't agree with, I even took particular pride in holding a different point of view. Most professional reviewers make you feel stupid if you don't share their strong opinion: if you don't like a movie that they praised, then you are uncultured and unsophisticated; if you loved a movie they torpedoed, you are superficial and have bad taste… Ebert never made you feel that way; on the contrary, you always felt on a level plain.

The documentary "Life Itself", which touches on many aspects of Ebert's life and work, is unmissable for any fan. I would've preferred a more in-depth coverage of his reviews, his relationship with movies, especially the one's that changed his life. In my opinion, director Steve James dwells excessively on Ebert's terminal illness – close-ups of his chin-less face are omnipresent – and on his relationship with his wife and with his television partner Gene Siskel (which takes up an outsize portion of the documentary). For me, Ebert is all about his reviews, and to have given them so little space is a pity.

Even so, I would recommend spending two hours with "Life Itself", even if you've never read an Ebert review: it will introduce you to one of the best movie critics of all time, who has written reviews for half the history of motion pictures and touched the lives of thousands of people – including mine – guiding them through an exciting journey of discovery and self-discovery.

Life Itself (2014)

**** (out of 4)

I first discovered Siskel and Ebert by accidentally waking up early one morning and turning the television on to see two guys getting into a heated debate over a movie called DEAD AGAIN. It's funny but it's a moment in my life that I'll never forget because it opened my eyes to other movie lovers and the show would also introduce me to all sorts of movies that weren't playing at my small town theater. LIFE ITSELF, based on the book of the same name, covers the life and career of film critic Roger Ebert who is of course best known for his television show with Gene Siskel. The book was a wonderful read and especially for fans of Ebert but director Steve James does an extremely good job at bringing it to the screen even if we really don't see anything here that we didn't read in the book.

With that said, there's no question that the film is highly entertaining and especially when it deals with the rather love-hate relationship between Ebert and Siskel. There's no doubt that these moments are the highlight of the film as we get to see some classic clips of the two on their show but also some memorable outtakes as well as their appearances on talk shows, including an intense one on Carson where Ebert rips Chevy Chase who is sitting right there. The film also covers Ebert's personal life where we get interviews with the likes of his wife as well as Siskel's widow. Filmmakers Werner Herzog and Martin Scorsese are also on hand and discuss their relationship with Ebert. Of course, the hardest part to watch about this film are the scenes involving Ebert in the hospital where we see how much pain he was in towards the end of his life. These scenes really are hard to watch but at the same time it leaves you in amazement that he was able to continue writing on his blog at such a high level.

LIFE ITSELF has some flaws including the structure of the story but I doubt any fans of the critic are going to be disappointed. I think the 115-minute running time was fine for a general release but it seems like there's probably a lot more that could have been included.