La familia Manzoni, un famoso clan mafioso, se muda a Normandía bajo el programa de protección de testigos, donde intenta adaptarse.La familia Manzoni, un famoso clan mafioso, se muda a Normandía bajo el programa de protección de testigos, donde intenta adaptarse.La familia Manzoni, un famoso clan mafioso, se muda a Normandía bajo el programa de protección de testigos, donde intenta adaptarse.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 1 nominación en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Very few actors into their old age have been able to resist the temptation to play out their end years like the last five overs in a 50 over cricket match- keep featuring in any movie that pays decent money. Of late, industry stalwart Rober De Niro has been guilty of the same, but once in a while he does bring out the old sparkle, and more often than not, that is generally in a mobster themed movie. Ditto for The Family- a zany comedy about a family of criminals, who come in all genders and ages.
Robert De Niro is Giovanni Manzoni, a crime boss on the run from his gang, who he tattled on. Put under witness protection, he and his family have a hard time sticking to their given identities as Giovanni is unable to rein in his sadistic urges, leading to a murder here, and a bashing there. His family is not far behind though- Michelle Pfeiffer is one bad closet pyromaniac of a mother, Dianne Aragon is the beautifully dangerous daughter, and John D'Leo is the young wheeler dealer gun, waiting to make a name in the business. The kids are a chip off the old block - brave and shrewd, with extremely practical, no nonsense attitudes. Tommy Lee Jones is the FBI agent who has to help these lunatics maintain a low profile. But all they keep doing, in different doses of hilarity, is making a war-zone out of a mofussil town.
Luc Besson makes a fine comeback with this funny gangster comedy- the script is witty, the pace is fast, there are sudden scenes of shocking violence, and equal doses of laugh out moments. All the actors do a great job. This is a role meant for De Niro- he is a career don (Goodfellas, The Godfather, Casino) and this is right up his alley, a walk in the park. His interactions with his family are awesome, and at the end i was left wanting more of this family- a sequel on the cards? Michelle Pfeiffer's beauty has not dimmed one bit, and Tommy Lee Jones maintains a straight face throughout the antics.
The Family is as much about a real family as it is about thugs. Growing up pains, romance, responsibility, will to survive- all of it is nicely packaged into a decent entertainer which has loads of laughter, guns, hammers, baseball bats, explosions, and everything else you love about the gangster movie genre- 7/10
Robert De Niro is Giovanni Manzoni, a crime boss on the run from his gang, who he tattled on. Put under witness protection, he and his family have a hard time sticking to their given identities as Giovanni is unable to rein in his sadistic urges, leading to a murder here, and a bashing there. His family is not far behind though- Michelle Pfeiffer is one bad closet pyromaniac of a mother, Dianne Aragon is the beautifully dangerous daughter, and John D'Leo is the young wheeler dealer gun, waiting to make a name in the business. The kids are a chip off the old block - brave and shrewd, with extremely practical, no nonsense attitudes. Tommy Lee Jones is the FBI agent who has to help these lunatics maintain a low profile. But all they keep doing, in different doses of hilarity, is making a war-zone out of a mofussil town.
Luc Besson makes a fine comeback with this funny gangster comedy- the script is witty, the pace is fast, there are sudden scenes of shocking violence, and equal doses of laugh out moments. All the actors do a great job. This is a role meant for De Niro- he is a career don (Goodfellas, The Godfather, Casino) and this is right up his alley, a walk in the park. His interactions with his family are awesome, and at the end i was left wanting more of this family- a sequel on the cards? Michelle Pfeiffer's beauty has not dimmed one bit, and Tommy Lee Jones maintains a straight face throughout the antics.
The Family is as much about a real family as it is about thugs. Growing up pains, romance, responsibility, will to survive- all of it is nicely packaged into a decent entertainer which has loads of laughter, guns, hammers, baseball bats, explosions, and everything else you love about the gangster movie genre- 7/10
When I received the premier passes to see "The Family", I was really expecting with such great actors/actresses, that this movie would be good; but more-so expecting it to fall flat like so many before it. I was greatly surprised.
The Movie is based on the French author Tonino Benacquista's novel Malavita, which is know as Badfellas in America. And "BadFellas" is an interesting way to view this film. It does have all the wonderful elements of the great Mobster movies, but with a touch more humor. The family dynamic is a refreshing one that invokes what a modern mob family would probably be going through. You found yourself "going" for the family as a whole and not singling out one for their idiocy.
The movie starts off fast to quickly usher you thorough the character introductions and development, which is a good thing, because it allows you to experience their personality and growth throughout the film. You watch the stupid mistakes of a teenage girl, a boy who's intuitive yet still flawed. A mother who's trying to do the best she can to hold her family together, and a remorseful (somewhat) father.
If you are wanting Goodfellas or Casino, this isn't it. What this IS is DEFINITELY what "Analyze This" could have been if it was a better movie. There is plenty of action, and the previews don't give away the best of the movie. It is definitely a must see and Smush Approved.
www.Facebook.com/SmushPub
The Movie is based on the French author Tonino Benacquista's novel Malavita, which is know as Badfellas in America. And "BadFellas" is an interesting way to view this film. It does have all the wonderful elements of the great Mobster movies, but with a touch more humor. The family dynamic is a refreshing one that invokes what a modern mob family would probably be going through. You found yourself "going" for the family as a whole and not singling out one for their idiocy.
The movie starts off fast to quickly usher you thorough the character introductions and development, which is a good thing, because it allows you to experience their personality and growth throughout the film. You watch the stupid mistakes of a teenage girl, a boy who's intuitive yet still flawed. A mother who's trying to do the best she can to hold her family together, and a remorseful (somewhat) father.
If you are wanting Goodfellas or Casino, this isn't it. What this IS is DEFINITELY what "Analyze This" could have been if it was a better movie. There is plenty of action, and the previews don't give away the best of the movie. It is definitely a must see and Smush Approved.
www.Facebook.com/SmushPub
Mafia boss Giovanni Manzoni (Robert De Niro) and his family are in witness protection, and relocated for the upteempth time to Normandy France. Agent Robert Stansfield (Tommy Lee Jones) tries desperately to keep this crime family in line.
Director Luc Besson is trying to make a black comedy, but it's only mildly amusing occasionally. It's cute to see Dianna Agron smash a guy with a racket. And it's cool to see Michelle Pfeiffer blowing up the convenience store. Of course, Besson is winking at us as Robert De Niro enjoys a showing of Goodfellas. But it's doesn't translate into a funny comedy. At best, there were a couple of chuckle worthy moments.
The movie probably needs a comedian. Looking around, there isn't one known comedian in the bunch. I can't imagine somebody who thinks the pairing of De Niro and Jones would result in hilarity. They could be funny, but only if paired with a great comedian. De Niro needs Ben Stiller for the Meet the Parents movies, and Billy Crystal for 'Analyze This'. And Grumpy face Jones can really only do the straight man. The Tommy Lee Jones role would be better played by somebody funny. Grumpy face is not that somebody.
Director Luc Besson is trying to make a black comedy, but it's only mildly amusing occasionally. It's cute to see Dianna Agron smash a guy with a racket. And it's cool to see Michelle Pfeiffer blowing up the convenience store. Of course, Besson is winking at us as Robert De Niro enjoys a showing of Goodfellas. But it's doesn't translate into a funny comedy. At best, there were a couple of chuckle worthy moments.
The movie probably needs a comedian. Looking around, there isn't one known comedian in the bunch. I can't imagine somebody who thinks the pairing of De Niro and Jones would result in hilarity. They could be funny, but only if paired with a great comedian. De Niro needs Ben Stiller for the Meet the Parents movies, and Billy Crystal for 'Analyze This'. And Grumpy face Jones can really only do the straight man. The Tommy Lee Jones role would be better played by somebody funny. Grumpy face is not that somebody.
In New York, the mobster Giovanni Manzoni (Robert De Niro) makes a deal with FBI agent Robert Stansfield (Tommy Lee Jones) and snitches his mafia family. In return, Giovanni is included in the witness protection program and receives a new identity, Fred Blake. Giovanni, together with his wife Maggie (Michelle Pfeiffer) and their teenager children Belle (Dianna Agron) and Warren (John D'Leo), are relocated to the small town Cholong-sur-Avres, in Normandy, under the protection of Stansfield and two other agents. Meanwhile the mafia offers a 20 million-dollar reward to the killer that executes Giovanni and his family. Soon the Blake family uses the mafia methods to improve their lives in the town. But when the mafia accidentally discovers the whereabouts of the Manzoni family, Cholong becomes a no man's land.
"The Family" is a funny black humor comedy by Luc Besson about a family that travels to France under the witness protection program. The story has memorable moments, and my favorite is the reaction of Maggie when she goes to the small supermarket and feels offended. The conclusion uses many clichés and is weak, but watching this movie is worthwhile. It was a great entertainment for a Saturday afternoon without beach in Rio. My vote is seven.
Title (Brazil): "A Família" ("The Family")
"The Family" is a funny black humor comedy by Luc Besson about a family that travels to France under the witness protection program. The story has memorable moments, and my favorite is the reaction of Maggie when she goes to the small supermarket and feels offended. The conclusion uses many clichés and is weak, but watching this movie is worthwhile. It was a great entertainment for a Saturday afternoon without beach in Rio. My vote is seven.
Title (Brazil): "A Família" ("The Family")
I vaguely remember when this movie was in the cinemas. I didn't go see it and I didn't even see a trailer, but I remember seeing the poster on the wall at the theater. Once it was up on Netflix, I wanted to see it.
I was expecting some kind of weird mixture between crime drama and a "unusual family" comedy like the Addams Family and We're The Millers. Not the best examples but they are the first ones I can think of. The Family wasn't exactly close to my expectation. The Family is way more refreshing the way it is. Still, it's hard to say what is the main type of this film. It's partially a comedy, it's hilarious and clever and all that. But then again it seems like a deep drama, because it's about a family who is trying to adjust to the new situation, and everyone is facing their own challenges. But of course it's also a crime thriller.
While it's hard to say which one of these mostly defines the movie, the thing is, the elements of all those types are used so wonderfully, that as the story goes on, it doesn't matter. The story and the characters are intriguing and it's exciting to see what is going to happen. That shows what an excellent writer Tonino Benacquista is. While I don't know the differences between his book and the screenplay by Besson and Caleo, but I'm guessing his Benacquista's writing involved a lot of the stuff I loved about this movie.
The Family is intriguing, thrilling and fun. It has excellent casting and excellent writing. While this movie doesn't really stand out, it's not astounding in anyway, it's still a good film and definitely worth seeing.
I was expecting some kind of weird mixture between crime drama and a "unusual family" comedy like the Addams Family and We're The Millers. Not the best examples but they are the first ones I can think of. The Family wasn't exactly close to my expectation. The Family is way more refreshing the way it is. Still, it's hard to say what is the main type of this film. It's partially a comedy, it's hilarious and clever and all that. But then again it seems like a deep drama, because it's about a family who is trying to adjust to the new situation, and everyone is facing their own challenges. But of course it's also a crime thriller.
While it's hard to say which one of these mostly defines the movie, the thing is, the elements of all those types are used so wonderfully, that as the story goes on, it doesn't matter. The story and the characters are intriguing and it's exciting to see what is going to happen. That shows what an excellent writer Tonino Benacquista is. While I don't know the differences between his book and the screenplay by Besson and Caleo, but I'm guessing his Benacquista's writing involved a lot of the stuff I loved about this movie.
The Family is intriguing, thrilling and fun. It has excellent casting and excellent writing. While this movie doesn't really stand out, it's not astounding in anyway, it's still a good film and definitely worth seeing.
¿Sabías que…?
- TriviaWhen John D'Leo first met Dianna Agron on-set, he unknowingly asked her if she was the Make-up Girl. Agron burst out laughing and said, "I'm your sister!"
- ErroresIn the movie, the personnel guarding the family are FBI agents. In actuality, the Witness Security Program is operated by the U.S. Marshals Service, not the FBI.
- Citas
Belle Blake: [after beating Andre with a tennis racket] Hey boys, is this your approach to women? You're not gonna get very far. Girls are not some toys that you fuck in the park! Okay? Your future depends on women, don't you care about your future? So take care of them, or else you're not gonna have one.
- Créditos curiososAt the beginning, the words "father", "mother", "son" and "daughter" are shown and intersected. Some of the letters vanish, and the remaining ones spell the film's title.
- Bandas sonorasShine Brightly
Written by Don Boyette, Brittany Butler, Ted Silbert
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Family
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 36,918,811
- Fin de semana de estreno en EE. UU. y Canadá
- USD 14,034,764
- 15 sep 2013
- Total a nivel mundial
- USD 78,418,811
- Tiempo de ejecución1 hora 51 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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