CALIFICACIÓN DE IMDb
5.5/10
3.2 k
TU CALIFICACIÓN
Un actor de Hollywood viaja a Louisiana, donde dos lugareños lo secuestran y torturan brutalmente con la intención de destruir su vida por completo.Un actor de Hollywood viaja a Louisiana, donde dos lugareños lo secuestran y torturan brutalmente con la intención de destruir su vida por completo.Un actor de Hollywood viaja a Louisiana, donde dos lugareños lo secuestran y torturan brutalmente con la intención de destruir su vida por completo.
- Dirección
- Guionistas
- Elenco
Stephen Louis Grush
- Junior
- (as Stephen Grush)
Heidi Brook Myers
- Rhonda
- (as Heidi Brook-Myers)
Jamie Normand
- Girl 2
- (as Jamie Normand-Latrance)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Ryan Phillippe's directorial debut 'Catch Hell' is a strange little movie. It's an interesting story that never really goes anywhere. The plot never really advances. And Phillippe in the lead role is never really given any opportunity to shine. He co-wrote the story as well so this surprised me. Surely when you write a character that you know you're going to play you give yourself every opportunity to be the star of the show, but this was never really the case. The kidnappers had the most interesting characters of the lot.
It's not an overly bad movie, it's just simply pretty forgettable. There's no element to it that separates it from the bunch. Does Phillippe have a future behind the camera? I don't see why not. This film would have been about as straight forward as they come to direct, but I still didn't see any glaring mistakes he made. The choice of the scene over the credits was a bizarre one for me. I'm not sure exactly what he was going for with that and I'd love to hear his explanation. Give it a look if you're short of something to watch but otherwise you're not missing a whole lot.
It's not an overly bad movie, it's just simply pretty forgettable. There's no element to it that separates it from the bunch. Does Phillippe have a future behind the camera? I don't see why not. This film would have been about as straight forward as they come to direct, but I still didn't see any glaring mistakes he made. The choice of the scene over the credits was a bizarre one for me. I'm not sure exactly what he was going for with that and I'd love to hear his explanation. Give it a look if you're short of something to watch but otherwise you're not missing a whole lot.
Morality tales are always difficult. Going after the whole fame makes one vulnerable thing too. Put "crazy fans" into it and you get something weird like this. And all that with one of the worst plans (if any) in recent memory. Things can go sideways and they will especially if you haven't really thought about them.
Don't get me wrong, there are quite a few scenes that are difficult to watch, because they are brutal and you feel the pain just watching. Nothing that is exciting or fun in any way. Thankfully it doesn't stay on that track too much. Not the kind of movies I like to watch anyway, this lacks a bit of empathy. Ryan Phillipe might feel at "home" (no pun intended) with some of the scenarios (job and fame wise that is), but this won't help him get back on any Hollywood radar any time soon
Don't get me wrong, there are quite a few scenes that are difficult to watch, because they are brutal and you feel the pain just watching. Nothing that is exciting or fun in any way. Thankfully it doesn't stay on that track too much. Not the kind of movies I like to watch anyway, this lacks a bit of empathy. Ryan Phillipe might feel at "home" (no pun intended) with some of the scenarios (job and fame wise that is), but this won't help him get back on any Hollywood radar any time soon
Based on the negative reviews, I almost didn't get this movie. But after renting it from Redbox and figuring that besides losing my time, it wouldn't hurt to lose a $1.50 so I took the "risk". I'm glad I did. Not only was it entertaining all the way throughout the movie, it was really good to be Ryan Phillippe's first crack at directing. Don't forget that he also wrote AND starred in it!
Despite the majority of the movie only revolving around three characters, there were some funny parts associated with the typical stereotypes of people in the Louisiana bayou but I would definitely recommend you see this movie and not just out of boredom. Go rent it.
Despite the majority of the movie only revolving around three characters, there were some funny parts associated with the typical stereotypes of people in the Louisiana bayou but I would definitely recommend you see this movie and not just out of boredom. Go rent it.
Greetings again from the darkness. Ryan Phillippe has hit the big Four-O, so it makes sense that he would want to explore the other side of the camera with writing, directing, and producing. He's had a pretty successful acting career given what could be termed a minimal lack of range and a quiet screen presence. His feature film directorial debut utilizes a script he co-wrote with Joe Gossett, capitalizing on Phillippe's lot in Hollywood right now ... the once promising star looking to recapture the magic with a "game-changer".
The film opens with a dramatic shot of actor Reagan Pearce's (RP ... get it?) stunning mansion. We see him catch a flight to Shreveport, Louisiana and take a meeting with a slightly spastic director and blow-hard producer. He decides to stick with the project in an effort to re-establish his career ... he's just out of rehab (of course). The next morning, things go really badly as Reagan is kidnapped by a couple of Louisiana hillbillies and locked up in a swamp cabin.
Brutal torture scenes follow and we soon enough learn that one of his captors (Ian Barford) is seeking revenge for Reagan's dalliance with his wife on the set of a movie. The plan is to destroy his reputation and then kill him once he is hated by all. The script attempts some Hollywood satire and makes some obvious commentary on the whole tabloid and celebrity world, but mostly it comes off as a bit self-indulgent for Mr. Phillippe.
There are some flashes of interesting moments, mostly involving Stephen Grush as the second hillbilly with homosexual overtures towards Reagan. Unfortunately, the film does not take advantage of the colorful swamp setting and instead takes place almost entirely within the run down cabin. You will note dashes of Deliverance, Black Snake Moan, and Misery, but this one isn't at that level. Instead it comes off like a bucket list item for Phillippe ... director/writer/producer/star of his own film.
The film opens with a dramatic shot of actor Reagan Pearce's (RP ... get it?) stunning mansion. We see him catch a flight to Shreveport, Louisiana and take a meeting with a slightly spastic director and blow-hard producer. He decides to stick with the project in an effort to re-establish his career ... he's just out of rehab (of course). The next morning, things go really badly as Reagan is kidnapped by a couple of Louisiana hillbillies and locked up in a swamp cabin.
Brutal torture scenes follow and we soon enough learn that one of his captors (Ian Barford) is seeking revenge for Reagan's dalliance with his wife on the set of a movie. The plan is to destroy his reputation and then kill him once he is hated by all. The script attempts some Hollywood satire and makes some obvious commentary on the whole tabloid and celebrity world, but mostly it comes off as a bit self-indulgent for Mr. Phillippe.
There are some flashes of interesting moments, mostly involving Stephen Grush as the second hillbilly with homosexual overtures towards Reagan. Unfortunately, the film does not take advantage of the colorful swamp setting and instead takes place almost entirely within the run down cabin. You will note dashes of Deliverance, Black Snake Moan, and Misery, but this one isn't at that level. Instead it comes off like a bucket list item for Phillippe ... director/writer/producer/star of his own film.
And the sheeple gain way and ridicule for another Hollywood false prophet........again.
Although the film is mediocre and you know the ending within the first 20 minutes I still have to give it 5 stars. Why? Because the beauty of these films is for one reason and one reason only. This society depends way too much about the Pitts and the Hanks and the Kardashians the Cruises the Bales the Hiltons etc...its an absolute disgust. We love a good falling down rich guy story or just being rich and famous fascinates most of this idiotic land mass. So here you go. Here's another one for ya to suck up and crap out.
Although the film is mediocre and you know the ending within the first 20 minutes I still have to give it 5 stars. Why? Because the beauty of these films is for one reason and one reason only. This society depends way too much about the Pitts and the Hanks and the Kardashians the Cruises the Bales the Hiltons etc...its an absolute disgust. We love a good falling down rich guy story or just being rich and famous fascinates most of this idiotic land mass. So here you go. Here's another one for ya to suck up and crap out.
¿Sabías que…?
- TriviaRyan Phillippe's directorial debut.
- ErroresWhen Junior pulls down Reagan's underwear, he only pulls them to mid thigh. In the next angle his underwear is completely gone.
- Citas
Junior: You got a... nice smile.
Reagan Pearce: Thank you, Junior.
Junior: We', you know what I mean. It's... You got them nice... you know, Hollywood teeth.
- ConexionesReferences 20/20 (1978)
- Bandas sonorasJohnny Manziel
(uncredited)
Performed by Barak the Rapper
[Rap song played in the car]
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- How long is Catch Hell?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 2,500,000 (estimado)
- Total a nivel mundial
- USD 37,166
- Tiempo de ejecución
- 1h 38min(98 min)
- Color
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