Rotting in the Sun

So this is of course polarizing and yes, Silva does have a tendency to deliberately shock for no dramatic purpose, but this film is carried by his muse Catalina Saavedra who helped him to stardom as "La Nana" (2009) which won Sundance back in the day. Silva then moved to the US and made one terrible film after another, all lacking the ingenious timing of "La Nana", so he has good reasons to be depressed and suicidal. This film is obviously a cleansing ritual of sorts, Silva kills himself to be born again, and while this may seem terribly self-centered, it does provide one of the most neglected actresses a chance to show her vast range.

It's also a rare satire of hedonistic queer life as only Almodóvar did before respectability killed his genius, also in collaboration with muses, most importantly Carmen Maura. It's no coincidence that Saavedra's part has similarities with Maura's in "What have I done to deserve this" (1984). Firstman is pretty gutsy doing a role like this (just imagine, Michael Cera turned it down). He is an Instagramer and this film makes you hate them even more. Most people don't seem to get the allegory of the artist working on film and canvas (which Saavedra destroys in her first scene) being replaced by the digital usurper, although that elevates the film to social criticism.

For me it's a positive surprise as I didn't expect much from it, but the shock value for non-gays makes it niche. To paraphrase a Latino saying, Americans just can't look cocks in the eye(s).

Without giving too much away, this film took an unexpected turn halfway through and so it's almost like it becomes it's own sequel. There was a Hitchhockian angle to the way the film changes pace, and it became almost stressful to watch at times. I enjoyed the disoriented feel, a kind of metaverse vibe to it. It's really daring in the best possible way. Also offers a lot of social commentary on the poverty divide in Mexico, with the complete ignorance of the rich to how the poor live and the physical division of neighbourhoods. Of course it's also full of cocks so just a warning if you are easily offended by male nudity, this one is not for you.

Starving artist Sebas, seeing his woes intensified by social media, sinks further into depression. Thriving influencer Jordan rides a wave that only a vast but supremely shallow online presence could bring.

These men are two sides of the same coin. When their relationship builds, things take a turn for the interesting.

The movie includes modern tropes but modernity is not the point. There are classic dichotomies in the forefront. Is what you want the thing you need? Is the artist an artist if they don't perform? What is the performer without the artist? Where is the line between brutal imposition and destructive passivity?

Loved it!

Overall, Rotting in the Sun has everything it takes to make a decent thriller. It's pacy, it's good kind of chaotic, well acted by the protagonists and interesting twists and turn.

I get that excessive drugs use from the hedonistic protagonists seems like a 'social commentary' of influencers life, but it ended up being tacky. Haven't you heard, hedonism is no longer cool in this economy ?

Coming into this film i expect a certain degree of nudity, but my goodness, i didn't expect this many flashing of male genitalia and explicit sex scenes that pretty much a 'corn'.

These things felt like it serves as a 'shock value', with purpose to compensate other things that this film lack of, and that is humor. It has nothing to do with the story and i don't see any reason why this is necessary.

I watched this film cause of some rave on tiktok. Maybe it's not the most reliable apps to gets films recommendation.

This is being advertised as a party comedy. It's definitely not. It's an extremely tense and chaotic film, and when there is humor, it's during uncomfortable moments so you're ambivalent about laughing. But it is very effective, and I think it might be profound (i'm still digesting it)

This film seems to examine the contrasts within the gay community between hedonistic abandon and self-hate. It shows these elements living simultaneously and seems to unite what would seem to be incompatible opposites.

Jordan Firstman plays a boisterous, fun-loving social media influencer that can't take anything seriously. Sebastian Silva plays a nihilistic depressive to does drugs not for fun but to feel numb and dead. When Sebastian goes missing, Jordan is forced inside of Sebastian's world where the misery he left behind begins to infect Jordan.

In a sense, both of these characters are initially unlikable in their extremes. You desperately want Sebastian to get out of his head and see the beauty around him, but you're also begging Jordan to stop treating everything like a game, and yet when Jordan slowly but surely starts absorbing Sebastian's dark persona you feel awful about it. This film is definitely a smorgasbord of mixed feelings.

But the most powerful weapon this film has is Catalina Saavedra's performance as Vera, an employee of Sebastian's landlord, who is living with terrible trauma, guilt and fear. Her acting reaches right into your guts and rips them apart. Powerful stuff.

Yet it's the metaphorical implications of this film that truly eat away at you once the film ends. You can't let go of these very real feeling people, who are all different, who are all chaotic, and all wind up in the same mess. Along with examinations of the gay community, it textures that with other kinds of culture clashes. Cultures within cultures within cultures. All falling into one dark hole of a mystery at once.

I'll say 9/10 for now, but depending how I feel when I wake up tomorrow, it might be a perfect 10.

I'm gonna be chewing on this one for a while. I'm writing this review to help me digest it. It's that kind of film. Heavy.

Whether or not this film is for you I can't say, but I can definitely warn that it is not a comedy. It is a dark and disturbing film that plays with your emotions and leaves you feeling messed up. But if you can appreciate that sort of thing, then this film is excellent.