Batman: The Doom That Came to Gotham

Batman: The Doom That Came to Gotham doesn't live up to the potential of a lovecraftian take on the world of the Dark Knight but it's still good thanks to a reasonably engaging central mystery and a period setting that allows it to have some fun with the pre-established characters and events.

David Giuntoli is a good batman once again, he isn't given particularly memorable material but he certainly has the required gravitas for the character. The rest of the voice cast are all fine, with some DC animated veterans in fine if forgettable form.

The animation is good overall, it's nowhere near as stylish as it could've been but it looks nice enough. The music by Stefan L. Smith mostly goes unnoticed but does have a few fun moments where it does come to life. The longer run time is also appreciated, even if the ending feels rushed.

Right, well I figured another year another reboot of the "Batman" story. Yet, I opted to sit down and watch this 2023 animated DC movie titled "Batman: The Doom That Came to Gotham" without really knowing what I was getting into here, aside from it being a caped crusader animated movie, of course.

And true enough, once again we have to sit through "Batman" reinvented. And this time in the 1920s.

But that is where "Batman: The Doom That Came to Gotham" stopped being annoying for me, because writers Jase Ricci, Mike Mignola and Richard Pace definitely put together quite the grand script and storyline here. Sure, I haven't read the comic book upon which this 2023 animated movie is based, so how true it is to the source material, I can only speculate. But without having read that, and only watching this, I have to say that I was entertained and I was impressed.

"Batman: The Doom That Came to Gotham" combines the classic "Batman" tale with something I like a lot, and that is the H. P. Lovecraft Mythos. I wasn't prepared for that, so this was quite a pleasant surprise for me to sit through.

Lots of really nice visuals throughout the course of the 86 minutes that "Batman: The Doom That Came to Gotham" ran for. And there were a lot of subtle hints and references to Lovecraft's works, so if you are a fan, keep your eyes and ears open.

Visually then "Batman: The Doom That Came to Gotham" was good. It is an archetypical "Batman" drawing style, which is actually good. But the added Lovecraft Mythos elements was just the icing on the cake.

With "Batman: The Doom That Came to Gotham" being an animated movie, then having a good voice acting cast ensemble is alpha and omega. And I have to say that they definitely had a good ensemble put together for voicing the characters in this animated movie. And having Jeffrey Combs do the voice of Kirk Langstrom was just such a great homage to us fans of the Lovecraft cinema.

I was genuinely entertained by directors Christopher Berkeley and Sam Liu's 2023 animated movie. And if you are a "Batman" fan, then you should check this out. And if you are a Lovecraft fan too, definitely check out "Batman: The Doom That Came to Gotham".

My rating of "Batman: The Doom That Came to Gotham" lands on a seven out of ten stars.

The Doom That Came to Gotham is almost a companion piece to Gotham by Gaslight (2018). Here we have a turn-of-the-century Dark Knight investigating a cult who may be trying to summon up ancient forces of evil (spoiler: they are). Forbidden books, vast tentacled monstrosities and madness abound.

Lots of the usual Bat cast are thrown in - some given horrific make-overs, some don't make it to the final credits - and the voice work and animation are all above average. David Giuntuli is a terrifically fierce but impassioned, human Batman - he might be one of the best of the many voice actors in the role. This is a truly dark night for the Dark Knight, who at one point just stands in the Batcave and announces Gotham is doomed over and over again. To the wall.

As much as the movie uses such classic tropes and conventions from HP Lovecraft's stories, the biggest one - the overwhelming sense of unknowable dread - is something that just can't be conjured in a 90 minute animated action adventure. Slow-building tension and increasing unease are something it just doesn't have time for - also the problem with the first Hellboy movie, which Doom That Came to Gotham is very similar to.

However, as an atmospheric period superhero adventure, tinged with nightmarish horror, this is a winner.

A Gotham city set in the 1920's with a steampunk Batman was a great concept and could've made for a great DC animated film but unfortunately it wasn't. I quite enjoyed the 1st act of this movie but near the end of the 2nd act things started falling apart. This movie introduced too many characters too quickly, some that had no real impact on the story and seemed to have been added to please the DC comic fans. There was lots of occultism which is nothing necessarily new in DC animated films but there was an excessive amount that seemed kind of out of place in this movie. To have Batman opt out of his detective logic, using his mind, but instead to resort to magic as a solution for his problems was just odd and unlike Batman. The 3rd act was messy, there was so many villains introduced back to back to bring us one step closer to the final villan which in the end was disappointing and in the final battle something happens which is just once again odd. I can appreciate a different take on a Batman animated film and I loved the time setting but I feel like there's a balance where if you change too many components to a Batman movie where it doesn't really feel like one anymore. This is still worth a watch but will definitely not be in my top Batman animated movies.

For DC animated films, it's often hit or miss on quality and unfortunately, The Doom That Came to Gotham is the latter. While it has fresh ideas and is visually entertaining by introducing new designs for some classic characters. Other than that, I found myself bored and waiting for the already short runtime to hurry up. The voice cast does their best to draw you into the mystery at hand and they are all fairly enjoyable in their roles. As an adaptation, it does the source material justice, but just because a comic exists, does not mean it needs to be adapted. It is by no means the worst of DC Animation, but in this case, boredom definitely came to Gotham.