Sanitarium

Do not be fooled by the name Malcolm McDowell in the credits, as he is hardly even in this bore fest. His role is more of a Rod Serling of the Twilight Zone guide to each of the three episodes. None of them work very well, as they just drag on. First up is John Glover as an eccentric artist who makes morbid looking dolls and is considered a genius. He thinks the dolls are real and they give him messages about his sponsors. Of course, it ends badly. The second story concerns an eight year-old boy who sees a grim reaper type of figure following him around. He had an abusive father and a pretty and concerned teacher who tries to help. Another sad ending here. Number three is the worst as Lou Diamond Phillips is a college professor who is waiting for the end of the world as predicted by the Mayan calendar. It flashes back and forth between his underground bunker and what leads up to it. It just does not work on any level. Go back to A Clockwork Orange to watch McDowell at his nastiest best.

I loved this movie. When I read reviews here about people spilling wine on themselves while watching this because it was too "boring" and made them fall asleep, I just laugh and am grateful that I am not like them. If you are drinking alcohol during a movie, you are already going to be more tired. It is a slow movie, that is true. Slow doesn't mean bad though. However, if you are watching this movie and then want to judge it because it didn't meet YOUR expectations, then please don't write a review about it and give it 2 stars. Every movie has its own intention. Give it 2 stars if it doesn't make any sense at all or if the acting is just embarrassingly bad, but not when it clearly achieves its goal.

Sanitarium's intention was not to be a horror flick, it was to give us a perspective of the human mind when it is ill. You see, if you even cared 1% about what it's like for people who are mentally sick, then this movie provided you with answers better than any documentary, book or some other movie regarding the same subject.

The fact is that when you are mentally ill, you won't see the world around you the same as those who are healthy.

I highly recommend this movie and if you decide to watch it, don't watch it to be entertained, but instead to be educated.

The direction/writing was really good but the acting was even better. If I had any complaint it would have to be about the production design which seemed to be pretty basic in some spots, but it was a minor issue. But again, the acting was great and the direction were really good. Contrary to the other reviews, this is NOT a PG-13 movie, it is R scary despite the lack of blood. Remember these stories (except for one) occur in the minds of the people and therefore does not NEED a lot of blood. The scariness is in the old-fashioned suspense and in trying to figure out what is real or not and in good old-fashioned acting. I hope they make another one someday. But I doubt it. It certainly showed the acting talents of seldom used actors like Lacey Chabert and Lou Diamond Philips.

A rather enticing and dark glimpse into psychosis and the overwhelming grip it can have on controlling thoughts and actions, the result of which leaves the main characters in the Sanitarium. Each part demonstrates a variance in mental illness to portray the falling of the world around them due to their delusion, with dark conclusions.

At times the stories can come across as rather coy although this was generally answered toward the end of each story. The tempo across each story is predominately maintained to continue the dark edge but I was left somewhat disappointed by the lack of development of the stories; some aspects felt rushed.

However it was, to me anyway, an engaging watch. A film that isn't likely to blow many people away but can maintain viewing pleasure through emotion in relation to delicate revelations throughout.

65/100

Though this film is not perfect and the overall through-line is pretty thin, the 4.5 rating I saw on IMDb before watching this is greatly underrated!

The three individual stories are very subtly told with a soft sense of the intensity of human pain and how the mind deals with it. The directions is superbly intuitive and gentle with the subject matter. The Camera Shots supports the stories that need to be handles with care by keeping simple and just telling the story.

If you are up for a story told in the tradition (although not as mastered) of Johnny Darko, this movies will hold your attention. It explores very deep set human pain and how that pain has manifested in the different characters of the three stories.

Do not see this as a horror film - for the usual horror audience will probably be bored. The themes and the subject matter is perfect for the horror genre, but the intelligence and insight of the filmmaker is better described under an art house style presentation.

Empty your mind, your preconceptions and watch the three stories with an open heart and you will walk away with a great insight into why people that hurt turn out the way they do.