To be satisfied or not to be
Just finished *Kaliyugam*, and I'm stuck somewhere between really liking it and feeling a bit underwhelmed. The concept is brilliant-finally, a film that dares to explore dystopia in Indian cinema without falling back on clichés. The visuals are top-notch, and the world feels gritty and real. Shraddha Srinath is the heart of the movie; her performance is solid and keeps you emotionally invested.
But honestly, the film feels like it holds back when it should've gone all in. The tension builds up beautifully but never quite explodes the way you expect. Some moments feel stretched out, and a few scenes don't hit as hard emotionally because you don't fully connect with the side characters. The second half definitely improves things, but by then, you're already halfway detached.
*Kaliyugam* is a bold attempt and visually stunning, but if the writing had gone a bit deeper and the pacing tighter, it could've been unforgettable. Worth a watch for its ambition, but don't expect it to leave you completely satisfied.
But honestly, the film feels like it holds back when it should've gone all in. The tension builds up beautifully but never quite explodes the way you expect. Some moments feel stretched out, and a few scenes don't hit as hard emotionally because you don't fully connect with the side characters. The second half definitely improves things, but by then, you're already halfway detached.
*Kaliyugam* is a bold attempt and visually stunning, but if the writing had gone a bit deeper and the pacing tighter, it could've been unforgettable. Worth a watch for its ambition, but don't expect it to leave you completely satisfied.
- MovieT-02
- 10 may 2025