- Premios
- 4 nominaciones en total
Jacqueline de La Fontaine
- Jane
- (as Jacqui Getty)
Brennen Taylor
- Luke
- (as Brenden Taylor)
Atlanta De Cadenet Taylor
- Girl at Party
- (as Atlanta Decadenet Taylor)
Anna Thea Bogdanovich
- Sally's Friend
- (as Ana Bogdanovich)
Timothy Starks
- Police Officer
- (as Tim Starks)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaTeddy's room in the movie is Jack's room in real life.
- ErroresWhen Joy tells Teddy that Tanya's daughter liked his pictures, she asks him to see her in room 22. In the next scene the number on the door as Teddy enters is 25.
- ConexionesFeatured in Half in the Bag: 2014 Movie Catch-up: Part 1 (2014)
- Bandas sonorasChampagne Coast
Performed by Devonté Hynes
Recording courtesy of Domino Recording Company Inc.
Written by Devonté Hynes (as Dev Hynes)
Published by Domino Publishing Company USA (ASCAP)
Opinión destacada
Gia Coppola's first film is a winner. I'll admit I made the mistake of reading a few reviews before heading to the theater, all rather shallow and seeming to miss what was important, but they influenced me to the point that I planned to switch films after an hour. But when that hour came, I couldn't leave. I was thoroughly engrossed and invested in the characters. I wanted to know how things worked out for them, and I wasn't disappointed.
Several reviewers have said that it's a good first effort, but it meanders. That it doesn't have much substance. That it has no plot. All wrong, in my opinion. I haven't read James Franco's short stories, upon which this film is based, but I can say that Ms. Coppola has done an excellent job of writing a cohesive screenplay with a good story arc and enough plotting to clearly show that 3 of the main characters -- April, Teddy, and Emily -- learn something important enough from their experiences to change for the better by the end of the film. And the 4th, Fred, is heading for an epiphany, if he can survive long enough to have it. What many have missed is that Ms. Coppola has gotten to the truth here.
Palo Alto accurately captures the teen angst, how hard it is to figure things out, how adults can disappoint/mislead/manipulate us, how we make bad choices, but always with the feeling that we're propelled to do exactly that thing at that moment. High school is not fun. It's something we endure. And it can be an achievement just to get out alive and be heading in a better direction.
It's been ages since I was in high school, and even though this generation is very different than mine, human nature hasn't changed, and the problems haven't changed. I recognized every character, every situation, every bad choice, every consequence. I especially related to "not knowing what to say, so saying nothing." But most important, and I credit Ms. Coppola for this, I really cared about these characters. I even had empathy for one unlikeable character.
That's good writing (credit Franco and Coppola). And it's very good directing, considering the main characters played by Emma Roberts (a standout), Jack Kilmer, Zoe Levin, and Nat Wolff don't have a lot of experience. I like to follow directors whose works say something meaningful about life and honestly earn our emotions. I'll be following Ms. Gia Coppola's work. This is a fine film.
Several reviewers have said that it's a good first effort, but it meanders. That it doesn't have much substance. That it has no plot. All wrong, in my opinion. I haven't read James Franco's short stories, upon which this film is based, but I can say that Ms. Coppola has done an excellent job of writing a cohesive screenplay with a good story arc and enough plotting to clearly show that 3 of the main characters -- April, Teddy, and Emily -- learn something important enough from their experiences to change for the better by the end of the film. And the 4th, Fred, is heading for an epiphany, if he can survive long enough to have it. What many have missed is that Ms. Coppola has gotten to the truth here.
Palo Alto accurately captures the teen angst, how hard it is to figure things out, how adults can disappoint/mislead/manipulate us, how we make bad choices, but always with the feeling that we're propelled to do exactly that thing at that moment. High school is not fun. It's something we endure. And it can be an achievement just to get out alive and be heading in a better direction.
It's been ages since I was in high school, and even though this generation is very different than mine, human nature hasn't changed, and the problems haven't changed. I recognized every character, every situation, every bad choice, every consequence. I especially related to "not knowing what to say, so saying nothing." But most important, and I credit Ms. Coppola for this, I really cared about these characters. I even had empathy for one unlikeable character.
That's good writing (credit Franco and Coppola). And it's very good directing, considering the main characters played by Emma Roberts (a standout), Jack Kilmer, Zoe Levin, and Nat Wolff don't have a lot of experience. I like to follow directors whose works say something meaningful about life and honestly earn our emotions. I'll be following Ms. Gia Coppola's work. This is a fine film.
- dick-sanders
- 24 may 2014
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- How long is Palo Alto?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- 帕羅奧圖年少
- Locaciones de filmación
- Woodland Hills, Los Angeles, California, Estados Unidos(as 'Palo Alto' area)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 767,732
- Fin de semana de estreno en EE. UU. y Canadá
- USD 63,461
- 11 may 2014
- Total a nivel mundial
- USD 919,591
- Tiempo de ejecución1 hora 40 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the Japanese language plot outline for Palo Alto (2013)?
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