Count Magnus
- El episodio se transmitió el 23 dic 2022
- 30min
CALIFICACIÓN DE IMDb
6.4/10
506
TU CALIFICACIÓN
Agrega una trama en tu idiomaThe inquisitive Mr Wraxhall discovers that a long-dead Swedish nobleman does not lie easy in his tomb.The inquisitive Mr Wraxhall discovers that a long-dead Swedish nobleman does not lie easy in his tomb.The inquisitive Mr Wraxhall discovers that a long-dead Swedish nobleman does not lie easy in his tomb.
- Dirección
- Guionistas
- Elenco
Barry McStay
- Erik
- (as Barry Brett-McStay)
Luie Caballero
- Man walking out of public house
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This version of the classic M. R. James tale seems to have aroused the spleen of several commenters -- unduly, I think. Though I'm a lifelong James devotee with a particular affection for "Count Magnus," I don't think ANY film is going to do his stories justice. They are fragile confections, highly dependent, for their effect, on the dry, slightly droll tone of their narration; and whatever shudders they provoke are sometimes dependent on just a line or two of description, or even on a single phrase.
In order to properly fill up half an hour, Gatiss had to expand and augment the original tale. No, he isn't wholly successful -- this version isn't as sharp, wry, and subtle as the original -- but it's a worthy little horror film that I found sufficiently unsettling to keep me on edge, and it's certainly an improvement over the earlier James adaptations on TV. The dialogue Gattis has added seems fairly clever, and Jason Watkins is extremely well cast as the pompous, over-inquisitive protagonist.
P. S. I do think the film is a bit nasty and downbeat for Christmas (especially for kids), but the same can probably be said of most James tales -- and yet Christmas was apparently when he liked to tell them, as his contribution to the ghost-stories-at-Yuletide tradition.
In order to properly fill up half an hour, Gatiss had to expand and augment the original tale. No, he isn't wholly successful -- this version isn't as sharp, wry, and subtle as the original -- but it's a worthy little horror film that I found sufficiently unsettling to keep me on edge, and it's certainly an improvement over the earlier James adaptations on TV. The dialogue Gattis has added seems fairly clever, and Jason Watkins is extremely well cast as the pompous, over-inquisitive protagonist.
P. S. I do think the film is a bit nasty and downbeat for Christmas (especially for kids), but the same can probably be said of most James tales -- and yet Christmas was apparently when he liked to tell them, as his contribution to the ghost-stories-at-Yuletide tradition.
This adaptation did not have the tone or atmosphere of an M. R. James ghost story. It's very disappointing from Mark Gatiss.
I like Jason Watkins as an actor and have been impressed with him in other things, but his performance here is mostly phoned in. I also thought he gave too much of a comedic performance. Whilst in the original story Mr Wraxall does sing to himself, I never thought the story was meant to be light-hearted.
There was a complete lack of suspense or danger due to the way this was written and directed, and it also did not evoke the appropriate feeling of the time it was set in. The characters seem like people playing dress up for fun.
There was one character invented - a mute black man. Why on earth? He looks so conically out of place. In fact he looks ridiculous, and it completely ruins any immersion, but there was barely any to begin with. His role added nothing to the story, but I suspect the BBC required it.
I would give this a miss, it really is a waste of time and not even remotely scary or eerie. Better to watch one of the original run of A Ghost Story for Christmas from the 1970s.
I like Jason Watkins as an actor and have been impressed with him in other things, but his performance here is mostly phoned in. I also thought he gave too much of a comedic performance. Whilst in the original story Mr Wraxall does sing to himself, I never thought the story was meant to be light-hearted.
There was a complete lack of suspense or danger due to the way this was written and directed, and it also did not evoke the appropriate feeling of the time it was set in. The characters seem like people playing dress up for fun.
There was one character invented - a mute black man. Why on earth? He looks so conically out of place. In fact he looks ridiculous, and it completely ruins any immersion, but there was barely any to begin with. His role added nothing to the story, but I suspect the BBC required it.
I would give this a miss, it really is a waste of time and not even remotely scary or eerie. Better to watch one of the original run of A Ghost Story for Christmas from the 1970s.
Englishman Mr Wraxhall travels to Scandinavia, to the home of the widow Froken de la Gardie, who's home was formerly owned by the cruel Count Magnus.
It was a quite enjoyable thirty minutes, half an hour of atmosphere and folklore, slightly lacking in scares maybe, but for me, this was one of the better episodes, it's a good one.
I liked the story, it has a definite appeal, just like The Mezzotint did, I liked the idea of a bumbling Englishman inquisitively poking around in matters that didn't concern him, his quiet curiosity ultimately proving costly. There's something particularly appealing about Scandinavian horror stories.
Jason Watkins was excellent as Wraxhall, he's such a talent, he had the right balance of inquisitive and bumbling, MyAnna Buring was great as The pale Widow, I believed that she'd been living a secluded life.
Perfectly narrated by Krister Henriksson.
Visually pretty good, I particularly liked the scenes inside the house, and at the mausoleum, it was a nice production.
Overall, pretty good, 7/10.
It was a quite enjoyable thirty minutes, half an hour of atmosphere and folklore, slightly lacking in scares maybe, but for me, this was one of the better episodes, it's a good one.
I liked the story, it has a definite appeal, just like The Mezzotint did, I liked the idea of a bumbling Englishman inquisitively poking around in matters that didn't concern him, his quiet curiosity ultimately proving costly. There's something particularly appealing about Scandinavian horror stories.
Jason Watkins was excellent as Wraxhall, he's such a talent, he had the right balance of inquisitive and bumbling, MyAnna Buring was great as The pale Widow, I believed that she'd been living a secluded life.
Perfectly narrated by Krister Henriksson.
Visually pretty good, I particularly liked the scenes inside the house, and at the mausoleum, it was a nice production.
Overall, pretty good, 7/10.
Gatiss's trek through the MR James back catalogue for fresh Christmas scares continues apace in Count Magnus. In essence the whole thing is built around the undoing of the pompous Herr Wraxhall, here played with glorious panache by the brilliant Jason Watkins. It's a role made for him really and his increasing consternation is a thing of serious wonder. There's a nicely Hammeresque vibe to the foreign "otherness" of the Swedish locale and the gothic atmosphere and local character feel spectacularly camp. As with all of these Gatiss seasonal spooks the big shocks feel a little underdone and the end a little flat, but the journey and the casting is more than half the fun here. Long may the format continue!
Another disappointing M. R. James Christmas ghost story adaptation from Mark Gatiss, who is by now chalking up more misses than hits. This one's an adaptation of a rarer story, which is commendable in itself, but it completely misses the mark and turns half an hour into a very dull experience indeed. It's cheap-looking throughout, with producers simply raiding the BBC costume department and filming in a couple of rooms in a stately mansion, and the chills are diluted in favour of absolutely endless exposition. Yes, it's a boring talkathon with one good scare in a flashback and absolutely nothing else going on. There's no atmosphere or suspense, the actors are crying out for direction, and I wish Gatiss would call it a day now.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Locaciones de filmación
- Royal Standard of England, Forty Green, Reino Unido(Interior and exterior of pub)
- Productoras
- Ver más créditos de la compañía en IMDbPro
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