Lifeline

Brady Morrell and Brian Price have written a superb screenplay, and despite the dark themes of childhood trauma and suicide, the writers manage to convey a message of hope and human sympathy. It draws one in from the very beginning and sustains the viewers emotional engagement throughout. The acting is really excellent, while the main actor, Josh Stewart, is especially credible in the demanding role of the suicide hotline host. The supporting cast is equally up the task of maintaining the dramatic intensity throughout. Morell and Price have done a truly remarkable job in crafting a very satisfying and indeed enriching drama.

Josh Stewart is one of those excellent, under rated actors but in Lifeline he really gets the chance to shine. This is a thought provoking movie that combines drama and science fiction, as it explores the ideas of parallel dimensions and the question "what if........" While a little slow going at first it builds and becomes a fascinating look at one man's life and choices. It is not a feel good movie but it's ultimately satisfying because it offers up multiple outcomes to the situations we face in life and how we handle them. The movie is well written and directed and I enjoyed it although I went in knowing nothing except that Josh is the star. He always plays interesting roles, and if you're a fan of his, this is a must see.

The movie started well, caracters study was good, the actors were decent, but then I realized the movie was dragging and not wanting to get to the the fulcral point of the narrative. When I realized the core plot only started being developed almost at the end of the run-time, I felt something was off. It ended being a run of the mill twilight zone wannabe but very stretched out. The message had good intentions, but it was written in a very forced artificial way. This could have been a much better movie, if it had gone the sci-fi route, but I guess they didn't know what they were aiming for, or maybe they did, but the execution was flawed. It has a very decent photography, and it's a shame how it ended so abruptly. It kept me hooked until the end, but the cheap ending, and some redundant micro plots, didn't do it for me. The plot holes were also lazy writing. With a bit more effort in the narrative, they could have had an Indy gem.

I didn't make this movie to the end. I got too bored.

The synopsis seemed good. A suicide-prevention call-center worker gets a strange call from someone who seems to know all about him. The setting puts him all alone on New Years Eve. I also like the lead actor, who starred in the much-superior "The Collector."

I thought the movie would've worked as a straight popcorn flick: he just gets a call from some deranged person or evil supernatural entity. That's the easy direction that they could (and should) have gone to make a fun flick. Instead, they go in another direction , with all sort of flashbacks to the main character's childhood. I won't spoil, but the mysterious caller represents some sort of psychological message (or something alone those lines). There's just talk and talk and talk

Again, I tuned out around the 45-min mark

3/10.

This movie has a strong message and should be seen. But. All the little carefully planted mysterious things we encounter throughout the story that makes us continue are sadly tied together in the least innovative way in the last few minutes which makes the whole movie seem worse than it was. Not exaggerating when I thought of it as a waste of time just after finishing it.

Almost any other explanation, except for maybe the main character waking up at home from a dream, would have been fine. But even that ending would have made more sense. Too bad, since the acting was great and they made a suspenseful story out of very few actors and sets.