Edible Complex
- El episodio se transmitió el 31 mar 2023
- TV-MA
- 1h
CALIFICACIÓN DE IMDb
7.9/10
2.4 k
TU CALIFICACIÓN
Romper esa amistad con la persona que no deja de fantasmearte no siempre es fácil. Tai vive un reencuentro inesperado, Nat se lía con Lottie y Misty se encuentra con un enigma vestido con pa... Leer todoRomper esa amistad con la persona que no deja de fantasmearte no siempre es fácil. Tai vive un reencuentro inesperado, Nat se lía con Lottie y Misty se encuentra con un enigma vestido con pantalones cortos.Romper esa amistad con la persona que no deja de fantasmearte no siempre es fácil. Tai vive un reencuentro inesperado, Nat se lía con Lottie y Misty se encuentra con un enigma vestido con pantalones cortos.
- Dirección
- Guionistas
- Elenco
Warren Kole
- Jeff
- (solo créditos)
Lauren Ambrose
- Van
- (solo créditos)
Opiniones destacadas
This episode was clichéd, predictable, poorly written in parts and had some terrible acting. I mean, that vape line was atrociously cringey. "Vape myself into oblivion", Jesus Christ. The Radiohead song at the end was the only thing that made this worth watching, that was pretty awesome. However, it made me question whether or not the good music in this show is what made it appealing to me in the first place, not the actual substance of the show. I will give Yellowjackets the benefit of the doubt and say that I did enjoy the first season not entirely because of the soundtrack. It was suspenseful, funny in parts, and was generally well written and while the acting still wansnt amazing, it was a good show. Fell off hard.
The second episode of Yellowjackets Season 2, titled "Edible Complex," directed by Ben Semanoff and written by Ashley Lyle, Bart Nickerson, Jonathan Lisco, and Rich Monahan, boldly plunges viewers deeper into the visceral horrors and psychological fractures experienced by the stranded girls in 1996 and the adult survivors in 1998. This episode is a masterclass in sustained tension, carefully balancing raw survival drama and unsettling emotional turmoil, culminating in one of the most haunting and notorious moments the series has yet delivered.
Set roughly two months into the brutal Canadian winter, the 1996 timeline portrays a group fraying under extreme hunger, cold, and psychological pressure. The episode's central, unforgettable-and deeply disturbing-event unfolds when the group, starving and desperate, consumes the roasted corpse of Jackie, their fallen friend. This moment is depicted with harrowing realism and symbolic weight: the girls circle around Jackie's slow-roasted body, a cuisine born of fatal circumstance rather than choice. Shauna's chilling line, "She wants us to," as they begin digging in, encapsulates the complex interplay of grief, survival necessity, and fractured sanity gripping the group. The episode then expertly contrasts this grim reality with a surreal, lavish alternate-reality sequence set to Radiohead's "Climbing Up the Walls," where the girls, dressed in gilded togas and jewels, dine in decadent ecstasy-an evocative representation of trauma's distortion and denial.
Director Ben Semanoff maintains a taut, atmospheric style throughout, using muted, cold palettes to evoke the relentless harshness of the wilderness and close, intimate framing to capture the characters' emotional ruin. The editing carefully tempers moments of brutal clarity with psychological ambiguity, allowing the audience to dwell in the characters' conflicted states without pushing immediate judgment. This directorial approach makes the descent into cannibalism feel as inevitable as it is horrifying, underscoring the primal instincts driving these young women while never stripping away their humanity.
The performances strongly anchor the episode's emotional weight. Sophie Nélisse's Shauna exhibits a chilling ambiguity-part survivor, part broken spirit-whose internal conflict manifests through intimate conversations with Jackie's corpse, appearing as hallucinations. Ella Purnell's portrayal of Jackie, even in death, commands presence, lending poignancy and tragedy to the act of consumption. The ensemble cast deftly portrays the mix of despair, hesitation, and reluctant acceptance permeating the group's dynamic, embodying a collective trauma that transcends individual horror.
The narrative also explores shifting alliances and fracturing trust, bringing to the fore the psychological toll of the extreme conditions. Lottie's mystical undertones gain further prominence, intertwining spiritualism with physical survival, while new characters like Gen, Melissa, and Crystal add layers of tension and social complexity to the already volatile group dynamic in the present-day 1998 timeline. Misty's hunt for Natalie and the complicated adult interactions deepen the suspense and highlight how the past continues to poison present realities.
The episode's pacing delicately balances slower, introspective moments with a dramatic crescendo, notably in the cannibalism sequence, which serves as a brutal reckoning with the group's mutating identity. This rhythm, while occasionally perceived as less focused due to multiple intersecting plotlines, ultimately enriches the story's psychological nuance, especially when compared to the tighter, character-centric episodes typical of the series.
In a broader cultural and cinematic context, "Edible Complex" aligns Yellowjackets with a tradition of survival horror and psychological thrillers that probe adolescence, trauma, and identity through a feminist lens, evoking literary and visual precedents like Lord of the Flies and Carrie. The episode's striking blend of raw human desperation and mythic allusion expands its thematic reach, challenging viewers to confront not only the physical horrors of survival but the fractured social and psychological landscapes shaped by extreme trauma.
The episode also invokes reflections on the nature of memory, denial, and the rituals we create to cope with unimaginable loss. The juxtaposition of the grotesque feast with opulent fantasy sequences functions as a powerful metaphor for how survivors internalize and reinterpret trauma, highlighting the intoxication and horror of survival's extremes.
Critically, while the episode's unflinching depiction of cannibalism and its psychological ramifications may alienate more sensitive viewers, it stands as a bold and essential narrative pivot, reinforcing the show's commitment to exploring trauma's complexities with authenticity and artistic bravery.
"Edible Complex" is a harrowing, thought-provoking entry in Yellowjackets' second season, brilliantly interweaving visceral survival drama with psychological depth and symbolic resonance. Its unrelenting examination of desperation and fractured humanity, intensified by strong performances and evocative direction, challenges viewers to reconsider the boundaries between victimhood and survival, sanity and madness. The episode underscores the series' unique ability to probe the darkest facets of adolescence and trauma, setting a compelling and unsettling tone for the season's unfolding mysteries.
Set roughly two months into the brutal Canadian winter, the 1996 timeline portrays a group fraying under extreme hunger, cold, and psychological pressure. The episode's central, unforgettable-and deeply disturbing-event unfolds when the group, starving and desperate, consumes the roasted corpse of Jackie, their fallen friend. This moment is depicted with harrowing realism and symbolic weight: the girls circle around Jackie's slow-roasted body, a cuisine born of fatal circumstance rather than choice. Shauna's chilling line, "She wants us to," as they begin digging in, encapsulates the complex interplay of grief, survival necessity, and fractured sanity gripping the group. The episode then expertly contrasts this grim reality with a surreal, lavish alternate-reality sequence set to Radiohead's "Climbing Up the Walls," where the girls, dressed in gilded togas and jewels, dine in decadent ecstasy-an evocative representation of trauma's distortion and denial.
Director Ben Semanoff maintains a taut, atmospheric style throughout, using muted, cold palettes to evoke the relentless harshness of the wilderness and close, intimate framing to capture the characters' emotional ruin. The editing carefully tempers moments of brutal clarity with psychological ambiguity, allowing the audience to dwell in the characters' conflicted states without pushing immediate judgment. This directorial approach makes the descent into cannibalism feel as inevitable as it is horrifying, underscoring the primal instincts driving these young women while never stripping away their humanity.
The performances strongly anchor the episode's emotional weight. Sophie Nélisse's Shauna exhibits a chilling ambiguity-part survivor, part broken spirit-whose internal conflict manifests through intimate conversations with Jackie's corpse, appearing as hallucinations. Ella Purnell's portrayal of Jackie, even in death, commands presence, lending poignancy and tragedy to the act of consumption. The ensemble cast deftly portrays the mix of despair, hesitation, and reluctant acceptance permeating the group's dynamic, embodying a collective trauma that transcends individual horror.
The narrative also explores shifting alliances and fracturing trust, bringing to the fore the psychological toll of the extreme conditions. Lottie's mystical undertones gain further prominence, intertwining spiritualism with physical survival, while new characters like Gen, Melissa, and Crystal add layers of tension and social complexity to the already volatile group dynamic in the present-day 1998 timeline. Misty's hunt for Natalie and the complicated adult interactions deepen the suspense and highlight how the past continues to poison present realities.
The episode's pacing delicately balances slower, introspective moments with a dramatic crescendo, notably in the cannibalism sequence, which serves as a brutal reckoning with the group's mutating identity. This rhythm, while occasionally perceived as less focused due to multiple intersecting plotlines, ultimately enriches the story's psychological nuance, especially when compared to the tighter, character-centric episodes typical of the series.
In a broader cultural and cinematic context, "Edible Complex" aligns Yellowjackets with a tradition of survival horror and psychological thrillers that probe adolescence, trauma, and identity through a feminist lens, evoking literary and visual precedents like Lord of the Flies and Carrie. The episode's striking blend of raw human desperation and mythic allusion expands its thematic reach, challenging viewers to confront not only the physical horrors of survival but the fractured social and psychological landscapes shaped by extreme trauma.
The episode also invokes reflections on the nature of memory, denial, and the rituals we create to cope with unimaginable loss. The juxtaposition of the grotesque feast with opulent fantasy sequences functions as a powerful metaphor for how survivors internalize and reinterpret trauma, highlighting the intoxication and horror of survival's extremes.
Critically, while the episode's unflinching depiction of cannibalism and its psychological ramifications may alienate more sensitive viewers, it stands as a bold and essential narrative pivot, reinforcing the show's commitment to exploring trauma's complexities with authenticity and artistic bravery.
"Edible Complex" is a harrowing, thought-provoking entry in Yellowjackets' second season, brilliantly interweaving visceral survival drama with psychological depth and symbolic resonance. Its unrelenting examination of desperation and fractured humanity, intensified by strong performances and evocative direction, challenges viewers to reconsider the boundaries between victimhood and survival, sanity and madness. The episode underscores the series' unique ability to probe the darkest facets of adolescence and trauma, setting a compelling and unsettling tone for the season's unfolding mysteries.
¿Sabías que…?
- TriviaChristina Ricci and Elijah Wood appear on-screen together here for the second time ever in their careers. They were first cast together as teen romantic interests in The Ice Storm (1997).
- ErroresJackie's body should be completely solid after being dead and frozen for two months but it moves normally when the girls are carrying her.
- ConexionesFeatured in WatchMojo: Top 10 Shocking Moments in TV in 2023 (2023)
- Bandas sonorasNo Return
Written and Performed by Craig Wedren & Anna Waronker
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Detalles
- Tiempo de ejecución
- 1h(60 min)
- Color
- Mezcla de sonido
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