The Adults

Such a movie is simply necessary to bring your personal psychological state back to normal. It is like a magic balm that helps in this soulless digital world to understand that you are not completely stale yet, that you can still feel and empathize. Previously, there were many times more such paintings, but now it is a rarity and it is a real crime to pass by it.

The plot is unpretentious, but the very history of the relationship between a brother and two sisters does not require otherwise. Eric (Michael Cera) and Rachel (Hannah Gross) make scenes for each other throughout the film, and poor Maggie (Sophia Lillis) finds herself between two fires, while trying in every possible way to reconcile them and terribly worried that nothing will come of it. The early loss of parents still leaves a mark on all this. Eric is a complete gamer who absolutely does not know how to lose, Rachel cannot leave the betrayal of a loved one in the past, Maggie dropped out of school and cannot decide what to do next in her life. Everyone has problems, and against this background, a meeting of brothers and sisters who have not seen each other for a very long time could help them all. But communication after a long break is not easy at all. And all because they have become adults. Only a passion for poker makes Eric postpone his departure over and over again, giving hope to Maggie that everything will work out.

Separately for Maggie - this character was as if specially written for the wonderful and inimitable Sophia Lillis. It seems that she does not play, but simply behaves as she does in life. I can't remember a greater immediacy in the frame. She can joke merrily, and in a second lower her head and sadly lower her blue eyes to the ground. The role is played superbly, because you are only worried about her throughout the film, the problems of her older brother and sister, coupled with personal disorder in life, greatly undermined her psychological state.

A very touching moment at the beginning of the film, when Eric came to Maggie's house in the morning and said that in order to communicate with her and Rachel, he would stay for another day. She cried and buried herself in his chest, and it was so natural that tears welled up in me myself.

Yes, the movie is not without its drawbacks, but I personally really liked it, the ending is warm and pleasant. This story makes you remember that your relationships with loved ones are also, to put it mildly, far from ideal, that you need to love and protect your relatives, because there is nothing more important than this.

9 out of 10

For a good, helpful story and the lovely Sophia Lillis.

Did Michael Cera lose a bet? My new least favourite movie. So odd, so so bad. A steaming pile of art that missed the canvass. Soulless and irritating. After the first 20 minutes I kept watching out of pure morbid curiosity for how it could possible end. It says the runtime was one hour and thirty one minutes, but the second and third acts just barrelled on for what felt like weeks. I aged watching this film. I need two hundred more characters for this review, so I'll finish by listing things I'd rather watch: paint dry, puppies cry, YouTube videos of 1990s commercials, promotional videos for timeshare condos, the Montreal Canadians.

'The Adults' is about as flat as films come. Very rarely does a scene have a pay off in this movie. Characters just interact in a fairly unusual and dis-interesting way and then the scene ends and we move on to the next interaction. Repeat for 90 minutes.

I'm always interested in how poker scenes are handled in movies. They are rarely handled well, but for the most part they were especially sloppy in 'The Adults'. We are often not shown the cards in the hand and yet we have to listen to the characters talk about them as if we have seen them. They are also done in a very bizarre manner where people say things during the hand that make no sense whatsoever and don't fit their motivations.

The movie finished and I realised I hadn't felt a single thing during the movie. I wasn't interested in the relationships, I never found it funny, I never found it sad. I simply felt nothing. This one was a miss. 4/10.

I made it halfway through. Not only is it a very slow slice-of-life film, the main character (Michael Cera's Eric) is so repellent, I just didn't want to spend any more time with him. He is inconsiderate, self-absorbed, cold, oblivious, and shallow. He blows off all these people who made plans to spend time with him in his rare visit, with barely a 'sorry.' Both of his sisters are obviously suffering, and he doesn't even seem to notice, let alone care. He even scolds the one who adores him. At one point, he shows what really matters to him (and it's not anyone else), and asks her why the other sister 'hates him.' The short answer is that he is just a JERK. The real question is why there is anyone in his life who actually tolerates him.

Really interesting to see the mixed opinions on this. I really enjoyed it. It's a beautiful portrayal of sibling relationships, and so much in the movie is in what's unsaid. This can sometimes be frustrating in movies like this but there's so much depth in the characters and performances from the three leads that you can feel their complexities and pain, but also the unique connection they have. Reminiscent of the also great Skeleton Twins. I think it's currently really underrated on here and I'm glad I decided to watch it, based purely on a clip of Michael Cera's (excellent) Tony Soprano impression.