First Shift

In a departure from high-profile blockbusters, this film presents a refreshingly grounded narrative that captivates through its sincerity and charm. The story centers on a seasoned New York detective who, despite his initial reluctance, is paired with a dynamic female officer recently transferred from Atlanta. This classic setup-where a grizzled veteran must adapt to a new partner-forms the backbone of the film's engaging plot.

While the storyline unfolds within the familiar confines of a New York detective thriller, it distinguishes itself through its focus on character development and realistic, heartfelt interactions. The film skillfully delves into the personal backgrounds of its characters, adding depth to their motivations and relationships. Although the antagonists may adhere to certain genre conventions and lack complexity, they serve their role effectively within the narrative.

Overall, the film succeeds in delivering an entertaining and emotionally resonant experience, despite its adherence to genre tropes. Its strength lies in its authentic portrayal of human connections and the understated charm of its characters, making it a worthwhile watch for those who appreciate a more nuanced approach to the detective genre.

One of those movies that probably won't have anything that really sticks with you long term but there isn't really anything egregiously bad here. Some fun scenes, and a couple interesting scenes of action. Some dialogue is quite awkward and some parts of the movie feel like the characters had no reason to do what they ended up doing but I wasn't expecting anything groundbreaking from this. Uwe Boll has made many a bad movie in his time but this is definitely on the better end of his catalogue. I think that the overly negative reviews may be in part to his notorious reputation since over the years he has attracted a vast array of trolls.

It's a trifecta... poorly written, poorly acted and poorly directed. A possible career ender for all involved. From its nonsensical plot to the painfully wooden performances, this movie is a masterclass in cinematic mediocrity, leaving viewers with a profound sense of wasted time and a yearning for something, anything, to engage with on screen.

The narrative, if you can call it that, is a jumbled mess of poorly connected subplots that seem to have been thrown together haphazardly. Characters are introduced with no apparent purpose, their motivations unclear, and their arcs abruptly truncated without any satisfying resolution. The story attempts to tackle themes of love, loss, and redemption, but falls flat at every turn, leaving the audience bewildered and questioning if they missed some crucial piece of the puzzle that never actually existed.

Reading the info on this I went into it thinking it would be a good view, I don't put too much thought into a movie except that it's a break from reality for an hour and a half of entertainment but quite honestly this one was kinda boring, the acting was definitely B movie rating, storyline was all over the place and the characters don't really pull you in too well, main character seems guarded but at the same time opens up messing it up for us as viewers, no spoilers here but I wouldn't recommend this one to anyone as like I said, it is on the boring side and one of those movies where you will watch it one time and never again.

Didn't expect to like it, but the movie has heart. It kept moving.

I understand the previous review's claim it was too slow, but it is a style.

Reminds me of the crime genre from yesteryear, sans the detective bent.

Would be great spun off into annual 3 or 6 episode BBC type miniseries.

Actors had good chemistry and situational dialogue was believable.

No spoilers, but I have a good iidea where the sequel is headed.

Enjoyable characters, felt like a pilot and went by fast.

With clever writing, the premise could go in many directions.

Wish I could tune back in next week.

Cross between Starsky and Hutch and Law And Order.