Herencia siniestra

No pun intended - and not even close to the "not without my daughter" I am riffing off. This is quite different from that - I mean this is a horror movie, so you got a major difference already! That said - let's focus on what the movie is actually about: family, aging, death and legacy. The movie made me think - about a possible future about the unstoppable ... row of time.

Not really a feel good sentimentality I am putting out there. But it is what it is - which is also true about the story the movie offers - as in predictable! I don't even think you have to have watched many movies to get where this is going.

The characters seem to need a bit longer to get the obvious I reckon. One of the actors doing double duty (well actually the mother in a way too, but differently, as in being only one character) ... and the one character he is playing is quite out there .... the main characters make fun of him - but not sure that is enough to make away the cringe you may feel.

A few good shockers, a few completely unnecessary scenes (a signing that really has no merit and no excuse being in the movie - unless there is some deleted footage that would tie or explain its existence) ... overall it does have the right themes and might give you a horrible feeling ... just maybe not the one you were looking for ...

How people don't love this film is beyond me.

Because, for a year that saw When Evil Lurks pop off...I just don't understand how this ultra creepy, explosive, darkly magical, wild ride hasn't done the same.

Because it is definitely wild.

The whole thing starts off with a child snatching...that has you questioning the intentions of the snatchers...when you see that they have left the child abandoned on the steps of a church.

At first, you think it has something to do with a cult...and, well...maybe it does in a sense...but not remotely in the way you are led to believe.

Because what ensues delves deep in the taboo, in the way that films like Max Mon Amour, The Baby, and Last Stop On The Night Train have in the past...in that they exploit dark and bizarre fetishes that some people clearly can't handle engaging with.

With the plot of this film revolving around mother-son incest.

In a way, you can't help but think about it's affinity with Barbarian...though, in reality, it is a different sort of animal entirely.

Whose truth is unlocked via an engagement with the obsessive art of Spanish painter Francisco De Goya.

Who is considered to be the "Last of the Old Masters, and First of the Moderns"...which, one might argue, acts as a metaphor for this film as a whole.

As we watch the "stolen son" track down his long lost family, in Portugal, after having been raised as an adoptee in America.

He travels, with his girlfriend, to the stately mansion of his forebearers, to meet his aging mother, and the brother he never knew.

Only for things to get, well...quickly weird...to say the least.

As he gets, unwillingly, sucked into a world he never wished for.

While his girlfriend tries to help them escape from a situation she senses isn't quite "right".

With, what ensues being as weird, creepy, and explosive as you could want in a slow burn horror film.

I don't want to give too much away here...because...unlocking it's secrets, yourself, is half the fun!

But I assure you, you won't be disappointed.

That is, unless you have an aversion to the taboo.

But then...why are you even watching horror movies, anyways!?

This is such an underrated film.

And certainly one of the best horror films that 2023 had to offer.

8 out of 10.

First of all, this movie is mostly in English so don't get scared off by it being Portuguese. The leads both do a commendable job with average dialogue and plot.

Those things really aren't the main reason to watch. It's the creep factor for me. Super freaky mother character with really good prosthetic make-up that steals the show.

The story is also very creepy and I believe is Portuguese folklore. About the witch mother - no more details here you'll have to watch it. You'll find out pretty quick that the house is not going to be a fun place to visit.

Overall it's a good film, not great. Enjoyable horror and well acted. 6.4/10.

I mean, what can I even say about this movie that I absolutely despised? Can I talk about the good elements of it, the parts I enjoyed, the parts that worked to create an interesting narrative? I wish I could, but I honestly can't think of a single redeemable quality in this entire film. The characters were unlikable, the story wanted to be grotesque but wouldn't show you anything to actually induce fear, and even the cinematography was basic and had no passion. The times the movie wanted to be creepy were so few and far between, that the only thing that ended up being truly nightmare inducing was Amelia's face after years of cosmetic surgery.

It's truly incredible how you have a movie about a witch that has children with her own sons and then eats them to regain her youth, a horrifying premise in and of itself, and you end up making the most mundane and least scary movie possible. I just don't understand how this even happened. It's like the creative team read the premise and then decided to not ruffle any feathers, not offend anyone, and not really create anything truly horrific, instead opting to alude to the witch and use dream sequences to sometimes show what she does, but never having the cojones to actually do it.

This is the worst kind of horror movie to me. A movie that uses a great premise but ends up yielding a tame, inoffensive movie where nothing really scary happens, everything is suggested and not actually shown, and the conclusion ties nothing together, leaving the viewer to wonder why he even wasted and hour and a half of his life on this movie. I really wish I would have read reviews for this film beforehand, as I would have wanted to be warned before investing my precious time on a film that wouldn't enrich my life in any way.

This is why I'm writing this review, to save as many of you from watching this movie as possible. Do not make the same mistake as I did, as life is way too short to spend it watching these types of movies that contribute nothing of value to your life. Read a book, take a walk, listen to your favorite album on repeat. Anything is preferable to watching this film.

After the crazy "Diamantino," Gabriel Abrantes opted for a conventional horror film. Kind of. As a horror fan, I can only thank him. And for a first work... it's not bad at all to start with one of the best works of the genre in the Portuguese language.

In the story, in New York, Edward (Carloto Cotta) lives peacefully with his girlfriend, Ryley (Bridgette Lindy-Paine). In search of his biological family, Edward ends up discovering he has a brother and a mother in Portugal, but soon realizes that uncovering his origins can be quite dangerous.

There's some excellent work here in introducing the plot and creating mystery. The film begins with a strong opening scene in the past (with Alba Baptista as the young mother) and then transitions to the present, initially presenting us with the main couple in a comprehensive yet not overly expository manner. These are the two best-developed, most well-rounded characters, greatly aided by the excellent performances of Carloto Cotta (who plays two very distinct roles) and Bridgette Lindy-Paine. Lindy-Paine, in particular, carries the film more than expected, always being the character who pieces together the plot. Anabela Moreira's outstanding work should also be highlighted; even covered in makeup, she manages to shine in the role of the most enigmatic character, the mother of the brothers.

The way Abrantes handles the genre is quite interesting, adding some dashes of humour (although some of the audience seemed to think it was purely a comedy) and blending in elements of traditional Portuguese folklore, as well as incorporating social commentary related to family and romantic relationships with a good dose of madness.

The soundtrack is excellent, as is all the work on the sound effects heightening the tension of the movie. From a visual perspective, the outstanding production design stands out (the interior spaces look like works of art), and the cinematography, especially in the darker scenes, is noteworthy. At times, the film leans into some genre clichés-several characters following voices in the dark, dreams within dreams, and more dreams-but it manages to rise above them by always keeping us entertained and engaged, concluding with a very strong third act.