Aau's Song
- El episodio se transmitió el 4 may 2023
- TV-PG
- 15min
CALIFICACIÓN DE IMDb
7.0/10
1.8 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaAn alien child who longs to sing is raised by her loving, but stern father to stay quiet because of the calamitous effect her voice has on the crystals in the nearby mines.An alien child who longs to sing is raised by her loving, but stern father to stay quiet because of the calamitous effect her voice has on the crystals in the nearby mines.An alien child who longs to sing is raised by her loving, but stern father to stay quiet because of the calamitous effect her voice has on the crystals in the nearby mines.
- Dirección
- Guionistas
- Elenco
Mpilo Jantjie
- Aau
- (voz)
Dineo du Toit
- Aau
- (doblaje en canto)
Tumisho Masha
- Abat
- (voz)
Cynthia Erivo
- Kratu
- (voz)
Faith Baloyi
- Attu
- (voz)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The felt doll stop motion animation is absolutely gorgeous. It evokes the warm cozy vibes of a young girl living in simple comfort with her loving father. Small choices in the animation invoke complex feelings. When Aau and her father take a motorcycle down the mountain she clings tightly to his back as they bob up and down on the road, and the mountain spins around them while their destination stays in place, evoking both childlike wonder but also the sense that the world is a huge and complex place and she only feels secure in her father's presence. Aau's gift in the force is her ability to use song to connect with the kyber crystals her people mine. This is a novel use of the force but one that feels right at home in the universe, and the music is appropriately beautiful and innocent to match her demeanor. Kratu, the visiting Jedi has one of the best character designs I've ever seen. Its a simple but compelling story about understanding your potential and stepping outside the safety of your home, but its a visual feast for the eyes that perfectly matches the sweet and innocent tone of the story.
I thought this was a pretty good episode, and a fine finale.
The animation is ADORABLE and really beautiful as well. The pacing and voice work was all pretty decent too. Aau was a pretty likable character.
But this was also just a refreshing take on the force, and how it finds people, as opposed to people just finding the force. The whole music angle just felt very original and honestly pretty believable for a Star Wars piece. The ending was really, really satisfying too. I honestly would not mind seeing more of these characters and this animation style.
This might be one of the better episodes of Season 2! I didn't think any of them were inherently bad, some better than others. It was very enjoyable and I hope this show moves forward with an third season.
The animation is ADORABLE and really beautiful as well. The pacing and voice work was all pretty decent too. Aau was a pretty likable character.
But this was also just a refreshing take on the force, and how it finds people, as opposed to people just finding the force. The whole music angle just felt very original and honestly pretty believable for a Star Wars piece. The ending was really, really satisfying too. I honestly would not mind seeing more of these characters and this animation style.
This might be one of the better episodes of Season 2! I didn't think any of them were inherently bad, some better than others. It was very enjoyable and I hope this show moves forward with an third season.
10jegablu
From all the shorts seen in this second season; this one seems one of the most "complete" stories so far.
Produced by the South African studio TriggerFish, what they have achieved here were stunning visuals, backgrounds, textures, even with very cute characters and a story simple enough to fit in a 10 to 15 minutes story, which felt like the first episode of an entire season. This short feels a lot like just an introduction of a much larger narrative.
For being a short film, they managed to have these slow moments where you only enjoy the enviroment or the main character reacting to the place where she lives, but then in the action moments, they really pulled off some very dynamic camera angles that really drives you in, and the animation slaps.
Having these little packed stories is a hurricane of fresh air outside the well known Skywalker arc, and very welcome into the Star Wars universe.
Looking forward with great expectation whatever comes next if there's a third season.
Produced by the South African studio TriggerFish, what they have achieved here were stunning visuals, backgrounds, textures, even with very cute characters and a story simple enough to fit in a 10 to 15 minutes story, which felt like the first episode of an entire season. This short feels a lot like just an introduction of a much larger narrative.
For being a short film, they managed to have these slow moments where you only enjoy the enviroment or the main character reacting to the place where she lives, but then in the action moments, they really pulled off some very dynamic camera angles that really drives you in, and the animation slaps.
Having these little packed stories is a hurricane of fresh air outside the well known Skywalker arc, and very welcome into the Star Wars universe.
Looking forward with great expectation whatever comes next if there's a third season.
Okay, let's start with the good. Aau's Song looks great as far as design. The story is okay. Nothing special.
Okay, now that we got the good out of the way. Throughout the second season of Visions, the animation has been terrible. Whether it was CGI, stop-motion or CGI disguised as stop-motion, the animation has been choppy to say the least. It's like Disney tried to save money by taking out half the frames or by doing without in-between animators. And Aau's Song has maybe the worst animation from the whole season. I don't know if it's because of the animation in the Spider-Verse movie or what, but it seems this new style of animation is here to stay. And it's horrible. I don't know if it's the use of computers to animate, rather than than traditional cel animation. I don't know if it's cheaper. Don't know if people actually like this style or what. But for me, it's terrible, just terrible.
Bottom line; except for 2 or 3 episodes, this season was almost unwatchable due to this bad animation. Take also into account that most of the episodes were terrible story-wise too. Very disappointed, considering season 1 was fantastic.
Okay, now that we got the good out of the way. Throughout the second season of Visions, the animation has been terrible. Whether it was CGI, stop-motion or CGI disguised as stop-motion, the animation has been choppy to say the least. It's like Disney tried to save money by taking out half the frames or by doing without in-between animators. And Aau's Song has maybe the worst animation from the whole season. I don't know if it's because of the animation in the Spider-Verse movie or what, but it seems this new style of animation is here to stay. And it's horrible. I don't know if it's the use of computers to animate, rather than than traditional cel animation. I don't know if it's cheaper. Don't know if people actually like this style or what. But for me, it's terrible, just terrible.
Bottom line; except for 2 or 3 episodes, this season was almost unwatchable due to this bad animation. Take also into account that most of the episodes were terrible story-wise too. Very disappointed, considering season 1 was fantastic.
Slightly odd music-based episode to close out the second season of "Star Wars: Visions".
Aau (Mpilo Jantjie/Dineo Du Toit) tries to help her father Abat (Tumisho Masha) and his people purify Kyber Crystals after the end of the Empire and the defeat of the Sith. She finds a large deposit of crystals as they seem to react to her when she sings, but the instability of the cave structure threatens the whole community.
Again, this episode has the season theme of a matriarchal figure being required for a young, gifted person. This time it's in the form of a Jedi Kratu (Cynthia Erivo) who spots Aau's true power and again, the young Jedi having to leave their family is a plot point. The storyline for this episode is a bit strange, as it's never made clear to us exactly what is causing the threat. Is it Aau's singing, or her father's reaction to it.
Visually though, this one is really strong. South African Animation Studio TriggerFish have a decent pedigree of both short films and features, and their work with Magic Light Pictures have been staples of the UK Christmas schedules for the last few years. This is perhaps the most traditional 3D computer animation in this run and, though it's probably the standard model at the moment, I really appreciated it. There's almost an "Animal Crossing" type look to the characters, with a tactile feeling to the build of the world.
Any series like this is going to have it's good and bad editions and I'm not sure whether through coincidence or design but this season seemed to have themes running through it whereas I remembered the first as being more random. It's a great concept though and I hope it runs to a third season.
Aau (Mpilo Jantjie/Dineo Du Toit) tries to help her father Abat (Tumisho Masha) and his people purify Kyber Crystals after the end of the Empire and the defeat of the Sith. She finds a large deposit of crystals as they seem to react to her when she sings, but the instability of the cave structure threatens the whole community.
Again, this episode has the season theme of a matriarchal figure being required for a young, gifted person. This time it's in the form of a Jedi Kratu (Cynthia Erivo) who spots Aau's true power and again, the young Jedi having to leave their family is a plot point. The storyline for this episode is a bit strange, as it's never made clear to us exactly what is causing the threat. Is it Aau's singing, or her father's reaction to it.
Visually though, this one is really strong. South African Animation Studio TriggerFish have a decent pedigree of both short films and features, and their work with Magic Light Pictures have been staples of the UK Christmas schedules for the last few years. This is perhaps the most traditional 3D computer animation in this run and, though it's probably the standard model at the moment, I really appreciated it. There's almost an "Animal Crossing" type look to the characters, with a tactile feeling to the build of the world.
Any series like this is going to have it's good and bad editions and I'm not sure whether through coincidence or design but this season seemed to have themes running through it whereas I remembered the first as being more random. It's a great concept though and I hope it runs to a third season.
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Detalles
- Tiempo de ejecución
- 15min
- Color
- Mezcla de sonido
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