Sigue a un ladrón que irrumpe en un todoterreno de lujo, sólo para darse cuenta de que ha caído en una trampa sofisticada y mortal.Sigue a un ladrón que irrumpe en un todoterreno de lujo, sólo para darse cuenta de que ha caído en una trampa sofisticada y mortal.Sigue a un ladrón que irrumpe en un todoterreno de lujo, sólo para darse cuenta de que ha caído en una trampa sofisticada y mortal.
- Dirección
- Guionistas
- Elenco
Ricardo Pequenino
- Street Drummer
- (as Ricardo Pequinino)
Sofia Tesema
- Sadie (Lipstick Woman)
- (as Sofia Tes)
Gabrielle Walsh
- Amy
- (voz)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
David Yarovesky's Locked is a remake of the 2019 Argentinian film 4x4, and while the original was a claustrophobic and tense thriller with a pointed social commentary, this American version feels like a watered-down, Hollywoodized copy. Despite having Bill Skarsgård and Anthony Hopkins, the film's attempts at a high-concept battle of wits fall flat. The witty, dark humor and social critique of the original are replaced with generic and often preachy dialogue that feels shoehorned in. Skarsgård's performance, while energetic, is wasted on a character whose motivations are stripped of their nuance, turning him from a desperate father into a one-dimensional thug. Hopkins, as the disembodied voice of a self-righteous vigilante, delivers a performance that feels like a caricature of his more memorable roles. The film's attempts to escalate the stakes feel more ridiculous than suspenseful, and the ending, in particular, lacks the satisfying punch of its source material.
Is it worth watching? No. It's a pale imitation of a much better film, with a wasted cast and a clumsy script.
Is it worth watching? No. It's a pale imitation of a much better film, with a wasted cast and a clumsy script.
A film about being trapped in a car? Ironically fitting, because watching Locked feels exactly like that-stuck, suffocating, and desperate for an escape.
Bill Skarsgård does his best with a script that insists on making him both a victim and an idiot, while Anthony Hopkins delivers lines with the air of a man who signed on for a better movie. What is he doing in this mediocrity of a film is honestly beyond me. The tension fizzles out early, leaving a predictable, boring, and frankly annoying ride to nowhere.
If you're after a claustrophobic thriller, watch Buried instead. At least that film knows how to keep you gasping for air.
Bill Skarsgård does his best with a script that insists on making him both a victim and an idiot, while Anthony Hopkins delivers lines with the air of a man who signed on for a better movie. What is he doing in this mediocrity of a film is honestly beyond me. The tension fizzles out early, leaving a predictable, boring, and frankly annoying ride to nowhere.
If you're after a claustrophobic thriller, watch Buried instead. At least that film knows how to keep you gasping for air.
I got back from the theaters a few mins ago
I thought this movie looked more like something I would watch on streaming, but since I have Regal Unlimited, I decided to go on a slow day at the office.
Long story short - the movie isn't good. You're better off waiting for streaming
The plot itself is bare-bones. Bill Skarsgard (who looks a little like Pete Davidson here) gets trapped inside a car, basically. And as a result, very little actually happens for most of the movie. What we get, instead, is about an hour and change of watching Skarsgard sit inside the car by himself, which gets dull very quickly. The movie simply doesn't have enough to maintain interest while Skarsgard is trapped. The dialogue between him and Hopkins isn't interesting: Hopkins' characters meanders on and on, and they seem to repeat themselves ("What do you want from me?" "I want you to understand" .. seriously, I feel that I heard that exchange at least 5 times). The little acts that Hopkins does to terrorize Skargard similarly become repetitive
The movie is basically a two-man show in Skarsgard and Hopkins, and neither one of them is likable. Hopkins' character is obviously too pyscho for the audience to like. And though the film tries to make Skarsgard appear likable by using his daughter as well as a scene where he randomly gives water to a dog, the basic truth remains that he's scum who steals people's money and belongings . There is no one here for the audience get behind
The movie takes a bit of a silly turn when Hopkins somehow controls the car remotely; the events that happen here become almost unintentionally funny. Some of the dialogue near the end (e.g. Dirty Harry references) become cringe
4/10.
I thought this movie looked more like something I would watch on streaming, but since I have Regal Unlimited, I decided to go on a slow day at the office.
Long story short - the movie isn't good. You're better off waiting for streaming
The plot itself is bare-bones. Bill Skarsgard (who looks a little like Pete Davidson here) gets trapped inside a car, basically. And as a result, very little actually happens for most of the movie. What we get, instead, is about an hour and change of watching Skarsgard sit inside the car by himself, which gets dull very quickly. The movie simply doesn't have enough to maintain interest while Skarsgard is trapped. The dialogue between him and Hopkins isn't interesting: Hopkins' characters meanders on and on, and they seem to repeat themselves ("What do you want from me?" "I want you to understand" .. seriously, I feel that I heard that exchange at least 5 times). The little acts that Hopkins does to terrorize Skargard similarly become repetitive
The movie is basically a two-man show in Skarsgard and Hopkins, and neither one of them is likable. Hopkins' character is obviously too pyscho for the audience to like. And though the film tries to make Skarsgard appear likable by using his daughter as well as a scene where he randomly gives water to a dog, the basic truth remains that he's scum who steals people's money and belongings . There is no one here for the audience get behind
The movie takes a bit of a silly turn when Hopkins somehow controls the car remotely; the events that happen here become almost unintentionally funny. Some of the dialogue near the end (e.g. Dirty Harry references) become cringe
4/10.
Totally boring, implausible and pointless. Another disappointing flop featuring Skarsgård. It's not tense so much as just tedious. The back and forth moralizing of the protagonist and his captor seems like a stale attempt at courting the public discontent. The protagonist's complaint that laws serve to only protect the rich elicited a real groan from me. Fortunately this evaporates quickly, and never returns. However there's else here to captivate. All of the characters are ugly, and unlikeable. Save yourself the time and watch the 2000s classic 'Phone Booth' instead, which is much more thrilling.
My only advice for potential criminals who are reading this review is I would advise against breaking into a nice car lol. You will get locked in.
I caught the trailer and I was pretty hooked, went into this one open minded with zero expectation and it was a pleasant surprise.
Bill Skarsgård plays a really slimy character who at first I just wanted to see him suffer. But as the story progresses you start to feel for him, and start rooting for this guy.
Anthony Hopkins plays a narcissist rich man who is really sick and twisted. But you understand why he does certain things as you learn about his back story. His weapon of justice is a modified car that feels indestructible.
The suspense is great and I really liked the film's atmosphere and setting. There's never a dull moment and the pacing moves along really well. Twards the end I found Locked a little predictable but overall this is an enjoyable time at the theater. Go out and see it, at least watch it on vod when it comes out.
I caught the trailer and I was pretty hooked, went into this one open minded with zero expectation and it was a pleasant surprise.
Bill Skarsgård plays a really slimy character who at first I just wanted to see him suffer. But as the story progresses you start to feel for him, and start rooting for this guy.
Anthony Hopkins plays a narcissist rich man who is really sick and twisted. But you understand why he does certain things as you learn about his back story. His weapon of justice is a modified car that feels indestructible.
The suspense is great and I really liked the film's atmosphere and setting. There's never a dull moment and the pacing moves along really well. Twards the end I found Locked a little predictable but overall this is an enjoyable time at the theater. Go out and see it, at least watch it on vod when it comes out.
¿Sabías que…?
- TriviaThe starring vehicle in Locked is a "Dolus," a custom-built Land Rover Defender-based SUV. It was purpose-built for the film and heavily modified from the Defender platform.
It was designed and built especially for the film and is now on display at Volo Museum. The hero vehicle used in the movie is part of the museum's permanent collection.
It is a one-of-a-kind vehicle with a full custom body design, intricate interior details, and unique finishing touches. The design includes a bespoke exterior, luxury leather interior, detailed trim work, and striking visual elements.
Three "Dolus" vehicles were created: a modular interior rig for camera work, a fully finished hero car for close-up and exterior shots, and a dedicated stunt car for the most intense driving sequences (the stunt car was destroyed during production).
They were built at a staggering cost of 1.3 million USD (2023) This figure accounts for the design, fabrication, and customization of all three vehicles.
- ErroresIn the beginning Eddie argues with the mechanic that the alternator for his van is a "$400 part". On average, for his van, an alternator would cost about $120.
- Bandas sonorasDrive Off: Tchaikovsky Piano Concerto 1
Written by Pyotr Ilyich Tchaikovsky
Performed by Tim Williams (as Timothy Williams) and The Budapest Scoring Orchestra
Published by Something for the Beach House Publishing (ASCAP)
Courtesy of Beach House Music, Inc.
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- How long is Locked?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Locked
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 1,632,758
- Fin de semana de estreno en EE. UU. y Canadá
- USD 924,054
- 23 mar 2025
- Total a nivel mundial
- USD 4,164,917
- Tiempo de ejecución
- 1h 35min(95 min)
- Color
- Relación de aspecto
- 2.76 : 1
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