Cent'Anni
- El episodio se transmitió el 13 oct 2024
- C
- 58min
Al enfrentarse a los acontecimientos que la convirtieron en el verdugo y la llevaron a luchar durante una década por la supervivencia en Arkham, Sofía hace planes para un futuro más esperanz... Leer todoAl enfrentarse a los acontecimientos que la convirtieron en el verdugo y la llevaron a luchar durante una década por la supervivencia en Arkham, Sofía hace planes para un futuro más esperanzador.Al enfrentarse a los acontecimientos que la convirtieron en el verdugo y la llevaron a luchar durante una década por la supervivencia en Arkham, Sofía hace planes para un futuro más esperanzador.
- Dirección
- Guionistas
- Elenco
Opiniones destacadas
This episode gets dark and more disturbing as it explores a place we have only briefly seen, or heard about in a sinister context! Arkham Asylum is portrayed masterfully with its dark and grim atmosphere!
This show is not affraid to get uncomfortable with this episode and I qm very pleased with this, as it nails the tone! To me, I think this is a better portrayal of Arkham than the one we got in JOKER 2!
The amounts of twists does not stop either! It was equally and intense and captivating experience, with Christin completely stealing the show as Sofia Falcone!
Wow.. just wow!
This show is amazing. There are so many layers, and they keep peeling back more. I thought this show was going to be a cash grab to get Farrel back into the fat suit and just spend more time in the Batman universe so Max can stay relevant, but boy was I wrong. This show deserves to be on. It might be the best thing on tv right now.
Sofía's story reflects the core tragedy of Batman's villains, echoing the Joker's words: "All it takes is one bad day." The depiction of Arkham as a grim, oppressive place emphasizes how redemption slips away in such environments, making her journey even more compelling. Exhausted but determined, Sofía emerges as a force to be reckoned with - a villain not born from power but from betrayal and suffering.
This episode enriches the series, balancing Gotham's criminal and psychological facets, and cements Sofía as a perfect foil to the Penguin. It's a nuanced take that adds emotional weight and tension, showcasing yet another brilliant layer of Batman's world.
The writers did such a compelling job describing the horrors of what it is like to be in Arkham. Since its inception, Arkham Asylum has been written to be atrocious and considered hell on earth, but no other depiction has shown the audience through the terrifying perspective of an inmate imprisoned in Arkham.
This episode allows Milioti to explore the full depth of her character's emotions, and she leans into the tension with intensity and nuance. Milioti captures a simmering rage and fearlessness, making her character's motives feel both deeply personal and hauntingly universal. It's not just that she's believable-she's magnetic, transforming every scene she's in, whether through a silent, haunted stare or an explosive confrontation.
Episode 4 cements Milioti as one of The Penguin's standout talents, proving she's not just a supporting player but a pivotal force in the show's unfolding drama. This episode, like each before it, stands as a testament to the high caliber performances that make The Penguin unmissable and has me awaiting where the series will go next.
¿Sabías que…?
- TriviaSummer Gleeson, the journalist who confronts Sofia at her mother's fundraiser, works for the Gotham Gazette, which is the major newspaper in the city in both the comic books and in the wider The Batman series. She's also a character in Batman: The Animated Series who makes it her work mission to find out who the Batman really is.
- ErroresWhen Sofia raises her red wine glass to toast her family, saying "Cent'Anni," the fill level is down one inch or more from the rim, whereas when she had begun her speech, the glass was nearly overflowing.
- Citas
Sofia Falcone: I've had a lot of time to reflect. And I have to say... I was genuinely surprised at how many of you wrote letters telling the judge that I was mentally ill, like my mother. Not that the judge needed much convincing. My father saw to that. Still, I trusted you. I loved you. And yet, not one of you... tried to help me. Except for my brother, the man you all flew in to mourn. And you know, the real thorn in my side is that, unlike everyone here... I was innocent. I mean, Jesus Christ, Milos has a higher body count than I do.
Luca Falcone: Sofia!
Sofia Falcone: I know you're all anxious for me to leave. No one has been shy about that. I'd really hoped that it would be different. But I understand, I don't fit into this family anymore. So tomorrow, I'm starting a new life. For the first time, I have hope.
[Raises her glass]
Sofia Falcone: To new beginnings. Cent'anni.
- ConexionesFeatured in The 77th Primetime Emmy Awards (2025)
- Bandas sonorasStrange Little Girl
Written by Jean-Jacques Burnel, Hugh Cornwell, Jet Black, Dave Greenfield, Hans Axel Wärmling
Performed by The Stranglers
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Locaciones de filmación
- 3 Dollar Bill, 260 Meserole St., Brooklyn, Nueva York, Nueva York, Estados Unidos(Exterior: Alberto leans on open car door to talk to Sophia, who is sitting in car.)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 58min
- Color
- Mezcla de sonido