- Premios
- 3 premios ganados y 6 nominaciones en total
Saleka Shyamalan
- Lady Raven
- (as Saleka Night Shyamalan)
Marnie McPhail
- Jody's Mom
- (as Marnie McPhail-Diamond)
Kid Cudi
- The Thinker
- (as Scott Mescudi)
Russ
- Parker Wayne
- (as Russell 'Russ' Vitale)
Steve Boyle
- Lead SWAT Member
- (as Steven Boyle)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'Trap' offers suspense and psychological thrills, with Josh Hartnett's performance as a serial killer receiving praise for intensity. However, the film faces criticism for plot holes, and unrealistic scenarios. The pacing, dialogue, and coherence are contentious, with mixed opinions on the film's engagement level. Despite these issues, some appreciate its originality and unique concert setting.
Opiniones destacadas
Quite the nosedive!
I actually enjoyed the opening chunk of 'Trap', everything at the music concert is fairly well done and kept the intrigue alive for me. However, once events leave the arena the movie absolutely bombs its way to the finish. The last portion of the film is terrible viewing, it felt like it just kept going and going and going.
There are plot holes aplenty, nonsensical 'twists' and character decisions/abilities. Cooper, played finely to be fair by Josh Hartnett, is absolutely some sort of big shot in his 'line of work', though makes some dumb mistakes. Though he is apparently capable of teleportation, based on one scene involving a limo.
I'm not someone who needs every inch of a movie to make sense, I can enjoy something that's simply an entertaining watch; even with poorly crafted elements elsewhere in the movie. This, unfortunately, ends up being just bad. That is a shame, because I honestly did like (albeit mildly) the stuff at the venue.
Very surprised to see the fairly good reception this has received so far on a few sites, I would not have predicted that but, hey, what do I know?
I actually enjoyed the opening chunk of 'Trap', everything at the music concert is fairly well done and kept the intrigue alive for me. However, once events leave the arena the movie absolutely bombs its way to the finish. The last portion of the film is terrible viewing, it felt like it just kept going and going and going.
There are plot holes aplenty, nonsensical 'twists' and character decisions/abilities. Cooper, played finely to be fair by Josh Hartnett, is absolutely some sort of big shot in his 'line of work', though makes some dumb mistakes. Though he is apparently capable of teleportation, based on one scene involving a limo.
I'm not someone who needs every inch of a movie to make sense, I can enjoy something that's simply an entertaining watch; even with poorly crafted elements elsewhere in the movie. This, unfortunately, ends up being just bad. That is a shame, because I honestly did like (albeit mildly) the stuff at the venue.
Very surprised to see the fairly good reception this has received so far on a few sites, I would not have predicted that but, hey, what do I know?
Starts off well, but then it becomes increasingly dull and boring. The dialogue between the father and the daughter is unrealistic almost cringe worthy, the acting is mediocre for majority of the movie (it did seem to get better towards the end). Expected so much more from M Night. I would avoid this one :(. The main character barely has a backstory, the movie would have been so much better if they had explored that aspect of the story a little more. There was one decent twist, but other than that, it was just very dull. You would be better off watching this when it becomes available on streaming platforms.
I feel like the idea of directing a concert and a plot inside a concert took over everything else. It starts off quite well and all props to Josh Hartnett but at the end of it all, it's nothing that stands out, nothing at all. The charm, creativity and the out of the box cocncepts and even the eerie settings of his movies are all but missing in this movie.
If you're a fan of his old work like the Signs, Village, Unbreakable, Sixth Sense or even The Visit and The Happening and are fond of his art then TRAP is a complete pivot from his work.
It was also kind of annoying at how they made the cops and the FBI look and think like 4th graders trying to catch a criminal.
Missed opportunity, for us!
If you're a fan of his old work like the Signs, Village, Unbreakable, Sixth Sense or even The Visit and The Happening and are fond of his art then TRAP is a complete pivot from his work.
It was also kind of annoying at how they made the cops and the FBI look and think like 4th graders trying to catch a criminal.
Missed opportunity, for us!
A watchable movie, but the director ventures into too many different directions. The third act feels very disconnected from the rest of the film, culminating in a never-ending finale with bland characters that are poorly developed.
The story veered into many different directions, making it feel unfocused. I did not enjoy the poor acting, except for Josh Harriett, who was the only good part of the movie.
The third act was particularly undetermined and disjointed. Surprisingly, the best part of the movie was during the film credits.
Even Josh Harnett's performance, the sole highlight, couldn't save the film from its shortcomings.
The story veered into many different directions, making it feel unfocused. I did not enjoy the poor acting, except for Josh Harriett, who was the only good part of the movie.
The third act was particularly undetermined and disjointed. Surprisingly, the best part of the movie was during the film credits.
Even Josh Harnett's performance, the sole highlight, couldn't save the film from its shortcomings.
"Trap" (2024) generated great expectations since the release of its trailer, which presented a relatively new and thought-provoking premise, in addition to being directed by M. Night Shyamalan. However, despite the initial potential, several wrong decisions compromised the final result of the work.
The absence of graphic violence reduces the impact of the film, generating few scenes of true tension. The script relies on several conveniences, making the protagonist seem more "lucky" than strategist. Furthermore, the superficial development of the serial killer makes his arc not very engaging, which negatively affects the construction of the character. The twist in the third act is not surprising and seems unnecessary, wasting the opportunity for a remarkable outcome, something expected in the director's films. On the other hand, the soundtrack and its theme is a strong point, differentiating itself from other productions of the genre and adding value to the narrative.
Although technically well produced, the film has flaws that undermine the impact of the proposal. "Trap" ends up becoming another generic psychological horror film, despite its interesting musical theme.
The absence of graphic violence reduces the impact of the film, generating few scenes of true tension. The script relies on several conveniences, making the protagonist seem more "lucky" than strategist. Furthermore, the superficial development of the serial killer makes his arc not very engaging, which negatively affects the construction of the character. The twist in the third act is not surprising and seems unnecessary, wasting the opportunity for a remarkable outcome, something expected in the director's films. On the other hand, the soundtrack and its theme is a strong point, differentiating itself from other productions of the genre and adding value to the narrative.
Although technically well produced, the film has flaws that undermine the impact of the proposal. "Trap" ends up becoming another generic psychological horror film, despite its interesting musical theme.
¿Sabías que…?
- TriviaM. Night Shyamalan declared in an interview that the plot was inspired by the Washington D.C. "Operation Flagship" sting operation on December 15, 1985, which was organized by the U.S. Marshals Service and the Metropolitan Police to lure wanted fugitives to the Washington Convention Center under the pretense of free tickets. It resulted in 101 arrests, one of the largest and most successful mass arrests of fugitives by U.S. law enforcement. Operation Flagship was also the inspiration for the sting shown in Prohibida obsesión (1989).
- ErroresGiven a stardom like seen with Lady Raven it is completely unusual to get her in the limousine without her bodyguards. A huge star like Lady Raven would always be guided by security, on every step she takes, particularly when going to an unknown location (here: Riley's family). Additionally her Tour Manager would want to guide her.
- Citas
Cooper: Psst! Cooper.
Jamie: Jamie.
Cooper: What's with all the police trucks outside and the cameras everywhere, Jamie?
Jamie: I'm not supposed to tell.
Cooper: Something happening?
Jamie: Don't rat me out.
Cooper: I won't.
Jamie: You know the Butcher? That freakin' nutjob that goes around just chopping people up? Well, the feds or whatever heard that he's gonna be here today, so they set up a trap for him. This whole concert? It's a trap. They're watching all the exits, checking everyone that leaves. There's no way to get out of here. It's kinda dope, right?
- Créditos curiososThere is a short scene, early in the closing credits.
- ConexionesFeatured in The 7PM Project: Episode dated 28 July 2024 (2024)
- Bandas sonorasDon't Wanna Be Yours
Written by Saleka Shyamalan
Performed by Saleka Shyamalan (as Saleka)
Produced by Saleka Shyamalan, Sean Douglas and Ryan Williamson (as Rykeyz)
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- How long is Trap?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- La trampa
- Locaciones de filmación
- Toronto, Ontario, Canadá(Rogers Centre)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 42,777,281
- Fin de semana de estreno en EE. UU. y Canadá
- USD 15,454,146
- 4 ago 2024
- Total a nivel mundial
- USD 83,677,281
- Tiempo de ejecución
- 1h 45min(105 min)
- Color
- Relación de aspecto
- 1.85 : 1
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