Kübra

Kübra is a mirror to the world... For me, Kübra is a mirror of the world. His message is for all of humanity, regardless of religion or country. It provides guidance for solving the problems of today's world. One needs faith, without which one is lost in the whirlwind of the world. Let's look into this mirror and see where we stand in it. Cagatay Ulusoy as Gökhan masterfully shows us the right way. This actor always teaches and gives us a message through his films. He showed me this in all his projects. It is also unique in this. Kübra is a masterpiece in every way. The writing, direction and acting are 10/10. Definitely check it out!

A profoundly touching, captivating, and thought-provoking film that delves deep into the contemporary world. With a highly original premise, the film fearlessly tackles the complex issues of today, drawing the audience into profound contemplation. The development of characters and the progression of the story successfully immerse the viewers into the unfolding events. The creative screenplay and impressive visual storytelling render the film truly unique. Each episode is filled with surprising twists and turns, constantly keeping the audience on the edge. With its societal critiques and powerful messages, the film constructs a narrative that prompts viewers to reflect deeply. Both the acting performances and technical aspects contribute to making this film an unforgettable experience for the audience. In conclusion, this film stands out as a brilliantly crafted and successful piece that holds a mirror to the contemporary world, offering a smart and impactful viewing experience.

As someone who can both relate to the culture and the religion displayed in the series, until the end, I was only watching hoping that the ending would be in a similar fashion. Kubra is a series that display simply mankind. All though some part were quite corny and hard to watch, the message that is delivered is the status quo of the country it is based out of. It depicts the balance of power, social and economic realities, political Islam and the tension within the nation that could be ignited with a single match. All though it seems far-fetched from reality, it is closer than it seems. The dystopian and fiction aside, with certain twists to the plot, it has the potential to be real, because it did in the past and the original author was most likely influenced and referrenced it.

A verry different story from the usual stories,difficult to deal with and just as difficult to tell. Maybe a journey between spirituality and artificial intelligence ,between beliving unreservedly or not beliving at all,between the hope that we can always change our lives if we want and the meddling of the evil one. A very well told story,not borring at all. The cast is very solid,the bond between the actors is as strong as if they were really there. The actors story is also very well played by everyone. The main actor Cagatay Ulusoy doesn't need to be told anymore because he already takes his character to another dimension with his beautiful performance. A series absolutely to be watched especially with the head and then with the heart.

Once in a while Netflix comes up with brilliant outliers. Kubra is a great example.

At first, it feels like a story of a religion (or a cult) in the making, with a Muslim Jesus-like (both visually and mindset-wise) figure facing predictable leadership challenges, corrupt politicians, and dealing with his family.

In the last chapter (of season 1), the twist turns the story upside down (not revealing what it is, although some other reviews did...), setting up the scene for a very different season 2.

There is a lot to like. The characters, the acting (and the actors themselves), the exploration of spirituality from the 21st century Turkish perspective. As someone who knows next to nothing about Turkey, I found it to be educational while still accessible enough not to overshadow the story with cultural differences. In the last chapter, the professional terms and concepts are amazingly spot on. Sadly, the Hodja character (a priest with what sounds like a degree in psychology) is underexplored.

I deducted one point for the Netflix's insistence on specific running time. The bullet subplot felt redundant and forced with the motivation of the rioters vague and unclear. It's like it was added just to make the season last for 8 chapters. It made the series feel a bit stretched. But at least Netflix didn't cancel it, like they do with other brilliant outliers (The OA, 1899, etc.).