Murder Is Easy
- Serie de TV
- 2023
- 1h 57min
Sigue a Luke Fitzwilliam, que se encuentra tras la pista de un asesino en serie después de conocer a la señorita Pinkerton en un tren a Londres. Ahora Fitzwilliam tiene que encontrar al ases... Leer todoSigue a Luke Fitzwilliam, que se encuentra tras la pista de un asesino en serie después de conocer a la señorita Pinkerton en un tren a Londres. Ahora Fitzwilliam tiene que encontrar al asesino antes de que se derrame más sangre.Sigue a Luke Fitzwilliam, que se encuentra tras la pista de un asesino en serie después de conocer a la señorita Pinkerton en un tren a Londres. Ahora Fitzwilliam tiene que encontrar al asesino antes de que se derrame más sangre.
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I love to watch BBC crime series. Most of them are excellent. The lesser ones are still of a good standard.
Murder Is Easy is well below standard. So much so I was hesitant at first, feeling I was missing some hidden point.
I endured the dreadful acting. David Jonsson looks like he's been eating lemons. Then there's the dreadful timing, robbing the already sluggish story of all suspense.
To top it off, the camera work is wooden and awkward. Everything looks like it has been filmed on a theatre stage.
Finally, the makers insist on emphasising the bigotry of the era in a haphazard way. It becomes irritating when Jonsson breaks protocol and is meekly insulted or discriminated. He never stops smirking.
The only mystery here is how on earth this series was allowed to see the light of day.
Murder Is Easy is well below standard. So much so I was hesitant at first, feeling I was missing some hidden point.
I endured the dreadful acting. David Jonsson looks like he's been eating lemons. Then there's the dreadful timing, robbing the already sluggish story of all suspense.
To top it off, the camera work is wooden and awkward. Everything looks like it has been filmed on a theatre stage.
Finally, the makers insist on emphasising the bigotry of the era in a haphazard way. It becomes irritating when Jonsson breaks protocol and is meekly insulted or discriminated. He never stops smirking.
The only mystery here is how on earth this series was allowed to see the light of day.
My husband and I are impressed with David Jonsson, whom we are watching for the first time. His character is classy, like old school acting we haven't seen in a while.
I am no more a fan of revising classic works than the next Marple fan. I've seen "4:50 to Paddington," with Joan Hickson, more times than I can count. When it was remade some years later, there were some tweaks to the story, but I enjoyed that version too, especially with Highclere as the filming location. As far as other retellings after Joan Hickson's time, I felt some were good and some not.
They never did "Murder is Easy," with Joan Hickson. In my opinion, Benedict Cumberbatch made the version he was in, as he assisted Miss Marple ("not a Miss Pinkerton" - no offense to the wonderful Penelope Wilton) because, frankly, the subject was particularly distasteful.
I am reviewing this before I see the second part of this new "Murder is Easy" because I already know my opinion of what makes watching this version worth at least one viewing: the lovely filming locations, Penelope Wilton, Douglas Henshall, Mark Bonnar, Matthew Baynton, and the old-style charm of David Jonsson, which is why I'm being generous with my rating.
I doubt the BBC cares what fans of British mysteries think of their revisions. There have been some pretty awful re-re-re-retellings of classic titles this past decade, to be sure. The best we can do is not watch what isn't good - but then we can't always know it isn't good until we watch. And maybe that's why the BBC keeps the bad revisions coming? No, they'll do what they want anyway.
I am no more a fan of revising classic works than the next Marple fan. I've seen "4:50 to Paddington," with Joan Hickson, more times than I can count. When it was remade some years later, there were some tweaks to the story, but I enjoyed that version too, especially with Highclere as the filming location. As far as other retellings after Joan Hickson's time, I felt some were good and some not.
They never did "Murder is Easy," with Joan Hickson. In my opinion, Benedict Cumberbatch made the version he was in, as he assisted Miss Marple ("not a Miss Pinkerton" - no offense to the wonderful Penelope Wilton) because, frankly, the subject was particularly distasteful.
I am reviewing this before I see the second part of this new "Murder is Easy" because I already know my opinion of what makes watching this version worth at least one viewing: the lovely filming locations, Penelope Wilton, Douglas Henshall, Mark Bonnar, Matthew Baynton, and the old-style charm of David Jonsson, which is why I'm being generous with my rating.
I doubt the BBC cares what fans of British mysteries think of their revisions. There have been some pretty awful re-re-re-retellings of classic titles this past decade, to be sure. The best we can do is not watch what isn't good - but then we can't always know it isn't good until we watch. And maybe that's why the BBC keeps the bad revisions coming? No, they'll do what they want anyway.
Well, the scenery and locations didn't disappoint. They're absolutely gorgeous (filmed in Scotland I believe).
Agatha Christie stories are pretty rote so the bar isn't too high, but this two-parter didn't manage to clear it.
The body count was really too high for Our Hero (Luke Fitzwilliam) to sink his teeth into any one murder and frankly while he did ID the killer in the end ... he was one step behind the whole way, unlike say Miss Marple.
About the casting and the plot line:
I was very distracted by the fact that David Jonsson's left eye is much smaller than his right. There are many many closeups of his face where this affected my ability to focus on the plot.
Apparently in order to justify casting a Black actor in the lead role, they gave him a back story as being from a rich Nigerian family and coming to London to work in a diplomatic post as an attache to some British muckymuck. He speaks with a posh accent and there is almost no relevance to his African background in terms of the plot.
We get some stereotypical racist comments about "mud huts" from the local high and mighty lord of the manor, but almost everybody else in the film basically just accepts him and appears virtually color-blind. In 1954 rural England? I dunno about that.
Also, he's not given much to do, other than to wander around snooping, and then give a knowing smile in almost every scene.
The dialogue he was given to say didn't help at all.
I couldn't help feeling, this would have been a much better production if they'd just stuck with a snoopy old maid like Miss Marple as the detective.
Agatha Christie stories are pretty rote so the bar isn't too high, but this two-parter didn't manage to clear it.
The body count was really too high for Our Hero (Luke Fitzwilliam) to sink his teeth into any one murder and frankly while he did ID the killer in the end ... he was one step behind the whole way, unlike say Miss Marple.
About the casting and the plot line:
I was very distracted by the fact that David Jonsson's left eye is much smaller than his right. There are many many closeups of his face where this affected my ability to focus on the plot.
Apparently in order to justify casting a Black actor in the lead role, they gave him a back story as being from a rich Nigerian family and coming to London to work in a diplomatic post as an attache to some British muckymuck. He speaks with a posh accent and there is almost no relevance to his African background in terms of the plot.
We get some stereotypical racist comments about "mud huts" from the local high and mighty lord of the manor, but almost everybody else in the film basically just accepts him and appears virtually color-blind. In 1954 rural England? I dunno about that.
Also, he's not given much to do, other than to wander around snooping, and then give a knowing smile in almost every scene.
The dialogue he was given to say didn't help at all.
I couldn't help feeling, this would have been a much better production if they'd just stuck with a snoopy old maid like Miss Marple as the detective.
Agatha Christie wrote many dozens of murder mysteries, some famously ingenious; but either 'Murder is Easy' was a dud, or this adapatation is badly screwed up. People start dying in a small English village, but everyone still alive is remarkably unperturbed and several seem not to care if they're suspected to be the killer. Eventually, the real culprit is unearthed, and explains exactly how they've done it, although our amateur detective hero has identified the villain without in fact piecing any of it together for themselves. I've seen Christie adaptations that were fun, preposterous, or anachronistic; but none as anemic as this.
Firstly I'm a big fan of the whodunit period drama. From Miss Marple to Poirot etc. When I saw this advertised on the BBC over the Christmas period I was hoping for a good watch.
This starts off intriguing with Miss Pinkerton boarding a train, making her way to Scotland Yard. On the train, she meets Luke Fitzwilliam, whom she tells her tale of a murderer in her village. Fitzwilliam, an investigator himself, who is frustrated at a delay in starting his new job and so goes to Miss Pinkerton's village to investigate her claims.
To be honest, I found this one a bit boring. The way it played out and was acted it almost felt like a parody of Agatha Christie rather than a serious drama.
Although David Jonsson carried the lead well enough it didn't really suit the story to have Fitzwilliam's character changed to Nigerian. It made it difficult to believe the setting where the story takes place and that it was 1950s Britain.
I would recommend spending two hours doing something better than watching this. There are much better adaptations of Agatha Christie's work than this and time would be better spent watching them. Sadly yet again another Christmas and another sub par BBC adaptation.
This starts off intriguing with Miss Pinkerton boarding a train, making her way to Scotland Yard. On the train, she meets Luke Fitzwilliam, whom she tells her tale of a murderer in her village. Fitzwilliam, an investigator himself, who is frustrated at a delay in starting his new job and so goes to Miss Pinkerton's village to investigate her claims.
To be honest, I found this one a bit boring. The way it played out and was acted it almost felt like a parody of Agatha Christie rather than a serious drama.
Although David Jonsson carried the lead well enough it didn't really suit the story to have Fitzwilliam's character changed to Nigerian. It made it difficult to believe the setting where the story takes place and that it was 1950s Britain.
I would recommend spending two hours doing something better than watching this. There are much better adaptations of Agatha Christie's work than this and time would be better spent watching them. Sadly yet again another Christmas and another sub par BBC adaptation.
¿Sabías que…?
- TriviaLuke Obiako Fitzwilliam's character is based on the 1939 book's Luke Fitzwilliam -- a role that has been played by Bill Bixby in the 1982 TV movie, Peter Capaldi in the 1993 London stage version, and Benedict Cumberbatch in the 2009 TV version alongside an additional amateur detective, Julia McKenzie's Miss Marple.
- ErroresWhen the lead character is pushing through the group to get to the character killed in the street, the lady in the orange hat gets hit twice in the head with his umbrella, firstly from behind then to the front which you can clearly see her flinch.
- ConexionesVersion of Murder Is Easy (1982)
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- Tiempo de ejecución
- 1h 57min(117 min)
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