Sovereign

While it's script could improve regarding it's structure and pacing, it's a slow-burn yet good exploration character study about the individuals who are anti-government "sovereign citizens" filled with a strong emotional and tenseful atmosphere, good direction, and two great performances from Nick Offerman and Jacob Trembaly.

What director Christian Swegal does well is that capturing the essence of what sovereign citizens are like, capturing their selfish and controversial beliefs without feeling forced or messy. The direction on the tone, the writing and what the purposes for the characters and choices were realistic and tense. Including great themes about the poison settings of indoctrination amongst people and how it can cause an affect on society. Alongside with the good camerawork and soundtrack, as mentioned, Offerman and Trembaly provides great performances to their chilling and uneasy characters, allowing them to have some great dialogue moments and tension between the topics of father and son.

Regarding it's faults, the emotional layer on certain elements and some writing moments did feel a bit short. As if there were patterns and decisions that could have been a bit better. But overall, it's strong debut direction and atmosphere showcases the extremist and unfortunate relevance of today's society in the United States.

I didn't have high hopes for this movie, but it really surprised me. It's based on a real even - the 2010 West Memphis police shootings. The director, Swegal, takes this story and makes it feel incredibly tense, without being fake or over the top.

Nick Offerman is amazing in this role. He's nothing like his character from Parks and Rec. Here, he's a scary father who thinks the government is out to get him. The movie deals with the "sovereign citizen" idea, but the script keeps things human. You can understand why his character, Jerry, believes what he does, even though it's all wrong.

Jacob Tremblay is excellent as the son. He's caught between wanting to be loyal to his dad and realizing how crazy their situation is becoming. Dennis Quaid also does a great job as the police chief who just wants to do his job.

The best part is how the movie builds suspense without using cheap jump scares. The high Rotten Tomatoes score (94%) is right - it's a very good film. It's not a remake, but a new story about how extreme ideas can tear a family apart.

Worth watching if you're into character-driven thrillers. Just don't expect action movie fireworks.

Just watched Sovereign (2024) and found it to be a well-crafted tragedy. It's a haunting exploration of father/son dynamics, with Nick Offerman as a delusional, anti-government father grooming his teenage son for a future he doesn't want-but doesn't have much choice in. Inspired by true events, the film is a slow burn-there's action, but it takes its time building tension and developing its characters. It's melancholy, tense, and beautifully acted, with a supporting cast including Dennis Quaid, Nancy Travis, and Martha Plimpton-an interesting mix of talent that totally works. An impressive directorial debut from Christian Swegal.

So apt for the world we are living and an important portrayal of an element of society that poses an eternal threat to that society.

Since reading about Timothy McVeigh years ago I've always been somewhat fascinated by the disassociated, those who drift further and further into their very own world of indoctrination and delusion. I know people of that ilk, albeit mild in nature by comparison. I'd imagine everyone knows at least one.

Contrary to other comments, I liked the pacing. The acting was excellent. Offerman totally convincing and memorable. Every conspiracy theorist should be made to watch movies like this to see where delusion can lead to.

Christian Swegal's directorial debut is truly encouraging, delivering a highly political thriller based on a true story about "Sovereign Citizens." A raw, intelligent, and highly political thriller that won't be to everyone's taste, but is well worth a chance.

The film solidifies its cast, especially Nick Offerman, who delves into his dramatic side in a highly developed and masterfully performed role. A character study that takes us on a journey through an extremist capable of dominating everything around him. We also find Jacob Tremblay, who reconnects with all the dazzling talent he gave us in The Room, and here he once again sustains a film with his sheer acting and stage talent.

The work also involves supporting actors such as Dennis Quaid, Thomas Mann, and Martha Plimpton, who do not lose the interpretive power of their two protagonists.

It's a raw, slow-burning thriller. In the first half, we empathize and even understand certain aspects of the protagonist's debate, and in the second half, everything explodes, shattering all that empathy with a heartbreaking climax. Its director and screenwriter invite us to reflect on the extremism of the new right in a compelling film that fits precisely with the current global times.

This intense thriller is worth your time. It may not be entirely perfect, but it's daring, thoughtful, and uncomfortable, providing an addictive watch with all its strengths and weaknesses, but establishing one of those films that hopefully won't be forgotten in a rather interesting 2025.