The Affair

The affair is a deliberately slow- paced,beautifully shot,compelling show. The 2 main characters recount their truth in regards of the forming of "the affair" with a crime mystery in the background as an excuse to do so . We, as viewers,must decide and deduct our truth from their accounts. I love the psychological aspect of this show. In fact it's the main reason for my watching. How a very same event is viewed and felt and told differently from the people who experienced it.If you enjoy this show, I would recommend you also read "The One" by Vivienne Harris-Scott. The premise is nearly the same: what happens when 2 people fall in love when they should not.Each chapter is told from one person's Pov as Alison and Noah's, and it is as compelling to read, if not more,as there is also a suspense element. In fact, I had Déjà- vu when watching the first 3 episodes!Anyhow, with this as with H.Levi's " in treatment " Showtime has hit the jackpot. A mature and sophisticated audience will thoroughly enjoy this.

Alternative titles for Season 3:

• Between Absurd and Divine
• Sex Cures Everything

This review is based on the series through Season 3. If imdb.com allows editing, I will update upon finishing season 4.

The Affair is an intriguing menagerie of self-analysis, self-righteousness, compelling raw psychological drama, and absurdity.

Seasons 1 and 2 contain a full storyline with a little, but just a little, padding. The drama is rich, the feelings are raw, the tension is real. The tiny pixels leap off the screen into your mind, body, and soul. They compel tears, angst, occasional laughter, feelings of triumph, feelings of despair.

Season 3 is an uneven departure that vacillates between deeply moving psychodrama and meaningless French rabbit trails. Half the episodes provide a worthy progression of the story; the other half will leave you wondering is Season 4 will redeem the series.

One consistency, however, is that superfluous sex scenes (and, to a slightly less jarring effect, liberal profanity) are a signature of the show. At times, this phenomenon undermines the show's virtousity. It also undermines the progression of the characters, and that applies to EACH of the four main characters. Are they so immature and emotionally stuck that they consistently turn to impetuous sex as a vapid form of immediate relief? Does none of these four adults ever mature, despite the life-altering things happening to them that would tend to accelerate maturity? Maybe we viewers are not accustomed to such a real-life slow progression to maturity and self-awareness.

After season 2, I would have rated the show an 8, an unusually high rating for me. You can see that season 3 brought the rating down to a 7. Similar to how the color episodes of The Andy Griffith Show should not have happened. Well, that's a little harsh; season 3 isn't THAT bad.

Would I recommend the show? Heartily. Even Season 3. Just be ready to accept the flaws and enjoy the many mountaintops.

They don't make tv shows like this. This is drama at its best. Superb writing and cast of actors, so much talent in this one show. I wished there were 10 seasons of this because it never gets old, it never gets tiring or dull or pointless like many other shows do. Probably season 4 is my favourite because we have travelled so far with these characters that they feel like friends now or people we care about, so human and so fragile and imperfect and real. I love that the show doesnt focus on just Alison and Noah, because the rest of characters are equally fascinating, like Helen, Cole, Ben... all their individual stories matter and their interactions and views make this show riveting. The script is beautifully written, all full of nuances and subtle details that make you pay attention, no words are wasted, there are no filling scenes. Wonderfully shot too with brilliant cinematography, just beautiful. Its a show about people and nothing else, and that's why its so fascinating and unique. I wish it would never end.

Setting: Picturesque, folksy, idyllic, New England seaside tourist/fishing village town. Plot: Male (Dominic West) novel writing work/summer vacation with wife and children, meets and gets drawn into the life of married local woman (Ruth Wilson).

Appreciate the complexity, undisclosed undercurrents, the conflicted psychology of the main characters, all the while, aware of the cloaked elephant in the room.

Story told similar to True Detective's style with the detective's interviews of the affairees shown remembrances, somehow relating to whatever is going to happen. One half is his side, the other half, hers.

Lots of sideways glimpses of character and intentions, challenging what you thought you understood.

I troubled myself to understand the thing that makes this show so seductive, so different. To discover what is the ingredient that creators ably slipped into this immensely emotional and sensual potion. Something that imbues this show to its firm core. After a long consideration, I realized, that this one thing I was looking for is nonexistent. Because this show in its entirety is that special thing. The combination of intriguing, complex characters, empathy that they draw from the viewers. Mystery, that so elegantly dances through the plot, while hypnotizing us to follow its perfectly composed, unpredictable step. Casual, compelling, conversations that silently pull you even deeper down this beautifully directed world. By telling this story through the eyes of the characters, we find out that their view of the same situations vary. Not only that they see or understand something through their psychological state, this multi-character experience exposes us to realization that each person is living a life as vivid and complex as our own. This would be impossible to achieve if not the breathtaking actors and actresses that catapult this show to another dimension, yet never more close to humanity, to now, to us.