Bhimaa

The film starts off extremely cringe and a couple of scenes later, objectification of women takes place. The Lead actress in this movie is objectified to the most severe extent. This movie degrades police officials as well as Women in the educational field. Every scene where the actress walks away, the cameras' focus on her (back and down from there I hope you understood) the women is objectified to such an extent that it feels wrong to watch this movie. The Lead police actor makes disgusting faces and remarks while looking at the female lead. The film is full of overaction and cringeworthy dialogues. My heart goes out to whoever liked this film may God give you good sense because clearly he didn't when you watched this film. Please ban and boycott this as it disregards the entire police force and shows them as a bunch of people who are nothing but dons and this film also portrays them as mentioned who always fall behind woman based on their looks. This movie is a disappointment and should be removed and banned from the face of earth.

Film is not bad. It is hopeless. Sequences and scenes look cliche and copied from one movie or another. At a crucial time when Tollywood is moving towards new age with directors like Vidyadhar Kagita making a spectacle named Gaami, we have a director imported from outside to make an outdated and cringeworthy fare.

As audience, I support Gaami for the new concept, direction and story despite its flaws, and more over for its Tollywood's OWN director. Gopi sir should acknowledge and support our homegrown talent.

Mr. Harsha, please head back to your own yard to make thrash like 'Bhimaa'. We will support our Gopi sir when he makes his next movie with our Tollywood director. Supporting local talent and new age cinema always!!

Highlighting as a cop, and a priest, Gopichand experiments it with Bhimaa. Bhimaa is a duty minded cop saving village from Bhavani and his goons. And in the jeopardy of misdirection, the story makes no sense with the elevation of priest role. This is itself a copy of Adhurs and Ramudu, Bheemudu with a loss of story.

The direction is so amateurish as the story takes stupidity in highlighting many forced characters and songs in the making of this ridiculous movie.

I wonder what the direction even wanted to make from this outdated story?? The cop role was good, but the rest is nonsense. So disappointing.

Disappointment is the lingering sentiment as the credits roll, and one can't help but feel a sense of loss for what might have been-a cinematic gem that instead turned into a broken promise.

The film starts promisingly enough, with a premise that intrigues and characters that seem layered. The cinematography is breathtaking, capturing the essence of the setting with a vivid palette of colors. The score, too, begins as a symphony that promises to carry the audience through a spectrum of emotions.

The performances, while earnest, are hampered by a script that feels both overwrought and underdeveloped. Talented actors struggle to breathe life into dialogue that ranges from the melodramatic to the mundane. Moments meant to be poignant feel forced, leaving the audience disconnected and disengaged.

Oh, what a delight, a film where the plot flirts with the idea of being interesting only to take a nosedive into the sea of cliché and cringe. It's like stepping back into an era where boredom was the norm, with a narrative that's as fresh as last week's leftovers. Dialogues so cheesy, you'd think they were competing in a dairy product fair. Our leading lights in the acting department seem to think they're at a shouting match, turning every scene into a test of patience. Priya might be somewhat tolerable, hovering around the realm of just okay, while Malavika proves that stunning looks don't translate to acting prowess. As for the ensemble, they simply meander along the path of least resistance, presumably following the uninspired direction they were given. The cinematography and production values wave a little flag of decency in this desert of mediocrity, and while the songs might have you reaching for the mute button, the background score mercifully doesn't exacerbate the situation. Recommending this film? I'd say you'd have a more enriching experience watching water boil.