The Weeknd
- The Weeknd
- (as Abel Tesfaye)
Ibrahim Ivan Troy Simonin
- Child Abel
- (as Ivan Troy)
Roy Williams Jr.
- Cop
- (as a different name)
Scott Aschenbrenner
- Red Hair Clown
- (sin créditos)
Elizabeth Axe
- Concert Fan
- (sin créditos)
Jacob Benavides
- Concert Fan
- (sin créditos)
Josh Bone
- Concertgoer
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A soft 5/10. Abel Tesfaye's Hurry Up Tomorrow flirts with greatness but gets caught in its own spin, literally. The overused spinning camera becomes more distracting than dynamic and pulls from an otherwise intimate movie that gradually finds its own rhythm. The small cast works well and the slow-burn structure kept me guessing what kind of movie it really was until it clicked into place. It tries a little too hard to feel surreal and there's definitely some ego stroking going on by The Weekend. A few memorable moments.. It's Trey Edward Shults and feels like it. It's ambitious, uneven, and intriguing.
I love The Weeknd's music but this has to be one of the most pretentious movies I have seen in quite sometime.
Based as a companion piece of the album "Hurry Up Tomorrow", the Weeknd creates a musical piece based on his musical works to tell a tale of connection, self, and the breakdown of fame. I understand what the movie is going for and the artistic choices but this movie really feels like The Weeknd is trying to show off as if his personal and works are amazing and masterpieces, as if he is desperately trying to become the newest grand in musical cinema. This all falls short because of the poor writing, bad execution and really awful atmosphere and approach.
The writing feels meaningless, as if it's like an art-house movie without direction and purpose. There are some decent visual presentation and camerawork. However, the poor editing choices and messy technics between with the music and editing makes it unbearable and sloppy. The performances are not good. The Weeknd's performance was laughably bad especially any moment with dialogue. Jenna Ortega and Barry Keoghan are doing their best but unfortunately they aren't able to save the film.
Alongside with poor direction, bad dialogue, and pretentious themes, it's a really bad musical piece that tries really hard to be artistic when it's just full of itself. Director Trey Edward Shults is a filmmaker I love but it's pretty clear his talents and direction is out of his control since it feels like The Weeknd took it over with his vision, and his vision is bad.
It's pretty clear that The Weeknd is a talented singer but movie-wise, he should really stay away from it. Not necessarily as awful as "The Idol" but that's not saying much.
Bad.
Based as a companion piece of the album "Hurry Up Tomorrow", the Weeknd creates a musical piece based on his musical works to tell a tale of connection, self, and the breakdown of fame. I understand what the movie is going for and the artistic choices but this movie really feels like The Weeknd is trying to show off as if his personal and works are amazing and masterpieces, as if he is desperately trying to become the newest grand in musical cinema. This all falls short because of the poor writing, bad execution and really awful atmosphere and approach.
The writing feels meaningless, as if it's like an art-house movie without direction and purpose. There are some decent visual presentation and camerawork. However, the poor editing choices and messy technics between with the music and editing makes it unbearable and sloppy. The performances are not good. The Weeknd's performance was laughably bad especially any moment with dialogue. Jenna Ortega and Barry Keoghan are doing their best but unfortunately they aren't able to save the film.
Alongside with poor direction, bad dialogue, and pretentious themes, it's a really bad musical piece that tries really hard to be artistic when it's just full of itself. Director Trey Edward Shults is a filmmaker I love but it's pretty clear his talents and direction is out of his control since it feels like The Weeknd took it over with his vision, and his vision is bad.
It's pretty clear that The Weeknd is a talented singer but movie-wise, he should really stay away from it. Not necessarily as awful as "The Idol" but that's not saying much.
Bad.
This movie contains numerous spinning camera angles and a soundtrack that tries to imitate the Bladerunner 2049 at times. From the opening scene where the song went on a lot longer than it really should have, I already had a sinking feeling about the movie. Thirty minutes later and almost nothing about the plot has been revealed. Heck, Jenny Ortega hasn't even spoken a single word. What a complete waste of time. This movie tries way too hard to be surreal and it completely failed to do anything to make me care about any of the characters. What is this movie trying to achieve? I honestly have no idea.
If you were looking for a film that gave every possible art film camera angle and effect, this is the one for you. Reminded me the first time I used Photoshop and had to try out all the cool effects, the difference is I didn't try to use them all in the same photo. This movie did.
30 minutes of it was actually reasonably good, but the other hour plus was unnecessary.
Don't worry about having to go to the bathroom in the first hour, because you won't miss anything of substance.
I was mildly surprised by The Weeknd's acting, then I realize he's playing himself, so not really acting.
Jenna was great, the only bright spot in this lack luster film.
30 minutes of it was actually reasonably good, but the other hour plus was unnecessary.
Don't worry about having to go to the bathroom in the first hour, because you won't miss anything of substance.
I was mildly surprised by The Weeknd's acting, then I realize he's playing himself, so not really acting.
Jenna was great, the only bright spot in this lack luster film.
Prefacing this by saying i am a huge fan of the weeknd, and was willing to give this film a chance after the idol. That being said, this film just felt wholly unneeded? It might be better than the idol, sure, but that's not saying much. But it didn't really DO anything, narrative wise, development wise, etc. The best way i'd describe this would be it feels like a long music video, with nice shots, and (maybe too many) songs, but lacks any real substance to it... i will say i appreciated some parts, especially when there was a dive into abel's introspection in the dream sequences. But the issue was, it really just didn't dive deep enough to feel meaningful, and ultimately fell flat.
Abel's acting is an improvement from his last stunt but it's not saying much. Coming from a place of love for his music and craft, i think he would be much more successful behind the scenes rather than in front of it (at least for now). Overall? I would watch it if you want to get a few laughs in from unintentionally funny scenes, and if you are a big fan of the weeknd, it's worth a shot.
Abel's acting is an improvement from his last stunt but it's not saying much. Coming from a place of love for his music and craft, i think he would be much more successful behind the scenes rather than in front of it (at least for now). Overall? I would watch it if you want to get a few laughs in from unintentionally funny scenes, and if you are a big fan of the weeknd, it's worth a shot.
¿Sabías que…?
- TriviaProducer Kevin Turen passed away over a year and a half before the film was released from cardiac dysfunction and heart disease. The film is dedicated to him.
- Citas
The Weeknd: Shut the fuck up! Shut the fuck up! Shut up! What are you doing? What the fuck are you doing? I have to go right now, I'm getting calls. I have to catch a flight, I'm on a tour. I'm tryna be fucking nice! You see I'm tryna be nice right now, right? You're, you're voicing me to be bad but I'm actually doing a good thing! Alright? So just, chill the fuck out, and... I gotta go.
- ConexionesFeatured in The Weeknd: Drive (2025)
- Bandas sonorasImago
Written by Daniel Lopatin, Wejdas
Contains a sample of 'Saulei Tekant' by Wejdas
Performed by Daniel Lopatin (as Oneohtrix Point Never)
Courtesy of Warp Records
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- How long is Hurry Up Tomorrow?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 5,215,357
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,312,692
- 18 may 2025
- Total a nivel mundial
- USD 7,763,862
- Tiempo de ejecución
- 1h 45min(105 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
- 2.39 : 1
- 4:3
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