Summer Camp

Very cute but also incredibly lacking. I generally love this genre of heartwarming film but Summer Camp was missing an anchor. The story was a bit uneven in pacing; some scenes seemed out of order, we could have flashed back to the younger campers a little more and I think it would have added to the emotional depth. The writing wasn't quite there and the acting also seemed flat for a large portion of the film. None of the emotion felt earned, it felt as though the audience was being told "this is an important moment" rather than feeling the important moments. There wasn't enough character development to really feel invested in the characters' journeys.

For a movie with such a talented, capable cast, with several Oscar/Emmy winners, this is an embarrassment. I don't remember even smiling during the entire film, especially as I sat fuming about how much I'd spent to waste my time. The price of admission was all that kept me from walking out, unlike several others sitting in front of me who had more sense. It was like someone said "Who wants to make a few bucks? It won't require much effort." It's not even worth wasting your time if someone picks it up for streaming. This could easily have been a hilarious, poignant movie but falls absolutely flat. Not even sure why I gave it 2 stars.

Summer Camp (2024) is the latest dreadful film from Diane Keaton. This one is a total mess.

Yet another one of the old lady reunions, this time it's a reunion at a summer camp where, 60 years before, three gawky girls became friends. Wow. Over the next century they've grown apart. Wow. They all come back to camp and become friends again. Wow.

Keaton plays a PhD head of a research company ... but of course she's still the usual Keaton ditz. Kathy Bates plays a tough self-help guru with no private life, and Alfre Woodard plays a head nurse in a dead marriage. None of this really matters because at camp they flirt with the boys they knew 60 years before and have food fights and obsess about what they're going to wear. Written and directed by a 30-year-old female, these characters are totally stupid and unbelievable.

Bates and Woodard try but the material stinks. Keaton is especially irritating with all the same schtick from her Annie Hall days. There's also Eugene Levy and Dennis Haysbert and Beverly D'Angelo. By the book and boring.

Stuff like this does nothing to empower middle aged/ older women. Alfre Woodard was the best in the bunch, but everyone else's character was so two dimensional, and the actresses tiresomely typecast. Diane Keaton in menswear being neurotic and meek, Kathy Bates being outspoken and funky- just unimaginative. Then you add in the sigh worthy "money is no object" because one character is so rich and famous that things practically magically appear... hello, Hollywood, if you're listening, it's NOT RELATABLE. This is for grown women, If you want us to connect with it, stop with the fantasy of limitless materialistic indulgences.

I think SOMEONE thought this was a portrayal of "strong, independent women" but it's trite and superficial.

I wanted to love this movie. With a cast like Diane Keaton, Eugene Levy, Kathy Bates and Alfre Woodard you would expect this film to be damn near perfect or at least funny. But I am not going to blame the cast for this epic failure. It comes down to the writing. What is going on with writing scripts for actors of this generation of late, take for example the latest Book Club, which was another failure. Writers need to get their act together and start delivering decent scripts that do justice for these amazing actors. This really is not good enough. Like I said in the title, the best bits were the bloopers during the end credits. Such a disappointment.