The Blessing Bracelet

I like it for fair exploration of sensitive themes. For nice simplicity of bracelets. For the fair reference to faith, God, comunity solidarity. For dog and for return of husband and for trust problem.

Each of them just mazzers because ech Hallmark romance, having same recipe, can be interesting only for smart use of spices. In this case, sure, in old dusty formulas, the touch of religious area is inspired option.

In rest, familiar things, from single mother to the secret of her boyfriend, to the nice work of supporting actors - Marilyn Norry is the revelation of film, offering the so useful - realistic portrait of Pearl - and the boy working for his mom happiness.

In short, just beautiful surprising.

What year is the wig that the actress playing the mother was designed in? This wig looks ridiculous for a 2023 movie. These hairdos reflect movies going back to Humphrey Bogart, Grace Kelly, and other deceased actresses. I do not know if I'm gonna continue watching it but PLEASE design WIGS that give the actress or actor some kind of style and allure for 2023! I have a lot of experience with hairdos and hairstyles, esthetics, wardrobe. You make-up and wardrobe artists need to realize that what you think is the new thing is old and passé. Use your creative juices to see beauty and also realism in whatever you create be at wigs, costumes or anything else.

Count your blessings plus a dose of forgiveness are the ideas behind this movie. A divorced woman who seems to be hopelessly in debt thanks to her ex stumbles on the idea of making these bracelets to remind people to count their blessings. These main ideas plus some chemistry between Amanda Schull and Carlo Marks are enough to make this a pleasant watch.

The story is simplistic and predictable. There are no great highs or lows or surprises and very little tension beyond Dawn's financial crisis which the viewer knows is somehow going to be rescued by the bracelet business.

I often say that these movies struggle with any resemblance to reality but this one really stretches things. The business model portrayed in the movie is a confusing mess but somehow produces revenue enough to pay off months of back house payments and more. I was surprised when I did an internet search and saw one article claim the inspiration for these was an actual product on Amazon. Looking there I saw the subject bracelets were selling for nearly $30 each. Still.

There is an unintentional secret in the story which leads to a conflict. I thought that was overplayed, but they needed something and I guess the backstory does sort of explain the anger.

For those who don't like religious sermonizing, that part of this story is benign. While Dawn talks to God several times and emphasizes counting her blessings, the movie is far from preachy. And she could have been part of almost any mainstream religion.

I came to this film because it stars Amanda Schull, a delightful actress whose career I have followed since she first appeared in film, playing Jody in "Center Stage". Here, she plays Dawn, a divorced mother with a son, who is facing foreclosure on the family home. She is desperately looking for a second job, hoping to pull herself out of the financial morass that her ex-husband left her.

This Hallmark film leaves little doubt about its main theme. The word "believe" runs all through the dialogue. It leans heavily on a faith-based approach to life, as symbolized by the church. But the primary lesson Dawn learns is to believe in herself; and that belief allows her to stop dwelling on the past and doubting her future.

The story is good for the Easter season-another religious aspect of the film. But the holiday of Easter arose from pagan traditions that celebrated the vernal equinox and the renewals of Spring, the hope for rebirth and fertility.

There is a romance within this story. It develops rather routinely, along Hallmarkian lines. It even includes the eleventh hour conflict that threatens the romance. Does anyone else think many of these conflicts are dubious at best?

Besides the theme of "belief", there are other reminders to celebrate and give small gifts. That, in itself, is another good reason to enjoy this touching film.

First, Amanda's flat wig was a cross between Nicole Kidman and Veronica Lake, and looked old fashioned for 2024. The U. S have always been a bit behind in the fashion stakes, with some lead ladies looking like 1960s country singers.

The storyline was different, but whereas we know that Hallmark scriptwriters love lines that include "listen to your heart" and ""follow your heart" - (do people actually talk like that ? They do in Hallmarkland apparently), I found that the constant referrals to faith, God and community, a bit OTT. Maybe it's because here in the UK we don't "do" faith films we're just not that preachy. We go to whichever church our God dictates - if we go, but we're pretty much low key in our faith so yes, I do find this film a bit cheesy.

The two leads were well matched, and it was an OK watch. I've seen much worse.