Teacup

Teacup on Peacock is yet another example of today's TV trend-taking what could be an engaging story and stretching it over eight episodes so slowly that you can practically watch the plot evaporate. The first six episodes are a masterclass in how to take ordinary, daily activities-making tea, staring into space, exchanging sighs-and somehow expect them to build suspense. It's the TV equivalent of watching paint dry, but with occasional brooding glances to remind you something "big" might happen.

And finally, when it all comes to a head in the last two episodes, you realize it's just more of the same, only louder and faster. The series wraps up by leaving just enough plot threads hanging-like an overworked screenwriter forgot to delete their sticky notes-to suggest a possible season two. Because why answer questions now when you can dangle the carrot of resolution just out of reach forever?

In the end, Teacup proves that modern screenwriting has become the art of saying nothing at great length. It's binge-watching at its worst: a narrative that's as lukewarm as the title and filled with enough empty space to make you question your life choices.

I wasn't sure about the show until the end of the second episode. No spoilers, but the sound effects alone were so visceral as to make me excited to see more! The visual effects also were also quite grotesque! The gore reminds me of the fun practical effects of 80/90s horror, but blended with CGI.

The show finds it's footing by the end of the second episode. I think it's absolutely fine for showrunners to take their time to work into the story - in the past we gave series a lot more time when 24 episodes was the norm.

I'll be interested to see what direction the show takes from here. Fun new show :)

I watch for Yvonne Strahovski. There's something about her - a magnetism, a quiet force - that makes you think she should be headlining films, not locked into roles on TV. Still, she owns every scene as Mrs. Waterford in "The Handmaid's Tale," the kind of role that gets under your skin and stays there. Then there's "Teacup." It wants to be eerie, unsettling, even grotesque. Instead, it drags, provoking yawns where there should be tension, eye-rolls in place of chills. Like the moment they buy the kid's story, then start throwing around the title "Assassin" like it's a game. Sure, the show is reaching for a place alongside the heavyweights of dystopian drama, but it misses the mark - plot, dialogue, even the characters - just shy of hitting the right notes.

It seems like the director put all of the effort into the pilot episode. Well, to be exact, the first 2 episodes are really great, the show starts off very promising and sets up an intriguing and mysterious situation.

We're left wondering what's happening and is it really happening?

But then comes episode 3 and after minute 27, things start to fall apart. As soon as they try making sense and explaining what's going on, all of the magic and excitement and mystery that the first 2 episodes built up evaporates. Because it all becomes so boring and predictable.

Which is a real shame. I really wanted this show to be more, but this isn't Lost. And it certainly isn't From. It's just... bland.

If you're coming off the adrenaline and intrigue of From or the captivating mysteries of Lost, Teacup Series will likely feel like a major letdown. While both of those shows are built around high-stakes tension, deep character development, and intricate plot twists, Teacup Series feels like a pale imitation.

The show starts with a promising premise-mysterious happenings, and an area that seems stuck in an inexplicable loop-but quickly devolves into repetitive scenes with little payoff. Unlike From or Lost, which gradually build suspense through well-constructed story arcs, Teacup Series seems to be treading water, offering more questions than answers without the satisfying sense of discovery. It almost feels like the show is stalling, relying on cheap cliffhangers that lead to nowhere.