Test

I was really looking forward to this amazing cast and hoping they would bring a fantastic performance and story... Honestly shocking! Why would they sign up for this utterly boring movie. There was no saving grace anywhere in those 2+ hrs.

The movie is sort of cricket oriented but there is no cricket in there. You see troubles of the female char, but some of those don't make much sense. The lead char is a person who is angry, frustrated and on the phone all the time.

Definitely not a movie that can be watched for fun, or good storyline or time pass. Subpar script and mediocre acting. Very disappointed!

Test (2025)" is a textbook example of a wasted opportunity. Despite a star-studded cast, the film falls flat due to its painfully dull screenplay and uninspired execution.

Madhavan seems to be trying hard to carry the film, but even his efforts can't save the sinking ship. Nayanthara appears completely out of sync with the narrative-her character lacks depth, and her presence feels more ornamental than impactful. Siddharth, on the other hand, delivers a robotic performance with zero emotional range, making it hard to connect with his character at any point.

The biggest letdown is the screenplay-disjointed, sluggish, and lacking any engaging moments. It drags without purpose, testing the patience of the audience rather than offering any meaningful cinematic experience.

Cricket scenes were disastrous.

Anwar Says: What a waste of a top star cast by the director S. Shashikath , who played with the expectations of audiences. Netflix viewers were eagerly waiting for this movie and expecting an engaging one, but the slow pace and timid writing made it a quite mediocre.

The plot has so much to deliver and the best of Kollywood were cast and they tried to give their best but Shashikath Saheb was adamant to present it in a snail's pace and in spite of Maddy's large than screen presence in a grey character and reasonably appreciable performance by Nayanthara , it failed to click. Sidharth also kept on yelling or taking on phone throughout. Meera has nothing much to do except in one scene when she overpowered Sidharth.

On the whole, an excellent plot with terrific cast has been killed by director-editor duo.

#netflix #anwarsays #matchfixing #cricketlife #hydrofuel #overambitious #rmadhavan #nayanthara #sshashikath #weakdirection.

Behold the cinematic travesty that is Test, a film so replete with squandered potential it could serve as a case study in narrative incompetence. The story, ostensibly brimming with "interesting elements," flounders under the weight of its own ineptitude, as these tantalising threads are left to languish, undeveloped, in a mire of creative apathy. The screenplay, a plodding dirge of ennui, drags its weary feet through a wasteland of mediocrity-occasionally punctuated by scenes that rise to the lofty heights of "okay" or, in rare bursts of adequacy, "good," only to collapse back into a torpor of unrelenting dullness. And then there are the moments of sheer absurdity, where scenes and dialogue descend into a puerile silliness that insults even the most forgiving intellect.

Madhavan, bless his thespian soul, delivers a performance of such brilliance it's almost tragic, shackled as he is to a character granted but a miserly handful of decent scenes-glimpses of excellence drowned in a sea of squandered opportunity. Siddarth acquits himself admirably, a beacon of competence in this dim constellation. Meera Jasmine, meanwhile, appears as an awkward anomaly, her visage oddly discordant with the frame, though her acting salvages some dignity from the wreckage. Nayanthara, poor soul, is a victim of time's cruel march, her appearance weathered beyond redemption by makeup so garishly inept it screams desperation-an attempt to defy age that only amplifies its victory. Her performance, alas, is a monotonous slog, as rote as a factory assembly line. Kaali Venkat, Vinay Varma, and the rest of the ensemble muster a collective shrug of adequacy, neither offending nor inspiring.

The production values-oh, how they gleam!-a polished veneer of locations, sets, and cinematography that dazzles the eye while the soul withers. The music, that auditory wallpaper, settles for a middling hum, neither elevating nor offending. The direction, helmed with all the flair of a bureaucratic functionary, is "okay"-a damning indictment if ever there was one.

In sum, Test is an exercise in cinematic futility, a film so unworthy of your time that to watch it is to willingly subject oneself to a masterclass in disappointment. Spare yourself the ordeal.

"Test" (2025) showcases the undeniable talent of R. Madhavan, who delivers a stunning performance. However, the film is ultimately let down by a flat and unengaging storyline that fails to captivate the audience.

R. Madhavan commands the screen with his charisma and acting prowess. His portrayal of the character is nuanced and compelling, demonstrating his ability to elevate even a weak script.

Unfortunately, the film's narrative struggles to maintain interest. The story lacks originality and fails to offer any compelling plot developments or emotional depth. The pacing feels slow and uneven, making it difficult to stay invested in the characters' journeys.

The supporting cast, while capable, is given little to work with. The characters are underdeveloped and their relationships lack complexity, further contributing to the film's overall lack of engagement.

The film's technical aspects are adequate, with decent cinematography and a fitting soundtrack. However, these elements are not enough to compensate for the film's narrative shortcomings.

Despite Madhavan's stellar performance, "Test" is a disappointing cinematic experience. Its lack of engaging story and emotional depth makes it a film that is easily forgotten.