Hannah Gadsby: Something Special

I watched both Nanette and Douglas (Hannah's previous Netflix specials), and I enjoyed parts of each show. I found myself laughing at the Art jokes quite a lot. Even some of the lesbian jokes were fun, but they also get tired fast.

But this special, was like watching paint dry! It was more like a chore.

There was a joke that got a chuckle out, but I forgot which one it was.

I don't get why she is repeating how good she is as a storyteller and how bad her wife is at telling stories. I got it the first time, it doesn't become funnier if you say if a bunch of times.

The jokes are very mild and boring, definitely not worthy of such a large audience. But maybe I just didn't get it?

Hannah Gadsby returns with a third Netflix special that starts good and ends great. While her first special is best remembered for being a serious affair, and her second increased the quantity of jokes (Gadsby herself acknowledged she'd unpacked most of her trauma in her first big special), with Something Special, I feel like Gadsby just revolutionised "my wife" comedy (which itself is a generally tired type of standup that I tend not to like).

To elaborate, it's a pet peeve of mine when stand-up comedians rely too heavily on jokes about their wives (mostly men, but I've also seen female comedians who make much of their routine about partners), and that there seem to be increasingly fewer ways to make these jokes funny. They're not always inherently unfunny, but it's a type of joke you start to recognize (and get tired of) after watching a decent number of standup specials.

Here, Gadsby's show largely revolves around the last few (mostly positive) years of her life, particularly how she came to be married. Her jokes aren't at the expense of her partner; they're more just funny and endearing observations. The endearing part makes up for the fact that the material isn't always laugh-out-loud funny. It's a little more subdued, but it's consistent and doesn't often miss. It also builds up to an excellent ending that made me appreciate the special as a whole much more.

If there's one complaint, it's that things grind to a halt whenever Gadsby mentions "editing out" jokes that don't hit. I feel like comedians should take a failed joke in stride, lampshade its failure in a funny way, or actually edit it out and not let the imperfection show. I know I've seen other comedians lately do this kind of reference when something doesn't hit with the audience, and I think it's starting to hurt specials. It's confusing, because I remember her second special had some better meta-observations about the nature of standup, but here, they just feel like (very occasional) awkward bloopers.

But this is largely a very good special, and expertly subverts and puts a positive/wholesome spin on the tired "complain about my wife for an hour" style of standup special. From now on, anyone else who wants to base a comedy special primarily around their significant other has to make sure it's at least as good as this.

Hannah jokes that we are owed a feel good show after previously making us laugh and cry - and the show delivers on this promise.

Like most good stand up - it felt short and left you wanting more. Like most good stand up - stories linked into other stories, and stories about telling stories were also a pleasure.

And that is just it - laugh or cry, Hannah tells stories, facts, truths in the type of way that makes us feel we could all be successful comics telling the nuances of our lives - but Hannah nails it.

You wont have your heart wrenched like Nanette - but you will be entertained and this is "something special"

I "got" Nanette and I really enjoyed "Douglas" but I don't know what the hell this was suppose to be. Yay, she got married, completely happy for her on that. I'm happy for her wife as well. That's wonderful. But the rest of it didn't land anywhere near humorous for me. I found it repetitive, morbid, and banal at best. She sounds liked she was trying way too hard for this special; the previous two felt quite organic and true to herself. This felt like a pop star was making an album to meet a record company contract and the only important thing was to fulfill that contract. I maybe snickered once. Ok, it was a chuckle but the rest of it was dismal. So disappointing.

If this was described as "a person walking around on stage talking about boring mundane day-to-day things that are not funny" then I would laugh and be like "are you serious? I gotta watch this". But it was described as a "comedy special", so I watched this thinking that someone was going to tell jokes and I was going to laugh.

Not only did I not laugh, but the audience didn't laugh either. There is one joke about the color blue.... wow, it was like watching that one lady back in 2016 who said "wiped the hard drive? Like, with a cloth?", which is essentially when the word "cringe" was invented in pop culture. The entire audience of this special looked at each other with a weird look on their faces thinking "Is this funny? Am I supposed to laugh?"

I hope that analogy gives you an idea of what you can expect to feel when you watch this thing. It is beyond dry. And I don't mean dry like the Office, but dry like static cling in your laundry. You are going to get electrocuted when you stand up from your couch to turn off the tv.

How did this person manage to secure a Netflix special? I just don't get it. I highly doubt you will either.