Azadi

Azadi is a gripping cinematic experience that keeps you hooked from start to finish. With a tight screenplay and seamless narration, the film manages to stay consistently engaging without a single dull moment or lag.

The making of the film stands out with its high production values and thoughtful direction, bringing both emotion and intensity to the forefront. The background score and songs are well-composed, enhancing the emotional depth and overall impact of each scene.

One of the strongest aspects of Azadi is its stellar cast. Every actor delivers a powerful performance, adding authenticity and energy to their roles. Their commitment shines through and pulls the audience deeper into the story.

The real surprise comes in the climax-a clever twist that elevates the film and leaves a lasting impression.

Definitely worth a watch.

Azadi is a well-crafted Malayalam thriller that keeps you on the edge of your seat with its suspenseful narrative and unexpected twists. From start to finish, the film maintains a gripping pace, never letting your attention waver.

The cast delivers commendable performances across the board. Every actor, whether in a lead or supporting role, fits seamlessly into their character, bringing depth and authenticity to the story. The chemistry and intensity among the cast members truly elevate the film.

Overall, Azadi is a must-watch for fans of thrillers. With its tight screenplay, solid performances, and powerful music, it delivers a memorable cinematic experience.

Dragging up a lot...Vani should have given a better role in another movie...doesn't make sense at all with the scenes. Like some copycat movie...so boring...had to skip and watch as it was so slow..There s nothing thrilling in this..Big stars with a bad movie n script and scene. The police do a big investigation n find out the culprits and let them go n ask him to go n do the crime...n hero with no minimum common sense trying to do it under full police protection n in hospital...n Sreenath bhasi looks like he cannot even stand up n he s ready to fight everyone with nothing ... No sense,no story line, slowwww and Vani vishwanath was a surprise to see but no impact in this role..would love to her in better roles ....

The director and producer should refund money of those few who have watched this nonsense in theater. And Whyonearth would any ott buy this to torture public further.

From starting to end it was absurd

Special mention to laal,Bhasi please select script wisely or stop acting

Vani Vishwanath should also stick to meaty roles which can justify her caliber like rifle club.

The Malayalam film "Azadi," directed by Jo George and written by Sagar, attempts to narrate a gripping jailbreak drama but ultimately falls short in multiple areas. The story revolves around a desperate plan to rescue a pregnant woman from jail when she's transferred to a hospital for childbirth. While the premise carries potential for suspense and emotional depth, the film gets bogged down by outdated writing and a lackluster execution that undermines its impact. The screenplay follows a very familiar template for jailbreak films, but the writing feels uninspired and riddled with clichés, which detracts from what could have been a taut thriller.

One of the film's glaring weaknesses is its heavy reliance on melodrama over actual thrill. The narrative often veers into overly dramatic territory, filled with heavy-handed dialogues that come off as forced rather than natural. This detracts from the emotional engagement and weakens the storytelling, making several scenes feel unearned or exaggerated. The pacing suffers due to repetitive moments, especially with the police repeatedly declaring that they have the situation under control, which becomes tiresome and diminishes tension rather than adding to it.

The characters, while played by a capable cast, are let down by poor writing and underdeveloped arcs. Vani Viswanath's character, despite the actress's strong screen presence, is notably weak with little depth or meaningful development. Her overacting is very boring, the dialogue delivery is like robotic. The hero, played by Sreenath Bhasi, appears to lack basic common sense in the plot, with moments that defy logic, such as trying to execute plans under full police protection and in hospital settings without realistic obstacles. Several supporting characters, including Lal and Saiju Kurup, receive subpar treatment in terms of their roles and dialogues, which weakens the overall ensemble performance.

The film's editing and direction show some promise, but a tighter cut could have helped eliminate the drag and maintain a better pace. The musical score by Varun Unni is one of the few positive elements, providing good emotional support to the scenes. However, strong technical elements cannot fully compensate for the narrative shortcomings that drag the film down.

Most disappointing is the climax twist, which comes across as contrived and undermines the emotional buildup established earlier in the movie. Instead of adding a layer of sophistication or surprise, the twist feels forced and detracts from the story's coherence and impact. This misstep ultimately leaves the audience feeling dissatisfied rather than rewarded for having stayed through the drama.

In sum, "Azadi" is a below-average film that squanders its promising setup due to weak writing, a predictable storyline, and uneven characterizations. While it benefits from good performances and some technical merits, these are not enough to rescue a film hampered by clichés, slow pacing, and an underwhelming climax. It might appeal to die-hard fans of the genre, but for most viewers, it is likely to be a tedious and forgettable experience.