Incógnito

Plainclothes

An excellent movie set in the 90's that explored the reality of being gay and trying to deny that truth in a straight world of friends and family. Supposedly built on a true story.

The ever present expectations of everyone around you to be what they expect you to be, is well played out in this movie.

Tom Blyth plays Lucas, a cop, who detail at the present is entrapment of gay men, here he meets Russell Tovey, who's playing Andrew and there is an instant connection. The movie skirted around the all to common reality that many a gay man cannot realised his true sexuality whilst his parents are alive and then when that moment arrives all hell breaks loose.

This was a cleverly scripted and crafted movie that alternated between the police work and the embryonic romantic relationship between Lucas and Andrew. There is more than an element of fixation on Lucas's part as this is his first entanglement.

I thought this was all played very convincingly and stated in spades no one can choose their sexuality or sexual preference regardless of their own intellectual desires, it just cannot be denied.

I'm going to give this firm 8 outta 10, a most believable set of scenarios.

It's 2025 and why are gay themed films still examining men coming out, in this case, when it appears to be set a few decades back. This story has been done over and over again, for decades, and while this is an excellent film, it would be great if film makers moved on to some other facet of gay life.

What saves this film is that it's fairly well written and the performances are outstanding. Tom Blythe is exceptional in the lead role and the entire film's plot is grounded in reality, even if it's a sad reality.

What brings the movie down is the decision, I assume, to film this as if it were actually filmed decades ago on the worst camcorder ever. The movie looks cheaply made and there are too many ugly video effects added. The editing and many quick cuts don't help. With as many fine actors that there are in this I doubt the decision to film this with horrible cinematography was one of budget , but of choice. It was a bad idea. It takes away from the film and overall the film is very moving and has a real message.

I've read that this movie was kind of expensive to make but man...it doesn't show at all. I think the actors are doing their best with a pretty basic script, but the production is just bad.

It's not the VHS resource - Gregg Araki's work still looks interesting today. It's the editing, the cheesy close-ups and everything that goes by the numbers: even the antagonist has no redeemable qualities. Tovey is the highlight - he elevates the material with his performance but there's just so much he can do. It's not a terrible movie but I needed to bring some objectivity to the reviews posted so far..

Watched at the 2025 Sundance Film Festival.

The experiences of how gay individuals are going through and the homophobia around is sad and unfortunate, especially with today's climate. Director Carmen Emmi has created an interesting movie about heartbreak, lust, gay identity, and closeted emotions with great performances from Tom Blyth and Russell Tovey, atmospheres, direction, and writing throughout. The narrative strikes with some interesting themes, character dynamics and tension revolving around its setting. While it's conventional writing does have some moments that feel a bit messy, no doubt Emmi has an ambitious tale to tell.

The theme about love and the closeted aspects of being gay is explored pretty well. Examining the troubled effects and feelings one can go through and using a cop vibe approach is quite an interesting take. As mentioned, the main two lead performances are great as the feelings and emotions they are going through are both, while aren't perfect, understandable and honest. Editing wise, there are some weird editing choices that are a bit headaching, alongside with some strange dialogue choices and pacing that feels aimless.

Otherwise, it's a good romantic thriller that achieves with its purpose and themes. Providing a really good third act that leaves the satisfaction on rise.

I really struggle to care about romance films. Love is such a private, subjective, and in many ways arbitrary experience and, as a show-don't-tell medium, movies in my opinion just aren't an easy art through which to explore how people feel it. Generally movies standardize it to "well she fills his X deficit/need and he fills her Y deficit/need and that's why they work". I don't care about such contrived, transactional relationship.

Plainclothes, however, completely breaks through this trap. For spoilers I won't detail how, but this easily the most "real" romance I've seen in recent memory, perhaps late memory. I teared up several times in this one. If you're gay or bi, this is especially moving. But even if you're not, you're in for a novel concept and a tense story to keep you glued through an eye-opening experience about gay love, or the lackthereof...

Another reason this works so well is that, while substantively a tragic romance, it FEELS like you're watching a thriller due to the pacing, anxious cinematography, and tense writing structure.

So, so good. Keep an eye out on the creative team. Exceptional film.