Mediha

Young Yazidi woman, Mediha, tells her story. Through her lens you live her harrowing world, and the post mortem of surviving ISIS.

Director, Hasan Oswald, adeptly empowers Mediha to narrate her journey, skillfully capturing the dark nuances along side glimpses of hope.

They weave human resilience with stark tragedy and the pursuit of justice. You will think about Mediha long after the film ends, humbled and inspired.

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• Incredible access
• Poetic cinematography and editing
• Dynamic characters
• Vérité and real
• Important story of Yazidi genocide in Kurdistan
• Depth and emotion.

Towards the ending of the documentary, a woman tells of the hardships that kidnapped Yazidis go through everyday: a never-ending nightmare where one is confronted daily by challenges that people of the western world only know as kind of extreme (but ever so unreal) narrative expedients, e.g. Sophie's choice. The same woman then concludes by affirming that these are truly the most voiceless people she can think of. The importance of Mediha as a documentary, then, must reside in the attempt to make present what is, in reality, absent. Throughout the whole movie, we see all kinds of people deprived of something essential such as a children, a mother, a brother, innocence. And Mediha, in a way, works perfectly as the catalyst of loss: as a daughter she is deprived of her own mother, as a sister (and in a way also as a mother) of her own brother and as a girl she is in constant mourning of her forever lost childhood. To give her the control of the camera, to intersperse glimpses of her life by her own hands, works perfectly, but only because Mediha never wants to stop sharing. What makes her extremely rare and most deserving of the amplification is, in fact, a truly unbreakable sense of resilience, even in the face of her own community telling her just not to talk, and by proxy to think, about the past. Still, she doesn't refuse to suffer, and wears her scars proudly, with a smile. Symbolized by an ending section where brother and sister reunite, and kids run in the sunset, Mediha is a documentary that stuns for the vein of unchained optimism it manages to transmit.

Before seeing Mediha, i had some mixes feeling about the movie, especially regarding the overall method. Deciding to give the protagonist a camera is a peculiar choice. You have to trust the subject so much that she will become part of the movie, somehow a second director. Mediha successfully manages to tell her story in a personal way that has no equal, and paradoxically i now think that the method is the major innovative strenght of the movie, together with the heartbreaking, untold, kept-away-from-the-media story. Mediha is one of the most interesting documentaries of this year and i really hope it will find its audience around the world.

"Mediha" is a powerful documentary directed by Hasan Oswald that offers a candid glimpse into the life of a 15-year-old Iraqi girl named Mediha, who, along with her brothers, Ghazwan and Adnan, navigates the challenges of living in a refugee camp after being rescued from ISIS captivity. Through a blend of first-person camerawork by Mediha herself and Oswald's aerial shots, the film sheds light on the atrocities faced by the Yazidi community, where men are executed, women are sold into slavery, and children are indoctrinated into the Islamic State.

Oswald's sensitive storytelling approach allows Mediha to share her experiences at her own pace, respecting her boundaries while still highlighting the resilience and strength she embodies. The documentary not only serves as a poignant reminder of the ongoing humanitarian crisis but also celebrates the power of resilience and the hope for healing in the face of unimaginable trauma.

"Mediha" is a compelling and thought-provoking film that demands attention and empathy from viewers, offering a unique perspective on the human spirit's ability to endure and overcome adversity.

If a week ago my future-self told me I would have one of the most profound experiences of my life during the debut of the Indie Street Film Festival in Red Bank NJ, watching a foreign language subtitled film, I wouldn't have believed it. Director Hasan Oswald's documentary, Mediha, opened the festival in a way that we the viewers will never forget. Mediha is the story of a young Yazidi girl who at 10 years old was captured from her home in northern Iraq and sold into slavery. She was sold and resold as a slave to ISIS fighters multiple times, yet survived and found strength and determination to tell/share her story through her own lens. I had the honor of meeting the Director and receiving the warmest hug from Mediha at the end of the night. After enduring unimaginable horror, Mediha glows with kindness, energy and light that radiates from her heart into ours. This film is a must see, her story is a must share and the cause is a must support. A million Thank You's to @hasanohhh @medihaalhamad @medhiafilm @indiestfilmfest for touching our hearts. Mediha, you are an amazing, powerful woman and it is my prayer that this film provides you with every opportunity you need to heal and succeed. #liftingwomenup #medihaisaboss #filmsthatmatter. I'm.